Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-745bb68f8f-d8cs5 Total loading time: 0 Render date: 2025-02-10T14:56:36.520Z Has data issue: false hasContentIssue false

Index

Published online by Cambridge University Press:  06 August 2021

Edited by
Benedict Taylor
Benedict Taylor
Affiliation:
University of Edinburgh

Summary

A summary is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button.
Type
Chapter
Information
The Cambridge Companion to Music and Romanticism , pp. 363 - 370
Publisher: Cambridge University Press
Print publication year: 2021

Index

Adam, Adolphe, 140
Adler, Guido, 328
Adorno, Theodor W., 62, 146, 289, 344, 345, 348
Affektenlehre, 185
Ambros, August Wilhelm, 154, 192
Anger, Violaine, 304
Arne, Thomas, 38
Arnim, Achim von, 76, 283
Arnim, Bettina von, 200, 201, 207, 337
Auber, Daniel
La Muette de Portici, 84, 300, 301
Austin, Gilbert, 301
Bach, C. P. E., 9, 18, 25
Bach, J. S., 18, 25, 27, 80, 83, 100–101, 154, 318, 328, 329
Bahr, Hermann, 349
Balakirev, Mily, 190
Bartók, Bela, 82
Batteux, Charles, 185
Baudelaire, Charles, 115, 282
Beattie, James, 185
Beckett, Samuel, 51
Beethoven, Ludwig van, 6, 10, 18, 19, 23, 24, 26, 29, 37, 51, 59, 61, 65, 67, 74, 80, 81, 83, 84, 96–97, 99, 105, 112, 118, 156, 186, 203–204, 221, 231, 232, 233, 239, 246, 253, 258, 296, 319, 329, 334
‘An die Hoffnung’, 338
An die ferne Geliebte, 66–67, 251–252
Choral Fantasy Op. 80, 63
Fidelio, 299
Piano Sonata in C minor, Op. 13 (Pathétique), 302
Piano Sonata in D minor, Op. 31 No. 2 (‘Tempest’), 233–236
Piano Trio in B flat, Op. 97 (‘Archduke’), 29
Symphony No. 3 (‘Eroica’), 20, 113, 306
Symphony No. 5, 19, 29, 203, 206, 251, See also Hoffmann, E. T. A.: Review of Beethoven’s Symphony No. 5
Symphony No. 6 (‘Pastoral’), 20, 58–59, 190, 306, 307
Symphony No. 7, 307
Symphony No. 9, 81, 185, 189, 252
Wellington’s Victory, Op. 91, 113
Bellini, Vincenzo, 18, 329
Benda, Georg Anton, 297, 298, 304
Ariadne auf Naxos, 297–298
Medea, 297–298
Berg, Alban, 344
Berger, Ludwig, 22
Berlioz, Hector, 112, 116, 120, 137, 138, 140, 222, 249, 302, 305, 306, 327, 330, 335
as conductor, 320
Harold in Italy, 59, 190, 304
La Damnation de Faust, 140, 304
Lélio, 304
Roméo et Juliette, 303–305
Symphonie fantastique, 20, 37, 115, 190, 192, 302
Berton, Henri-Montan, 99
Biot, Jean-Baptiste, 112
Bizet, Georges
Carmen, 37, 47
Blair, Hugh, 40
Blake, William
Songs of Innocence, 41–42
Blasis, Carlo, 301
Blume, Friedrich, 258, 329, 334, 335
Boccherini, Luigi
Musica Notturna delle strade di Madrid, 190
Boito, Arigo, 138
Bonaparte, Louis, 121
Bonds, Mark Evan, 332
Born, Georgina, 51
Brahms, Johannes, 110, 192, 222, 232, 246, 253, 281, 282, 330
Symphony No. 1, 252
Violin Sonata No. 2, Op. 100, 245
Brendel, Franz, 60, 177, 191, 192, 330
Brentano, Clemens, 22, 76, 152, 283
Bruchmann, Franz Ritter von, 283
Bruckner, Anton, 155
Brun, Friederike, 21
Buch, David J., 131
Bücken, Ernst, 333
