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Music Examples

Published online by Cambridge University Press:  19 October 2023

Edited by
E. Douglas Bomberger
E. Douglas Bomberger
Affiliation:
Elizabethtown College, Pennsylvania

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Chapter
Information
The Cambridge Companion to Amy Beach , pp. xiii - xiv
Publisher: Cambridge University Press
Print publication year: 2023

Music Examples

  1. 6.1“Ecstasy,” op. 19, no. 2, mm. 1–14.

  2. 6.2“After,” op. 68, mm. 71–78.

  3. 6.3“Forget-me-not,” op. 35, no. 4, mm. 55–59.

  4. 6.4Richard Strauss, “Ständchen,” op. 17, no. 2, mm. 10–12.

  5. 6.5Beach, “Juni,” op. 51, no. 3, mm. 7–8.

  6. 6.6“The Lotos Isles,” op. 76, no. 2, mm. 1–9.

  7. 6.7“In the Twilight,” op. 85, mm. 100–15.

  8. 7.1Beach, “Sweetheart, Sigh No More,” op. 14, no. 3, mm. 1–6.

  9. 7.2Beach, Romance, op. 23, mm. bars 1–6.

  10. 7.3aBeach, Violin Sonata in A minor, op. 34/I, mm. bars 1–7.

  11. 7.3bReduction.

  12. 7.4Beach, Violin Sonata in A minor, op. 34/I, mm. 63–71.

  13. 7.5Beach, Violin Sonata in A minor, op. 34/II, mm. 1–5.

  14. 7.6Beach, Violin Sonata in A minor, op. 34/II, Più lento, mm. 1–3.

  15. 7.7Beach, Violin Sonata in A minor, op. 34/III, mm. 14–15.

  16. 7.8aBrahms, Symphony No. 4, op. 98/IV, mm. 113–18.

  17. 7.8bBeach, Violin Sonata in A minor, op. 34/III, last six measures.

  18. 7.9Beach, Violin Sonata in A minor, op. 34/IV, mm. 13–16.

  19. 7.10Beach, Violin Sonata in A minor, op. 34/IV, mm. 47–51.

  20. 7.11Beach, Violin Sonata in A minor, op. 34/IV, mm. 97–102.

  21. 7.12aBrahms, Piano Quintet in F minor, op. 34/I, mm. 1–4 and reduction.

  22. 7.12bBrahms, Piano Quintet in F minor, op. 34/I, mm. 12–16 and reduction.

  23. 7.13aBrahms, Piano Quintet in F minor, op. 34/IV, mm. 252–60.

  24. 7.13bBeach, Piano Quintet in F♯ minor, op. 67/I, mm. 1–24.

  25. 7.14Reduction of Example 7.13b.

  26. 7.15Beach, Piano Quintet in F♯ minor, op. 67/I, mm. 25–28.

  27. 7.16Beach, Piano Quintet in F♯ minor, op. 67/I, mm. 73–79.

  28. 7.17Beach, Piano Quintet in F♯ minor, op. 67/I, tetrachordal summary.

  29. 7.18Beach, Piano Quintet in F♯ minor, op. 67/II, mm. 1–8.

  30. 7.19Beach, Piano Quintet in F♯ minor, op. 67/III, mm. 311–14.

  31. 7.20Beach, “An Indian Lullaby,” op. 57, no. 3, mm. 1–4.

  32. 7.21Beach, Theme and Variations, op. 80, Variation 1, mm. 37–43.

  33. 7.22Beach, Theme and Variations, op. 80, Variation 5, mm. 51–54.

  34. 7.23Beach, String Quartet, op. 89, mm. 1–14.

  35. 7.24aBeach, String Quartet, op. 89, mm. 15–19.

  36. 7.24bBeach, String Quartet, op. 89, mm. 263–74.

  37. 7.25Beach, Piano Trio, op. 150/I, mm. 1–6.

  38. 7.26aBeach, Piano Trio, op. 150/II, mm. 1–3.

  39. 7.26bBeach, Piano Trio, op. 150/II, mm. 33–42.

  40. 8.1Comparison of the opening melodies of Beach’s “Wouldn’t that be Queer,” op. 26, no. 4, and Bal Masqué.

  41. 8.2Comparison of the principal themes of (1) Dvořák’s Symphony “From the New World,” movement IV; (2) the opening of Beach’s Piano Concerto, op. 45, movement I; and (3) Beach’s song, “Jeune fille et jeune fleur,” op. 1, no. 3.

  42. 10.1Eilende Wolken, Segler der Lüfte, mm. 79–95.

  43. 10.2Jephthah’s Daughter, mm. 44–53.

  44. 10.3aHabanera rhythm written in Amy Beach’s “Notes on Creole Folk Music.”

  45. 10.3bCabildo, The “Governor’s Ball,” mm. 294–301.

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