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Illustrations and Figures

Published online by Cambridge University Press:  27 October 2017

Nick Collins
Affiliation:
University of Durham
Julio d'Escrivan
Affiliation:
University of Huddersfield

Summary

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2017

Illustrations and Figures

  1. 1.1Russolo’s intonarumori

  2. 1.2Percy Grainger’s Kangaroo Pouch Machine (courtesy of The Percy Grainger Society/Estate)

  3. 1.3Le Corbusier, Iannis Xenakis, Edgard Varèse: Philips Pavilion, 1958

  4. 3.1Live performance of Speaker Swinging at the Music Gallery, Toronto, 1987

  5. 4.1A simple Max/MSP patch which synthesises the vowel ‘ahh’

  6. 4.2The SuperCollider programming environment in action

  7. 4.3The ChucK programming language and environment

  8. 4.4slub in action (photo by Renate Wieser)

  9. 5.1Michel Waisvisz performs with The Hands (photo: Carla van Tijn)

  10. 7.1VJ Olga Mink (Oxygen) (photo: Mark Trash)

  11. 8.1The Wilmington based Tel-musici Company, from the 18 December 1909 issue of Telephony

  12. 8.2Flyer by Rich Gold for the network ensemble The League from 1978, showing the different types of musical data exchange

  13. 8.3Adapted from Shannon’s ‘schematic diagram of a general communication system’ (Shannon 1948)

  14. 8.4The network music ensemble The Hub, 1989 (top photo: Jim Block) and 2006 (bottom photo: Chianan Yen)

  15. 8.5Shared object

  16. 8.6Distributed object

  17. 10.1A simple analysis–transformation–synthesis representation based on spectral modelling

  18. 10.2The Karplus–Strong algorithm

  19. 10.3The exciter–resonator approach to physical modelling synthesis

  20. 12.1Salinity Sampler Sequencer, Owl Project, 2012 (photo by Jill Tate)

  21. 12.2Original poster for the Soundwalking radio show of Hildegard Westerkamp (1978/79)

  22. 13.1Jukka Hautamäki’s live set up, Madame Claude, Berlin, August 2012

  23. 13.2A piece for one, two and three Sudophones (2010) by Visa Kuoppala

  24. 13.3adempercloep (2016) Gijs Gieseks

  25. 13.4Howse’s Earthvoice (2015) performance

  26. 15.1The first 21 seconds of Paul Lansky’s Mild und leise (1973) in a time domain plot

  27. 15.2Music notation corresponding to the sonic material of Figure 15.1

  28. 15.3Frequency domain snapshot of the first sound object of Mild und leise

  29. 15.4Spectrogram of the left channel of the first 21 seconds of Mild und leise

  30. 15.5The opening of Radiohead’s Idioteque (2000) overlaid with Mild und leise in digital audio workstation software

  31. 15.6Spectrogram created in Sonic Visualiser software for the Source recording of Alvin Lucier’s I am sitting in a room (1970)

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