Burney, Charles, 25, 28, 114, 314
Burney, Fanny (Frances), 46
Burns, Robert, 77
Byron, George Gordon, Lord, 7, 19, 95, 317
Cabet, Etienne, 111
Cahusac, Louis de, 131
Caplin, William, 236, 240
Carnot, Sadi, 116
Carus, Carl Gustav, 3–4, 65
Chamisso, Adelbert, 21
Chateaubriand, François-René de, 19, 95, 99, 100
Chausson, Ernest, 282
Chávez, Carlos, 79
Cherubini, Luigi, 18, 24, 96, 296
Lodoiska, 298
Chevalier, Michel, 117
Chladni, Ernst, 112
Chopin, Frédéric, 9, 18, 21, 23, 79, 82, 84, 110, 114, 120, 233, 239, 317–318, 330, 332, 335
Ballade No. 1 in G minor, Op. 23, 20
Ballade No. 2 in F major, Op. 38, 84
Choron, Alexandre, 239
classical
as antithesis of Romantic, 10–11, 327–329
Clementi, Muzio, 18, 24
Piano Sonata Op. 50 No. 3, Didone abbandonata, 20
Coleridge, Samuel Taylor, 7, 19, 39, 95, 115
‘Kubla Khan’, 44–46
‘The Eolian Harp’, 42–44
colonialism, 139, 253–254, 352
Condillac, Étienne Bonnot, Abbé de, 76
Congress of Vienna, 102
Cooke, Deryck, 231
Cooper, Ian, 153
Cooper, John Michael, 335
Couperin, François, 18, 23, 58
Curchod (Necker), Suzanne, 19, 21
d’Agoult, Marie, 317
d’Alembert, Jean-Baptiste le Rond, 18, 21
d’Aulnoy, Marie-Catherine, Madame, 130
d’Epinay, Louise-Florence-Pétronille, Madame, 21
Daguerre, Louis, 118, 302
Dahlhaus, Carl, 8, 19, 60–61, 79, 148, 232, 233–236, 239, 245, 252, 332, 334, 344, 347–351
Danuser, Hermann, 347
Darwin, Charles, 76
Daverio, John, 249
Davies, James Q., 306
Davy, Humphry, 115, 117
De Quincey, Thomas, 37, 46, 115
Confessions of an English Opium Eater, 46
de Staël, Germaine, 19, 21, 40, 95, 97, 100
Corinne, 314
De L’Allemagne, 97
Deathridge, John, 300
Debargue, Lucas, 321
Debussy, Claude, 239, 333, 345
La Mer, 352
Dehmel, Richard, 67
Delacroix, Eugène, 21, 29, 115
Delius, Frederick, 62, 69
A Mass of Life, 147
In a Summer Garden, 352
Des Knaben Wunderhorn, 76, 110, 283
Diderot, Denis, 21, 28
Rameau’s Nephew, 208
Dittersdorf, Carl Ditters von
Symphonies after Ovid’s Metamorphoses, 190
Dolan, Emily, 303
Donizetti, Gaetano, 18, 329
Lucia di Lammermoor, 303
Dorval, Marie, 318
Dubos, Jean-Baptiste, Abbé, 185
Dumas, Alexandre (fils), 37
Dumas, Alexandre (père), 133
Duparc, Henri, 282
Dupin, Louise-Marie-Madeleine Fontaine, Madame, 21
Dvořák, Antonín, 79, 190, 259
Piano Quintet in A major, Op. 81, 266–267
Eichendorff, Joseph von, 43, 151, 289–291
Einstein, Alfred, 328
Elgar, Edward, 69, 79, 333, 350
Enigma Variations
‘Nimrod’, 85
The Crown of India, 352
Eliot, George (Mary Ann Evans)
Middlemarch, 352
Ellis, Katharine, 335
Enfantin, Prosper, 117
Enlightenment, 6, 10, 17, 21, 23, 26, 27, 28, 30, 43, 75, 94, 103, 165, 170, 175, 204, 329
Érard, Sebastian, 114
Falla, Manuel de, 79
Faraday, Michael, 116, 117
Fauré, Gabriel, 239, 277, 282
‘La Lune blanche’, from La Bonne chanson, 287–289
Fétis, François-Joseph, 140, 239, 253
Fichte, Johann Gottlieb, 21, 167–168, 171, 172, 174, 175
Field, John, 18, 214–215, 232–233, 246, 253
Nocturne No. 1 in E flat, 236–239
