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  • Cited by 3
Publisher:
Cambridge University Press
Online publication date:
August 2021
Print publication year:
2021
Online ISBN:
9781108647342

Book description

This Companion presents a new understanding of the relationship between music and culture in and around the nineteenth century, and encourages readers to explore what Romanticism in music might mean today. Challenging the view that musical 'romanticism' is confined to a particular style or period, it reveals instead the multiple intersections between the phenomenon of Romanticism and music. Drawing on a variety of disciplinary approaches, and reflecting current scholarly debates across the humanities, it places music at the heart of a nexus of Romantic themes and concerns. Written by a dynamic team of leading younger scholars and established authorities, it gives a state-of-the-art yet accessible overview of current thinking on this popular topic.

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Contents


Page 1 of 2


  • The Cambridge Companion to Music and Romanticism
    pp i-i
  • Cambridge Companions to Music - Series page
    pp ii-vi
  • The Cambridge Companion to Music and Romanticism - Title page
    pp vii-vii
  • Copyright page
    pp viii-viii
  • Contents
    pp ix-x
  • Figures
    pp xi-xi
  • Tables
    pp xii-xii
  • Musical Examples
    pp xiii-xiv
  • Contributors
    pp xv-xxii
  • Preface
    pp xxiii-xxiv
  • Chronology
    pp xxv-xxxii
  • Part I - Horizons
    pp 1-34
  • 1 - Defining the Indefinable: Romanticism and Music
    pp 3-16
  • 2 - The Emergence of Musical Romanticism
    pp 17-34
  • Part II - Worlds
    pp 35-162
  • 3 - Music and Romantic Literature
    pp 37-55
  • 4 - Music, Romantic Landscape, and the Visual
    pp 56-73
  • 5 - Romanticism, the Folk, and Musical Nationalisms
    pp 74-91
  • 6 - Music, Romanticism, and Politics
    pp 92-109
  • 7 - Music and Technology
    pp 110-126
  • 8 - Music, Magic, and the Supernatural
    pp 127-145
  • 9 - A Kingdom Not of This World: Music, Religion, Art-Religion
    pp 146-162
  • Part III - Aesthetics
    pp 163-228
  • 10 - Music in Early German Romantic Philosophy
    pp 165-182
  • 11 - Meaning and Value in Romantic Musical Aesthetics
    pp 183-198
  • 12 - Music and Romantic Interiority
    pp 199-213
  • 13 - Music, Expression, and the Aesthetics of Authenticity
    pp 214-228
  • Part IV - Practices
    pp 229-324
  • 14 - Romantic Languages
    pp 231-257
  • 15 - Romantic Forms
    pp 258-276

Page 1 of 2


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