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  • Cited by 3
  • Edited by Laura Hamer, The Open University, Milton Keynes
Publisher:
Cambridge University Press
Online publication date:
April 2021
Print publication year:
2021
Online ISBN:
9781108556491

Book description

This Companion explores women's work in music since 1900 across a broad range of musical genres and professions, including the classical tradition, popular music, and music technology. The crucial contribution of women to music education and the music industries features alongside their activity as composers and performers. The book considers the gendered nature of the musical profession, in areas including access to training, gendered criticism, sexualization, and notions of 'gender appropriate' roles or instruments. It covers a wide range of women musicians, such as Marin Alsop,  Grace Williams, Billie Holiday, Joni Mitchell and Adele. Each thematic section concludes with a contribution from a practitioner in her own words, reflecting upon the impact of gender on her own career. Chapters include suggestions for further reading on each of the topics covered, providing an invaluable resource for students of Feminist Musicology, Women in Music, and Music and Gender.

Reviews

‘Covering a range of topics, this collection should appeal to a broad spectrum of readers … Recommended.’

J. M. Edwards Source: Choice Connect

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Contents


Page 1 of 2


  • The Cambridge Companion to Women in Music since 1900
    pp i-i
  • Cambridge Companions to Music - Series page
    pp ii-vi
  • The Cambridge Companion to Women in Music since 1900 - Title page
    pp vii-vii
  • Copyright page
    pp viii-viii
  • Dedication
    pp ix-x
  • Contents
    pp xi-xiii
  • Figures
    pp xiv-xiv
  • Boxes
    pp xv-xv
  • Notes on Contributors
    pp xvi-xx
  • Preface
    pp xxi-xxix
  • Abbreviations
    pp xxx-xxx
  • Part I - The Classical Tradition
    pp 1-100
  • 1 - Women in Composition before the Second World War
    pp 3-17
  • 2 - Women in Composition during the Cold War in Music
    pp 18-32
  • 3 - Behind the Iron Curtain: Female Composers in the Soviet Bloc
    pp 33-47
  • 4 - Still Exceptional? Women in Composition Approaching the Twenty-First Century
    pp 48-63
  • 5 - On the Podium: Women Conductors
    pp 64-79
  • 6 - Soloists and Divas: Evolving Opportunities, Identity, and Reception
    pp 80-94
  • In Her Own Words: Practitioner Contribution 1
    pp 95-100
  • Part II - Women in Popular Music
    pp 101-196
  • 8 - Leaders of the Pack: Girl Groups of the 1960s
    pp 119-130
  • 9 - Women and Rock
    pp 131-144
  • 10 - ‘(You Make Me Feel Like) A Natural Woman’: Women in Songwriting
    pp 145-162
  • In Her Own Words: Practitioner Contribution 2
    pp 192-196
  • Part III - Women and Music Technology
    pp 197-234
  • 13 - Case Studies of Women in Electronic Music: The Early Pioneers
    pp 199-212

Page 1 of 2


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