Fink, Gottfried Wilhelm, 135
Fontenelle, Bernard de, 183
Forkel, Johann Nikolaus, 101
Forster, E. M., 51
Foucault, Léon, 121
Foucault, Michel, 133
Fouqué, Friedrich de la Motte, 19, 21, 101
Fourier, Charles, 111
fragment
as musical form, 269–273
Romantic, 279–281
Frank, Manfred, 170
Franklin, Peter, 347, 350–351
Franz, Robert, 281
Freud, Sigmund, 51
Friedrich Wilhelm VI, 102–103
Friedrich, Caspar David, 65, 152–154, 155, 157
Frisch, Walter, 331, 335
Gade, Niels, 79
Galland, Antoine
Les mille et un nuits, 130
Gautier, Théophile, 115, 129, 282
Geoffrin, Marie Thérèse, 21
Géricault, Theodore
The Raft of the Medusa, 118
Gervinus, Georg Gottfried, 330
Gesamtkunstwerk, 9, 40, 119, 148, 189
Gide, Casimir
La Tentation, 301–302
Gilroy, Paul, 352
Ginastera, Alberto, 79
Glinka, Mikhail, 74, 79
Gluck, Christoph Willibald, 18, 37, 38, 319
Goebbels, Joseph, 337
Goethe, Johann Wolfgang von, 3, 4, 19, 26, 151, 200, 278–279, 282, 318, 329
’Der Erlkönig’, 127
Faust, 135, 138, 280
Goldoni, Carlo, 28
Gomes, Antônio Carlos, 79
Gossec, François-Joseph, 96
Gothic, 133
Gounod, Charles, 138
Ave Maria, 146
Mirielle, 61
Granados, Enrique, 79
Graun, Carl Heinrich, 27, 104
Grell, Eduard, 103
Grétry, André, 18
Zémire et Azor, 30
Grey, Thomas S., 59, 305
Grieg, Edvard, 62, 63, 74, 79, 82, 282, 332
Peer Gynt, 84
Grillparzer, Franz, 42
Grimley, Daniel M., 62, 346
Grimm, Friedrich Melchior, Baron von, 21
Grimm, Jacob and Wilhelm, 283
Grout, Donald J., 335, 336, 338
Halévy, Fromental, 319
La Tentation, 301–302
Handel, George Frederick, 18, 38, 151, 154, 328
Messiah, 27
Hanslick, Eduard, 80, 81, 177, 188, 189
On the Musically Beautiful, 192–194
Harvey, Jonathan, 70
Haussmann, Baron von, 121
Haydn, Joseph, 10, 11, 18, 24, 25, 26, 29, 37, 112, 113, 186, 203, 258
The Creation, 118
Haydn, Michael, 31
Hazlitt, William, 46
Hegel, Georg Wilhelm Friedrich, 19, 152, 192, 201, 204–205, 206, 209, 329, 330, 331, 332
Lectures on Aesthetics, 184, 202, 221
Phenomenology of Spirit, 236
Heine, Heinrich, 282, 300, 317
Die romantische Schule, 146
Helmholtz, Hermann von, 112, 116
Henry, Joseph, 116
Hensel (née Mendelssohn), Fanny, 19, 22, 135, 225, 281, 330
Hensel, Luise, 22
Hensel, Wilhelm, 22
Hepokoski, James, 333, 347, 348–350
Herder, Johann Gottfried, 26, 47, 76, 81, 132, 187, 283
Herz, Henriette, 19, 21
Hoffmann, E. T. A., 9, 11, 19, 21, 29, 37, 39, 42, 97, 102, 103, 111, 129, 133, 137, 140, 146, 147, 150, 187, 188, 190, 199, 200–201, 205, 219, 221, 222, 223, 307, 311, 316, 329, 337
Johannes Kreisler (fictional composer), 200–201, 203, 205–206, 207–208, 312–313
‘Old and New Church Music’, 151
‘On a Remark of Sacchini’s’, 216–217
Review of Beethoven’s Symphony No. 5, 177, 185–186, 203–204, 206, 313, 333–335
‘Ritter Gluck’, 42
Undine, 101
Hölderlin, Friedrich, 19, 21, 132, 148
Horowitz, Vladimir, 321
Hugo, Victor, 19, 37, 98, 282, 318
Humboldt, Alexander von, 118
Humboldt, Wilhelm von, 187
Hummel, Johann Nepomuk, 327
