The review in RQ 63.4 (2010), 1320–22, of Charlotte Duplessis-Mornay's memoirs, edited by Nadine Kuperty-Tsur, contains factual errors. Duplessis-Mornay's memoirs were not first published in 1624, but in 1824: the 1624 edition, which is a biography of Philippe Duplessis-Mornay, paraphrases passages from Charlotte Duplessis-Mornay's memoirs. C. Winn and S. Broomhall's article is cited in a footnote on p22 of Kuperty-Tsur's edition. Finally, Michele Burlamachi is Renée Burlamachi's father, not husband. (Anne Larsen)

Los inventarios de Carlos V y la familia imperial, reviewed in RQ 63.4 (2010), 1398–1400, was edited by Fernando Checa Cremades, with the assistance of Juan Luis González García, and not by Prof. González García, as stated.

La imagen religiosa en la Monarquía hispánica: Usos y espacios, reviewed in RQ 62.4 (2009), 903–05, was edited by Cécile Vincent-Cassy and María Cruz de Carlos, as well as Pierre Civil and Felipe Pereda.

Subject as Aporia in Early Modern Art, reviewed in RQ 64.1 (2011), 174–76, was edited by Alexander Nagel and Lorenzo Pericolo, not by Prof. Pericolo alone, as stated.

The review in RQ 64.1 (2011), 264, of Euan Cameron's Enchanted Europe mistakenly claims that “Ananisapta” is missing from the index: the term does appear. (William Monter)