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Contents

Published online by Cambridge University Press:  17 April 2021

Laura Hamer
Affiliation:
The Open University, Milton Keynes

Summary

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2021

Contents

  1. List of Figures

  2. List of Boxes

  3. Notes on Contributors

  4. Preface

  5. List of Abbreviations

  6. Part IThe Classical Tradition

    1. 1Women in Composition before the Second World War

      Sophie Fuller

    2. 2Women in Composition during the Cold War in Music

      Rhiannon Mathias

    3. 3Behind the Iron Curtain: Female Composers in the Soviet Bloc

      Elaine Kelly

    4. 4Still Exceptional? Women in Composition Approaching the Twenty-First Century

      Astrid Kvalbein

    5. 5On the Podium: Women Conductors

      Laura Hamer

    6. 6Soloists and Divas: Evolving Opportunities, Identity, and Reception

      Francesca Placanica

    7. In Her Own Words: Practitioner Contribution 1

      Elizabeth Hoffman

  7. Part IIWomen in Popular Music

    1. 7Most of My Sheroes Don’t Appear on a Stamp: Contextualising the Contributions of Women Musicians to the Progression of Jazz

      Tammy L. Kernodle

    2. 8Leaders of the Pack: Girl Groups of the 1960s

      Jacqueline Warwick

    3. 9Women and Rock

      Leah Branstetter

    4. 10‘(You Make Me Feel Like) A Natural Woman’: Women in Songwriting

      Katherine Williams

    5. 11The British Folk Revival: Mythology and the ‘Non-Figuring’ and ‘Figuring’ Woman

      Michael Brocken

    6. 12How MTV Idols Got Us in Formation: Solo Women and Their Brands Make Space for Truth Telling, Trauma, and Survival in Popular Music from 1981 to the Present

      Kristin J. Lieb

    7. In Her Own Words: Practitioner Contribution 2

      Virginia Kettle

  8. Part IIIWomen and Music Technology

    1. 13Case Studies of Women in Electronic Music: The Early Pioneers

      Louis Niebur

    2. 14The Star-Eaters: A 2019 Survey of Female and Gender-Non-Conforming Individuals Using Electronics for Music

      Margaret Schedel and Flannery Cunningham

    3. In Her Own Words: Practitioner Contribution 3

      Manuella Blackburn

  9. Part IVWomen’s Wider Work in Music

    1. 15Women and Music Education in Schools: Pedagogues, Curricula, and Role Models

      Robert Legg

    2. 16Women in the Music Industries: The Art of Juggling

      Clare K. Duffin

    3. In Her Own Words: Practitioner Contribution 4: From Polymath to Portfolio Career – Reclaiming ‘Renaissance Woman’

      Steph Power

    4. Afterword: Challenges and Opportunities: Ways Forward for Women Working in Music

      Victoria Armstrong

  10. Appendix: Survey Questions for Chapter 14

  11. Select Bibliography

  12. Index

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  • Contents
  • Edited by Laura Hamer
  • Book: The Cambridge Companion to Women in Music since 1900
  • Online publication: 17 April 2021
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  • Contents
  • Edited by Laura Hamer
  • Book: The Cambridge Companion to Women in Music since 1900
  • Online publication: 17 April 2021
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Contents
  • Edited by Laura Hamer
  • Book: The Cambridge Companion to Women in Music since 1900
  • Online publication: 17 April 2021
Available formats
×