Books Received

Candace Bailey. Music and the Southern Belle: From Accomplished Lady to Confederate Composer (Carbondale, IL: Southern Illinois University Press, 2010).

Ian Bradley. Water Music (Oxford: Oxford University Press, 2010).

David Brown. Musorgsky: His Life and Works (Oxford: Oxford University Press, 2010).

David E. Cartwright. Schopenhauer: A Biography (Cambridge: Cambridge University Press, 2010).

Franscesco Cesari, Stefania Fransceschini, and Raffaella Barbierato, ed. Tuo affezionatissimo Amilcare Ponchielli: Lettere 1856–1885 (Padova, IT: Il Poligrafo, 2010).

Rachel Cowgill, David Cooper, Clive Brown, eds. Art and Ideology in European Opera: Essays in Honour of Julian Rushton (Woodbridge, UK: Boydell Press, 2010).

Rossana Dalmonte, Brigitte Pasquet Gotti, Mariateresa Storino, eds. Quarderni dell'Instituto Liszt 7. (Milano: Rugginenti, 2008).

William Drabkin. Beethoven: A Sketchbook from the year 1821 (Bonn: Beethoven- Haus, 2011).

David Eden and Meinhard Saremba, eds. The Cambridge Companion to Gilbert and Sullivan (Cambridge: Cambridge University Press, 2009).

James Garratt. Music, Culture and Social Reform in the Age of Wagner (Cambridge: Cambridge University Press, 2010).

Florence Gétreau, ed. Chopin e il suono di Pleyel (Briosco, IT: Villa Medici Giulini, 2010).

Daniel M. Grimley. Carl Nielsen and the Idea of Modernism (Woodbridge, UK: Boydell Press, 2010).

Sarah Hibberd. French Grand Opera and the Historical Imagination (Cambridge: Cambridge University Press, 2009).

Gretchen Horlacher. Building Blocks: Repetition and Continuity in the Music of Stravinsky (Oxford: Oxford University Press, 2011).

William Kinderman. Beethoven, 2^nd ed. (Oxford: Oxford University Press, 2009).

Hervé Lacombe and Timothée Picard, eds. Opéra et fantastique (Rennes: Presses universitaires de Rennes, 2011).

William Little. Mendelssohn and the Organ (Oxford: Oxford University Press, 2010).

Yonatin Malin. Songs in Motion: Rhythm and Meter in the German Lied (Oxford: Oxford University Press, 2010).

Charles Edward McGuire. Music and Victorian Philanthropy: The Tonic Sol-fa Movement (Cambridge: Cambridge University Press, 2009).

John Near. Widor: A Life Beyond the Toccata (Rochester, NY; University of Rochester Press, 2011).

Cormac Newark. Opera in the Novel from Balzac to Proust (Cambridge: Cambridge University Press, 2011).

Steven Rings. Tonality and Transformation (Oxford: Oxford University Press, 2011).

Glenda Dawn Ross. Sibelius: A Composer's Life and the Awakening of Finland (Chicago, IL: University of Chicago Press, 2010).

Janet Schmalfeldt. In the Process of Becoming (Oxford: Oxford University Press, 2011).

Thomas Schmidt-Beste. The Sonata [Cambridge Introductions to Music] (Cambridge: Cambridge University Press, 2011).

Boris de Schlœzer. Comprendre la musique: Contributions à La Nouvelle Revue Française et à La Revue musicale (1921–1956), ed. Timothée Picard (Rennes: Presses universitaires de Rennes, 2011).

Ian Taylor. Music in London and the Myth of Decline: From Haydn to the Philharmonic (Cambridge: Cambridge University Press, 2010).

Laura Tunbridge. The Song Cycle [Cambridge Introductions to Music] (Cambridge: Cambridge University Press, 2011).

Nicholas Vazsonyi. Richard Wagner: Self-Promotion and the Making of a Brand (Cambridge: Cambridge University Press, 2010).