Volume 66 - Fall 2013
Contents
Reviews
Anne T. Woollett, Yvonne Szafran, and Alan Phenix. Drama and Devotion: Heemskerck’s Ecce Homo Altarpiece from Warsaw . Los Angeles: J. Paul Getty Museum, 2012. xi + 92 pp. $25. ISBN: 978–1–60606–112–1.
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- 20 November 2018, pp. 209-210
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Frank Klaassen. The Transformations of Magic: Illicit Learned Magic in the Later Middle Ages and Renaissance. Magic in History. University Park: Pennsylvania State University Press, 2013. x + 280 pp. $69.95. ISBN: 978–0–271–05626–5.
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- 20 November 2018, pp. 1384-1386
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Suzanne L. Stratton-Pruitt and Judy de Bustamante, eds. The Art of Painting in Colonial Quito / El arte de la pintura en Quito colonial. Early Modern Catholicism and the Visual Arts Series 6. Philadelphia: Saint Joseph’s University Press, 2011. xiv + 338 pp. $75. ISBN: 978–0–916101–69–5.
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- 20 November 2018, pp. 620-621
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Emanuele Barletti, ed. Giovan Antonio Dosio da San Gimignano: architetto e scultor fiorentino tra Roma, Firenze e Napoli. Florence: Edifir, 2011. 842 pp. €98. ISBN: 978–88–7970–350–5.
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- 20 November 2018, pp. 988-989
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Stephen Pender. and Nancy S. Struever., eds. Rhetoric and Medicine in Early Modern Europe. Literary and Scientific Cultures of Early Modernity. Farnham: Ashgate Publishing Limited, 2012. ix + 300 pp. $119.95. ISBN: 978–1–4094–3022–3.
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- 20 November 2018, pp. 1386-1387
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Alessandra Baroni and Manfred Sellink, eds. Stradanus 1523–1605: Court Artist of the Medici . Exh. Cat. Groeningemuseum, Bruges, 9 October 2008–4 January 2009. Turnhout: Brepols, 2012. 380 pp. €70. ISBN: 978–2–503–52996–7.
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- 20 November 2018, pp. 211-212
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Christiane Hille. Visions of the Courtly Body: The Patronage of George Villiers, First Duke of Buckingham, and the Triumph of Painting at the Stuart Court. Munich: Akademie Verlag, 2012. ix + 302 pp. €49.80. ISBN: 978–3–05–005908–2.
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- 20 November 2018, pp. 621-623
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Herbert Karner, ed. Andrea Pozzo (1642–1709): Der Maler-Architekt und die Räume der Jesuiten. Denkschriften der philosophisch-historischen Klasse 436; Veröffentlichungen der Kommission für Kunstgeschichte 11. Vienna: Verlag der Österreichischen Akademie der Wissenschaften, 2012. 218 pp. €99. ISBN: 978–3–7001–7200–0.
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- 20 November 2018, pp. 990-991
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Cynthia Klestinec. Theaters of Anatomy: Students, Teachers, and Traditions of Dissection in Renaissance Venice. Baltimore: Johns Hopkins University Press, 2011. xix + 258 pp. $55. ISBN: 978–1–4214–0142–3.
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- 20 November 2018, pp. 1387-1389
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Natasha T. Seaman. The Religious Paintings of Hendrick ter Brugghen: Reinventing Christian Painting after the Reformation in Utrecht. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2012. xiv + 180 pp. + 4 color pls. $99.95. ISBN: 978–1–4094–3495–5.
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- 20 November 2018, pp. 991-993
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Christopher D. M. Atkins. The Signature Style of Frans Hals: Painting, Subjectivity, and the Market in Early Modernity . Amsterdam Studies in the Dutch Golden Age. Amsterdam: Amsterdam University Press, 2012. 324 pp. €45. ISBN: 978–90–8964–335–3.
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- 20 November 2018, pp. 212-214
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Lyckle de Vries. How to Create Beauty: De Lairesse on the Theory and Practice of Making Art. With CD. Leiden: Primavera Press, 2011. 224 pp. €34.50. ISBN: 978–90–5997–102–8.
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- 20 November 2018, pp. 623-624
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Frances S. Connelly. The Grotesque in Western Art and Culture: The Image at Play. Cambridge: Cambridge University Press, 2012. x + 190 pp. $99. ISBN: 978–1–107–01125–0.
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- 20 November 2018, pp. 624-626
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Susan Merriam. Seventeenth-Century Flemish Garland Paintings: Still Life, Vision, and the Devotional Image . Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2012. xii + 174 pp. $104.95. ISBN: 978–1–4094–0305–0.
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- 20 November 2018, pp. 214-215
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Adriaan E. Waiboer. Gabriel Metsu: Life and Work: A Catalogue Raisonné. New Haven: Yale University Press, in association with the National Gallery of Ireland, 2012. ix + 398 pp. $100. ISBN: 978–0–300–17048–1.
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- 20 November 2018, pp. 993-994
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Michael Thomson Walton. Genesis and the Chemical Philosophy: True Christian Science in the Sixteenth and Seventeenth Centuries. AMS Studies in the Renaissance 45. Brooklyn: AMS Press Inc., 2011. xv + 172 pp. $92.50. ISBN: 978–0–404–62345–6.
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- 20 November 2018, pp. 1389-1391
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Koenraad Brosens, Leen Kelchtermans, and Katlijne Van der Stighelen, eds. Family Ties: On Art Production, Kinship Patterns and Connections (1600–1800). Turnhout: Brepols, 2012. 240 pp. €70. ISBN: 978–2–503–54227–0.
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- 20 November 2018, pp. 994-996
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Ethan Matt Kavaler. Renaissance Gothic: Architecture and the Arts in Northern Europe, 1470–1540 . New Haven: Yale University Press, 2012. xi + 332 pp. $75. ISBN: 978–0–300–16792–4.
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- 20 November 2018, pp. 215-217
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Craig Martin. Renaissance Meteorology: Pomponazzi to Descartes. Baltimore: Johns Hopkins University Press, 2011. viii + 214 pp. $50. ISBN: 978–1–4214–0187–4.
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- 20 November 2018, pp. 1391-1392
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Ilaria Hoppe. Die Räume der Regentin: Die Villa Poggio Imperiale zu Florenz. Berlin: Reimer Verlag, 2011. 344 pp. €49. ISBN: 978–3–496–01442–3.
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- 20 November 2018, pp. 626-627
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