This article shows that the relationship between Simone de Beauvoir's novel, Le Sang des autres (The Blood of Others), first published in 1945, and her essay, Pour une morale de l'ambiguïté (The Ethics of Ambiguity), first published in 1947, illustrates her point in “Littérature et métaphysique” that an abstract philosophical theory is grounded in immediate metaphysical experience. An original ethical position emerges from Hélène Bertrand's lived experience in the novel, which anticipates feminist issues addressed in The Second Sex more directly than does Beauvoir's essay.

Suffrage graphics constitute one of the first collective, ideological, artistic expressions by American women. Premised on the popular view of woman's nature as virtuous, responsible, and nurturant, this art nonetheless challenged traditional practices and demanded political change. Interrelationships between feminism, art, and the historical context are explored in this analysis of women's imagery.

I offer here an analysis of contemporary foundation garments while exploring the ways in which these garments encourage, reinforce and protect normative femininity. In examining the performatives of contemporary normative, ideal femininity as they perpetuate inhibited intentionality, ambiguous transcendence, and discontinuous unity, I look to the possibility for subversive performativity vis-à-vis the strengths of women in order to proliferate categories of gender and to potentially displace current notions of what it means to become woman.

In this paper I lay out what 1 take to be the crucial insights in Susan Bordo's “Feminist Skepticism and the ‘Maleness’ of Philosophy” and point out some additional difficulties with the skeptical position. I call attention to an ambiguity in the nature or content of the “maleness” of philosophy that Bordo identifies. Finally, I point out that, unlike some feminist skeptics, Bordo never loses sight in her work of women's lived experiences.

If we view the aim of feminist science as truthlikeness, instead of either absolute or relative truth, then we can explain the sense in which the feminist sciences bring an objective advance in knowledge without implicating One True Theory. I argue that a certain non-linguistic theory of truthlikeness is especially well-suited to this purpose and complements the feminist epistemologies of Harding, Haraway, and Longino.

I argue that Alisa Carse's call for antipornography legislation sets a potentially dangerous legal move that could threaten to shut off the dialogue women need to redefine the meanings and terms of our sexualities. I also argue that the terms of legitimacy need to be re-examined outside a legal system that systematically fails to protect the rights of sexual minorities.

This essay discusses the place of popular culture, especially visual representation, in theories of female subjectivity and examines two recent works on women and popular culture as representative of two primary critical and methodological approaches to the female subject. The essay considers the limitations and implications of both qualitative communication research and text-based feminist criticism and the need to construct a dialogue between them.

The fight for emancipation takes place on different levels, and one of them is the level of contemporary financial capitalism as debt‐economy. Debt can be a major tool of control and exploitation in that it produces subordinate subjects situated in exchange relations of debt and credit. Recent work on financial debt and the debt‐economy has, however, not taken gender adequately into account in philosophical definitions of indebted subjects. Gender analysis discloses how the debtor–creditor relationship is based on a contractarian idea of the indebted subject as an autonomous moral agent (Pateman and Mills 2007), and on a masculine, that is, a‐relational understanding of what counts as debt and what does not in the contemporary debt‐economy. In contrast to atomistic notions of the subject in liberal, contractarian theories (deriving from Locke and Hobbes), relational notions of the subject as advanced in care ethics are a better point of departure for capturing the interdependence of subjects within a debt‐economy as a core feature of a nonsustainable monetary system. On the basis of such analysis, care ethics also offers means for imagining ways of emancipation from private and public problem credit in order to make financial systems more sustainable and more just.

This essay participates in a feminist postcohnial critical historiographyfepistemol’ ogy by providing a critique of The Post-Colonial Critic: Interviews, Strategies, Dialogues. The essay considers Spivak's success in interrogating her own position as a leading postcohnial critic as she engages in dialogues with various people. Spivak's commitment to cross-cultural exchanges is undeniable. However, at times the resurgence of her authoritative subject position deflects productive tensions generated by careful scrutiny of the category postcohnial.

This autonomous-feminist statement is a collective work born from a gathering at the Autonomous Feminist Encounter [Encuentro Feminista Autónomo] in Mexico City in 2009. This piece gives a historical review of so-called autonomous feminism in Latin America and poses a definition and vision of its praxis, taking into account the socio-political-economic context in Latin America in the early 2000s. This article also recognizes feminist groups that started the critique of hegemonic feminist praxis in the region.

Through a combined ecofeminist, and critical disability philosophical analysis of the commodification of female farmed animal reproduction, the paper conceptualizes ability as a socio-capitalist construct that can carry the potential for harm. Patriarchal farmed animal capitalism relies upon the idea of naturalized ability of farmed females to be hyper-reproductive/hyper-ovulatory/hyper-lactative. This paper frames the introduced condition of hyper-ovulation in “egg” hens, or the amplification of their ability to lay through selective breeding, as reproductive impairment, and an act of violent patriarchal commodification and capitalization of female reproduction. Impairment, then, functions not just as disability, but also as ability. Focusing on our rescued chickens, the paper argues that such intentionally bred hyper-fertility manifests for individual hens in its least harmful form as chronic illness with the likelihood of everyday pain and inflammation, anxiety, and metabolic hunger; and in its most harmful form as a life-threatening condition. It then examines the subversive ecofeminist politics of using contraception for chickens in a fraught attempt to restore a closer pace of avian ovulation cycles that existed prior to their selective breeding. In allowing infertility to be restored to hen bodies, chicken contraception highlights the disappearance of intentionally introduced reproductive impairment to materialize the patriarchal-capitalist ableist construct of hens who naturally ovulate daily. Ideas of normal and natural can also thus operate in the service of ability. Ultimately, the paper positions the infertile hen as central to a fuller feminist resistance to the governance and control of the female reproductive body.

Part 1 of this essay began to develop a philosophical interpretation of The Neapolitan Novels by grounding a vision of the work's moral psychology in the tradition of Italian difference feminism, particularly as it is expressed in the texts of the influential Milan Women's Bookstore Collective. Part 2 advances the interpretive argument by presenting a more detailed literary analysis of the character of Lila Cerullo. After motivating the interest of various aspects of her symbolization by connecting them to important motifs in feminist philosophy and literature, I present evidence of Lila's special status in the work, and the puzzles this status raises. I advance a reading of Lila as a brilliant woman capable of playing the superior role in a hierarchical relationship of entrustment—and of The Neapolitan Novels as a sympathetic yet critical exploration of the viability of such relationships and their connection to female friendship and female freedom. In support of this reading, I give an account of Lila's strange condition of smarginatura (“dissolving margins/boundaries”), the import of her perplexing earthquake speech in which this condition is explicitly addressed, and Elena Greco's troubling reactions.

Philosophical inquiry strives to be the unencumbered exploration of ideas. That is, unlike scientific research, which is subject to ethical oversight, it is commonly thought that it would either be inappropriate, or that it would undermine what philosophy fundamentally is, if philosophical research were subject to similar ethical oversight. Against this, I argue that philosophy is in need of a reckoning. Philosophical inquiry is a morally hazardous practice with its own risks. There are risks present in the methods we employ, risks inherent in the content of the views under consideration, and risks to the subjects of our inquiry. Likely, there are more risks still. However, by starting with the identification of these three risks we can demonstrate not only why an ethics of practice is needed but also which avenues are the most promising for developing an ethics for philosophical practice. Although we might just be in the business of asking questions, we do not merely, in virtue of engaging in philosophical inquiry, absolve ourselves of responsibility for the risks that inquiry incurs.