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Figures

Published online by Cambridge University Press:  24 November 2023

Jessica Waldoff
Affiliation:
College of the Holy Cross, Massachusetts

Summary

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Figures

  • 1.1Scene from Die Bergknappen showing Caterina Cavalieri as Sophie. Ink drawing by Carl Schütz, 1778. Courtesy of The Albertina.

  • 3.1Plan of the ground floor of the Hochfürstlich Starhembergischen Freihaus auf der Wieden in Mozart’s day. The Freihaus Theater can be seen above the garden. Andreas Zach, landscape architect, 1789. Pen, ink, and watercolor. Courtesy of the Niederösterreichisches Landesarchiv/St. Pölten, Nö. Regierung (vor 1850), E 1 Zl. 22924 bei 19798 ex 1789.

  • 4.1Playbill for the premiere of The Magic Flute. Courtesy of the KHM-Museumsverband, Theatermuseum Vienna. Die Zauberflöte, Uraufführung, Faksimile des Theaterzettel (ÖTM PA_RaraG286).

  • 4.2Emanuel Schikaneder as Papageno in an engraving by Ignaz Alberti, opposite page 4 of the original libretto as printed by Alberti (Vienna, 1791).

  • 4.3Act 1, scene 3. Papageno: “Here, my beauties, here are my birds.” Engraving by Joseph Schaffer, ca. 1794. Courtesy of Wien Museum.

  • 4.4Act 1, scene 15. Tamino: “Dear flute, through your playing even wild animals [wilde Thiere] feel joy.” Engraving by Joseph Schaffer, ca. 1794. Courtesy of Wien Museum.

  • 4.5Act 1, scene 18. [Chorus:] “Long live Sarastro!” Engraving by Joseph Schaffer, ca. 1794. Courtesy of Wien Museum.

  • 4.6Act 2, scene 18. Pamina: “You here! – Benevolent Gods.” Engraving by Joseph Schaffer, ca. 1794. Courtesy of Wien Museum.

  • 4.7Act 2, scene 25. Speaker: “Away with you, young woman, he is not yet worthy of you.” Engraving by Joseph Schaffer, ca. 1794. Courtesy of Wien Museum.

  • 4.8Act 2, scene 28. Tamino: “Here are the terrifying gates.” Engraving by Joseph Schaffer, ca. 1794. Courtesy of Wien Museum.

  • 4.9Engraving by Ignaz Alberti showing hieroglyphics, ruined columns, and the “vault of pyramids” associated with scenery in Act 2, frontispiece of the original libretto as printed by Alberti (Vienna, 1791).

  • 16.1Image of Pamina from Die Rheinische Musen (Mannheim, 1795). Courtesy of Österreichische Nationalbibliothek.

  • 16.2Image of Monostatos from Die Rheinische Musen (Mannheim, 1795). Courtesy of Österreichische Nationalbibliothek.

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      • Figures
      • Edited by Jessica Waldoff, College of the Holy Cross, Massachusetts
      • Book: The Cambridge Companion to <i>The Magic Flute</i>
      • Online publication: 24 November 2023
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      • Figures
      • Edited by Jessica Waldoff, College of the Holy Cross, Massachusetts
      • Book: The Cambridge Companion to <i>The Magic Flute</i>
      • Online publication: 24 November 2023
      Available formats
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      To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

      • Figures
      • Edited by Jessica Waldoff, College of the Holy Cross, Massachusetts
      • Book: The Cambridge Companion to <i>The Magic Flute</i>
      • Online publication: 24 November 2023
      Available formats
      ×