The Cambridge Companion to K-Pop

doi:10.1017/9781108938075

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Pande, Rukmini 2024. 13Popular Culture. The Year's Work in Critical and Cultural Theory, Vol. 32, Issue. 1, p. 217.

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Edited by Suk-Young Kim, University of California, Los Angeles

Publisher:: Cambridge University Press
Online publication date:: March 2023
Print publication year:: 2023
Online ISBN:: 9781108938075
DOI:: https://doi.org/10.1017/9781108938075

Subjects:: Twentieth-Century and Contemporary Music, Music, Music: General Interest, Music Performance
Series:: Cambridge Companions to Music

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How did Korea with a relatively small-scale music industry come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity.

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