This study applies a governance perspective to examine how China's national ecological civilization framework is implemented at the city level. With Hangzhou, one of China's leading green cities, as a case, the study focuses on how the city's party-state authorities respond to various pressures from the central leadership and from society to improve environmental governance. Hangzhou's government applies a new public management approach with public sector performance contracts, performance reviews, and associated results management procedures that are integrated with a battery of social participation instruments. The city government aims to mitigate contradictory goals relating to the need for continued economic growth and for simultaneous environmental improvements based on plans for ecological civilization development and protection of ‘red’ ecological bottom lines. It is argued that Hangzhou's authorities are testing a novel approach that could contribute to narrowing the ‘implementation gap’ in China's local green politics by enhancing the local party-state's ability to handle new instruments of governance in environmental politics. Available, but rather fragmented data suggest that environmental improvements are occurring, but the link between the new governance framework and these improvements is difficult to establish.

Among the two million and more young men who went to Vietnam as soldiers, those dozens who came home to write about the Vietnam War evolved a poetry which deserves to be better known—allied to, but distinctively different from other anti-war poetry of the time. This piece considers the fact that American soldier poetry was not merely dedicated to battle and battlefield fraternity, but was emblematic of a frequently ambivalent engagement with the enemy and with the Vietnamese civilian population. Because the poems are their own best witness, I quote freely from combat veterans Doug Anderson, W.D. Ehrhart, Yusef Komunyakaa, Bruce Weigl, and others, choosing to look more at those with recognizable literary merit and at those for whom the flow of poetry did not dry up after one or two books. I also include the category-defying poetry of John Balaban–a conscientious objector who went straight to the heart of conflict for a term of engagement equal in exposure and intensity to that of the other poets I discuss. I will be looking at Vietnam War poetry both before and after 2003, narrowing my focus to a small group of poets whose war experience, full of guilt and regret, led them to a post-war body of work expressing an extraordinary subsequent interest in the country of their former enemy, and in its art, culture, and people. This move was new, and not duplicated by other generations of war poets.

In this article I seek to show that, while the Ryukyu shobun refers to the process by which the Meiji government annexed the Ryukyu Kingdom between 1872 and 1879, it can best be understood by investigating its antecedents in the Bakumatsu era and by viewing it in the wider context of East Asian and world history. I show that, following negotiations with Commodore Perry, the bakufu recognized the importance of claiming Japanese control over the Ryukyus. This study clarifies the changing nature of Japanese diplomacy regarding the Ryukyus from Bakumatsu in the late 1840s to early Meiji.