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Publisher:
Cambridge University Press
Online publication date:
December 2022
Print publication year:
2022
Online ISBN:
9781139033077

Book description

The Cambridge Companion to Seventeenth-Century Opera is a much-needed introduction to one of the most defining areas of Western music history - the birth of opera and its developments during the first century of its existence. From opera's Italian foundations to its growth through Europe and the Americas, the volume charts the changing landscape – on stage and beyond – which shaped the way opera was produced and received. With a range from opera's sixteenth-century antecedents to the threshold of the eighteenth century, this path breaking book is broad enough to function as a comprehensive introduction, yet sufficiently detailed to offer valuable insights into most of early opera's many facets; it guides the reader towards authoritative written and musical sources appropriate for further study. It will be of interest to a wide audience, including undergraduate and graduate students in universities and equivalent institutions, and amateur and professional musicians.

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Contents


Page 1 of 2


  • The Cambridge Companion to Seventeenth-Century Opera
    pp i-i
  • Cambridge Companions to Music - Series page
    pp ii-vi
  • The Cambridge Companion to Seventeenth-Century Opera - Title page
    pp vii-vii
  • Copyright page
    pp viii-viii
  • Contents
    pp ix-x
  • Music Examples
    pp xi-xii
  • Figures
    pp xiii-xiv
  • Tables
    pp xv-xvi
  • Contributors
    pp xvii-xx
  • Preface
    pp xxi-xxiv
  • Chronology
    pp xxv-xxx
  • Abbreviations
    pp xxxi-xxxii
  • Part I - The Italian Foundations
    pp 1-102
  • 1 - Opera Is Born
    pp 3-21
  • The Wedding of Music and Drama in Late Renaissance Florence
  • 2 - ‘…e poi le parole’
    pp 22-38
  • Towards a History of the Libretto
  • 3 - Aria, Recitative, and Chorus in Italian Opera
    pp 39-76
  • 4 - Opera as Spectacle, Opera as Drama
    pp 77-102
  • Part II - Society, Institutions, and Production
    pp 103-212
  • 5 - Opera for a Paying Public (Italy c. 1637–c. 1700)
    pp 105-126
  • 7 - Opera, Gender, and Voice
    pp 146-169
  • 8 - Dance and Ballet
    pp 170-189
  • 9 - Staging Opera in the Seventeenth Century
    pp 190-212
  • Part III - National Traditions (outside Italy)
    pp 213-342
  • 10 - Opera in France c. 1640–c. 1710
    pp 215-239
  • 11 - Song and Declamation in French Opera
    pp 240-261
  • 12 - Opera in England
    pp 262-285
  • 13 - The Development of Opera in the German Countries
    pp 286-311
  • 14 - Opera in Spain and the Spanish Dominions in Italy and the Americas
    pp 312-342
  • Further Reading
    pp 343-370

Page 1 of 2


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