Volume 66 - Fall 2013
Contents
Reviews
Fritz Koreny, Gabriele Bartz, and Erwin Pokorny, eds. Hieronymus Bosch: Die Zeichnungen: Werkstat und Nachfolge bis zum Ende des 16. Jahrhunderts, Catalogue raisonné. Turnhout: Brepols, 2012. 456 pp. €125. ISBN: 978–2–503–54208–9.
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- 20 November 2018, pp. 604-606
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Christine Sciacca., ed. Florence at the Dawn of the Renaissance: Painting and Illumination, 1300–1350. Los Angeles: J. Paul Getty Museum, 2012. xix + 426 pp. $65. ISBN: 978–1–60606–126–8.
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- 20 November 2018, pp. 1369-1370
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Barbara Furlotti. A Renaissance Baron and His Possessions: Paolo Giordano I Orsini, Duke of Bracciano (1541–1585). Cursor Mundi 15. Turnhout: Brepols, 2012. xxviii + 334 pp. €100. ISBN: 978–2–503–53474–9.
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- 20 November 2018, pp. 972-973
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David R. Smith, ed. Parody and Festivity in Early Modern Art: Essays on Comedy as Social Vision . Farnham: Ashgate Publishing Limited, 2012. xiii + 206 pp. $119.95. ISBN: 978–1–4094–3030–8.
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- 20 November 2018, pp. 194-195
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Lisa Monnas. Renaissance Velvets. London: Victoria & Albert Publishing, 2012. 160 pp. $60. ISBN: 978–1–85177–656–6.
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- 20 November 2018, pp. 973-975
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Judith Walker Mann., Babette Bohn., and Carol Plazzotta., eds. Federico Barocci: Renaissance Master of Color and Line. Exh. Cat. Saint Louis Art Museum, 21 October 2012–20 January 2013. New Haven: Yale University Press, 2012. xv + 360 pp. $65. ISBN: 978–0–89178–096–0.
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- 20 November 2018, pp. 1370-1372
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Martin Gaier, Jeanette Kohl, and Alberto Saviello, eds. Similitudo: Konzepte der Ähnlichkeit in Mittelalter und Früher Neuzeit . Munich: Wilhelm Fink, 2012. 248 pp. €29.90. ISBN: 978–3–7705–5372–3.
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- 20 November 2018, pp. 195-197
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Francis Ames-Lewis. Isabella and Leonardo: The Relationship between Isabella d’Este and Leonardo da Vinci. New Haven: Yale University Press, 2012. ix + 290 pp. $50. ISBN: 978–0–300–12124–7.
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- 20 November 2018, pp. 606-607
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Sharon Gregory. Vasari and the Renaissance Print. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2012. xix + 428 pp. $124.95. ISBN: 978–1–4094–2926–5.
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- 20 November 2018, pp. 607-609
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Andrea Bubenik. Reframing Albrecht Dürer: The Appropriation of Art, 1528–1700. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2013. xiv + 268 pp. $104.95. ISBN: 978–1–4094–3847–2.
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- 20 November 2018, pp. 1372-1373
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Francis Ames-Lewis, ed. Florence . Artistic Centers of the Italian Renaissance. Cambridge: Cambridge University Press, 2011. xxiii + 424 pp. + 48 color pls. $175. ISBN: 978–0–521–85162–6.
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- 20 November 2018, pp. 197-198
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Sally J. Cornelison. Art and the Relic Cult of St. Antoninus in Renaissance Florence. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2012. xv + 358 pp. + 13 color pls. $119.95. ISBN: 978–0–7546–6714–8.
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- 20 November 2018, pp. 975-976
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Christopher Poncet. La scelta di Lorenzo: La Primavera di Botticelli tra poesia e filosofia. Bruniana e Campanelliana: Ricerche filosofiche e materiali storico-testuali, Supplementi XXXIV, Studi 13. Pisa: Fabrizio Serra Editore, 2012. 112 pp. €43. ISBN: 978–88–6227–454–8.
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- 20 November 2018, pp. 977-978
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Peter Howard. Creating Magnificence in Renaissance Florence . Essays and Studies 29. Toronto: Centre for Reformation and Renaissance Studies, 2012. 174 pp. $19. ISBN: 978–0–7727–2126–6.
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- 20 November 2018, pp. 198-200
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Tatjana Bartsch. and Peter Seiler., eds. Rom zeichnen: Maarten van Heemskerck 1532–1536/37. Humboldt-schriften zur kunst- und bildgeschichte 8. Berlin: Gebr. Mann, 2012. 182 pp. €49. ISBN: 978–3–7861–2672–0.
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- 20 November 2018, pp. 1373-1375
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Jill Burke, ed. Rethinking the High Renaissance: The Culture of the Visual Arts in Early Sixteenth-Century Rome. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2012. xvi + 386 pp. $124.95. ISBN: 978–1–4094–2558–8.
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- 20 November 2018, pp. 609-610
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Sybille Ebert-Schifferer. Caravaggio: The Artist and His Work. Los Angeles: J. Paul Getty Museum, 2012. 320 pp. $59.95. ISBN: 978–1–60606–095–7.
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- 20 November 2018, pp. 611-612
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Elizabeth A. Sutton. Early Modern Dutch Prints of Africa. Transculturalisms, 1400–1700. Farnham: Ashgate Publishing Limited, 2012. xvi + 276 pp. $104.95. ISBN: 978–1–4094–3970–7.
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- 20 November 2018, pp. 1375-1376
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Heidi J. Hornik. Michele Tosini and the Ghirlandaio Workshop in Cinquecento Florence . Brighton: Sussex Academic Press, 2009. vi + 211 pp. + 8 color pls. $55. ISBN: 978–18–4519–1863.
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- 20 November 2018, pp. 200-201
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Eugenio Battisti. Michelangelo: Fortuna di un mito; Cinquecento anni di critica, letteraria e artistica. Ed. Giuseppa Saccaro Del Buffa. Biblioteca dell’“Archivum Romanicum” Serie 1: Storia, Letteratura, Paleografia 398. Florence: Leo S. Olschki, 2012. xviii + 246 pp. €28. ISBN: 978–88–222–6142–7.
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- 20 November 2018, pp. 978-979
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