The Cambridge Companion to Electronic Music

doi:10.1017/9781316459874

- You have access
Cited by 3
Cited by
- 3
Crossref Citations

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Brito, Carlos and Fernandes, Antonio Ramires 2019. Towards Music-Driven Procedural Animation. p. 40.

CrossRef

Google Scholar

Cross, Ian 2023. Music in the digital age: commodity, community, communion. AI & SOCIETY, Vol. 38, Issue. 6, p. 2387.

CrossRef

Google Scholar

Carithers, Kirsten 2025. Interpretive Labor.

CrossRef

Google Scholar

2nd edition
Edited by Nick Collins, University of Durham, Julio d'Escrivan, University of Huddersfield

Publisher:: Cambridge University Press
Online publication date:: October 2017
Print publication year:: 2017
Online ISBN:: 9781316459874
DOI:: https://doi.org/10.1017/9781316459874

Subjects:: Twentieth-Century and Contemporary Music, Music, Music: General Interest, Music Performance
Collection:: The Cambridge Companions to Music
Series:: Cambridge Companions to Music

Information

Contents

Metrics

Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide range of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrète and elektronische Musik, and contemporary trends such as electronic dance music and electronica. The first edition of this book won the 2009 Nicolas Bessaraboff Prize as it brought together researchers at the forefront of the sonic explorations empowered by electronic technology to provide accessible and insightful overviews of core topics and uncover some hitherto less publicised corners of worldwide movements. This updated and expanded second edition includes four entirely new chapters, as well as new original statements from globally renowned artists of the electronic music scene, and celebrates a diverse array of technologies, practices and music.

- Aa Reduce text
- Aa Enlarge text

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to .

To save content items to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services