Skip to main content Accessibility help
×
    • You have access
  • Cited by 2
Publisher:
Cambridge University Press
Online publication date:
September 2020
Print publication year:
2020
Online ISBN:
9781108631730

Book description

One of the defining aspects of music is that it exists in time. From clapping to dancing, toe-tapping to head-nodding, the responses of musicians and listeners alike capture the immediacy and significance of the musical beat. This Companion explores the richness of musical time through a variety of perspectives, surveying influential writings on the topic, incorporating the perspectives of listeners, analysts, composers, and performers, and considering the subject across a range of genres and cultures. It includes chapters on music perception, visualizing rhythmic notation, composers' writings on rhythm, rhythm in jazz, rock, and hip-hop. Taking a global approach, chapters also explore rhythmic styles in the music of India, Africa, Bali, Latin America and the Caribbean, and Indigenous music of North and South America. Readers will gain an understanding of musicians' approaches to performing complex rhythms of contemporary music, and revealing insights into the likely future of rhythm in music.

Reviews

‘The importance of this collection for music scholarship lies not only in the subject matter - rhythm has long been ignored by traditional music studies - but in the fact that fully half the volume is devoted to music other than the Western European classical canon … Summing Up: Recommended. Upper-division undergraduates through faculty; professionals.’

M. Dineen Source: Choice

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Contents


Page 1 of 2


  • The Cambridge Companion to Rhythm
    pp i-i
  • Cambridge Companions to Music - Series page
    pp ii-vi
  • The Cambridge Companion to Rhythm - Title page
    pp vii-vii
  • Copyright page
    pp viii-viii
  • Contents
    pp ix-x
  • Figures
    pp xi-xii
  • Tables
    pp xiii-xiv
  • Music Examples
    pp xv-xviii
  • Notes on Contributors
    pp xix-xxiv
  • Acknowledgments
    pp xxv-xxvi
  • Introduction
    pp 1-4
  • Part I - Overview of Rhythm
    pp 5-38
  • 1 - Rhythm in Western Music
    pp 7-19
  • Concepts and Literature
  • 2 - Perception of Rhythm
    pp 20-38
  • Part II - Performing Rhythm
    pp 39-94
  • 3 - Visualizing the Rhythms of Performance
    pp 41-60
  • 5 - A Different Kind of Virtuosity
    pp 75-89
  • 6 - Conducting Rhythm
    pp 90-94
  • Part III - Composing with Rhythm
    pp 95-164
  • 7 - Expressive Rhythm and Meter in the German Lied
    pp 97-118
  • 8 - Rhythm in Post-tonal Music
    pp 119-145
  • A Modernist Primer
  • 9 - The Concept of Rhythm
    pp 146-164
  • Composers in Their Own Words
  • Part IV - Rhythm in Jazz and Popular Music
    pp 165-214
  • 10 - Jazz Rhythm
    pp 167-181
  • The Challenge of “Swing”
  • 11 - Rhythmic Influence in the Rock Revolution
    pp 182-195
  • 12 - Rhythm in Contemporary Rap Music
    pp 196-214
  • Part V - Rhythm in Global Musics
    pp 215-312
  • 13 - The Musical Rhythm of Agbadza Songs
    pp 217-240
  • 14 - Rhythmic Thought and Practice in the Indian Subcontinent
    pp 241-260

Page 1 of 2


Metrics

Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.