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Publisher:
Cambridge University Press
Online publication date:
November 2023
Print publication year:
2023
Online ISBN:
9781108551328

Book description

Since its premiere in 1791, The Magic Flute has been staged continuously and remains, to this day, Mozart's most-performed opera worldwide. This comprehensive, user-friendly, up-to-date critical guide considers the opera in a variety of contexts to provide a fresh look at a work that has continued to fascinate audiences from Mozart's time to ours. It serves both as an introduction for those encountering the opera for the first time and as a treasury of recent scholarship for those who know it very well. Containing twenty-one essays by leading scholars, and drawing on recent research and commentary, this Companion presents original insights on music, dialogue, and spectacle, and offers a range of new perspectives on key issues, including the opera's representation of exoticism, race, and gender. Organized in four sections – historical context, musical analysis, critical approaches, and reception – it provides an essential framework for understanding The Magic Flute and its extraordinary afterlife.

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Contents


Page 1 of 2


  • The Cambridge Companion to The Magic Flute
    pp i-i
  • Cambridge Companions to Music - Series page
    pp ii-vi
  • The Cambridge Companion to The Magic Flute - Title page
    pp vii-vii
  • Copyright page
    pp viii-viii
  • Dedication
    pp ix-x
  • Contents
    pp xi-xiii
  • Figures
    pp xiv-xv
  • Tables
    pp xvi-xvi
  • Musical Examples
    pp xvii-xviii
  • Contributors
    pp xix-xxii
  • Acknowledgments
    pp xxiii-xxiv
  • Abbreviations
    pp xxv-xxvi
  • Introduction
    pp 1-6
  • Part I - Conception and Context
    pp 7-82
  • 1 - German Opera in Mozart’s Vienna
    pp 9-29
  • 2 - The Magic Flute’s Libretto and German Enlightenment Theater Reform
    pp 30-43
  • 3 - Emanuel Schikaneder and the Theater auf der Wieden
    pp 44-60
  • 4 - The Magic Flute in 1791
    pp 61-82
  • Part II - Music, Text, and Action
    pp 83-184
  • 5 - Music as Stagecraft
    pp 85-99
  • 6 - Enduring Portraits: The Arias
    pp 100-118
  • 7 - “All Together, Now”? Ensembles and Choruses in The Magic Flute
    pp 119-131
  • 8 - Musical Topics, Quotations, and References
    pp 132-147
  • 9 - Instrumentation, Magical and Mundane
    pp 148-158
  • 10 - The Dialogue as Indispensable
    pp 159-172
  • 11 - Music, Drama, and Spectacle in the Finales
    pp 173-184
  • Part III - Approaches and Perspectives
    pp 185-272
  • 12 - Seeking Enlightenment in Mozart’s Magic Flute
    pp 187-199
  • 14 - Partial Derivatives: Sources, Types, and Tropes in The Magic Flute
    pp 221-233

Page 1 of 2


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