Hunt, Leigh, 46
Idealism, 21, 38, 111, 132, 134, 166, 171–172, 174, 186
Ives, Charles, 67–69
Central Park in the Dark, 68
From Hanover Square North, 68–69
The ‘St. Gaudens’ in Boston Common, 68
Janáček, Leoš
The Cunning Little Vixen, 352
Janin, Jules, 129
Jean Paul (Johann Paul Friedrich Richter), 127, 146, 249
Joachim, Joseph, 63, 192
Johnson, Graham, 288
Johnson, Julian, 352
Jommelli, Niccolò, 138
Joule, James, 116
Jullien, Louis, 306
Kahlert, Karl August, 327, 329, 330
Kalkbrenner, Friedrich, 318
Kant, Immanuel, 132, 171, 175, 176, 183–184, 186, 189, 200, 280, 331
Critique of Pure Reason, 166–167, 176
Kasilag, Lucrecia, 79
Kean, Charles, 318
Keats, John, 7
Kennedy, Nigel, 321
Kirnberger, Johann Philipp, 18
Kleist, Heinrich von, 11, 38
‘St Cecilia, or the Power of Music’, 42
Klimt, Gustav, 63
Klingemann, Karl, 56
Koch, Heinrich Christoph, 22
Kotzebue, August von, 101
Kramer, Lawrence, 348
Krause, Christian Gottfried, 277
Kravitt, Edward F., 337
Kremer, Gidon, 321
Kretschmann, Carl, 105, 330, 337
Krüger, Eduard, 105
Lamartine, Alphonse de, 155
Lamennais, Abbé, 317
landscape, in music, 56–63, 64–67
Lang, Paul Henry, 328–329, 331–332
Langgaard, Rued
Symphony No. 5, 352
Leconte de Lisle, Charles Marie René, 282
Leo, Leonardo, 11, 151
Leopardi, Giacomo, 19
Leroux, Pierre, 111
Lessing, Gotthold Ephraim, 28, 40
Levi, Erik, 337
Lewis, Matthew, 133
Liszt, Franz, 18, 59, 79, 82, 114, 138, 152, 190, 191, 192, 214–215, 233, 246, 249, 253, 258, 315, 316–318, 319, 320, 330
Années de pèlerinage, 61
Christus, 155–156
Faust-Sinfonie, 190, 192, 243–244
Harmonies poétiques et religieuses, 155
Mephisto Waltz No. 1, 140
Locke, Arthur, 335
Locke, Ralph, 122
Lockwood, Lewis, 58
Loewe, Carl, 327
Longyear, Rey, 335
Loughridge, Deirdre, 118
Louis XVI, 93
Lovejoy, Arthur, 5
Lübeck, Schmidt von, 282
Lukács, Georg, 337
Lvov, Nikolay, 77
Macpherson, James, 26, 75
Maelzel, Johann, 113, 117
Mahler, Alma, 344
Mahler, Gustav, 61–62, 110, 186, 281, 320, 333, 335, 336, 343
Das Lied von der Erde, 62, 67
Symphony No. 1, 349
Symphony No. 3, 61–62, 352
Symphony No. 8, 146, 185
Malchow, H. L., 139
Mann, Thomas
Doktor Faustus, 337
Manzotti, Luigi
Excelsior, 116
Mariette, August, 122
Marmontel, Jean-François, 131
Marschner, Heinrich
Der Vampyr, 138
Martin, John, 299
Marx, A. B., 20, 221
Marx, Karl, 111
Mattheson, Johann, 185
Maxwell Davies, Peter, 70
McClelland, Clive, 25
Mendelssohn, Fanny. See Hensel (née Mendelssohn), Fanny
Mendelssohn, Felix, 19, 103, 110, 112, 134–137, 151, 187–188, 190, 223–225, 259, 279, 281, 282, 303, 305, 330, 335
A Midsummer Night’s Dream, incidental music, 135
Octet, Op. 20, 135
Overture Calm Sea and Prosperous Voyage, 190
Overture The Hebrides, 56–58, 190, 305
Overture to A Midsummer Night’s Dream, 134–137, 190
Overture to The Fair Melusina, 190
Piano Sonata in E major, Op. 6, 263–266
Songs without Words, 279
Op. 30 No. 3, 244
Symphony No. 2 Lobgesang, 153–154
Symphony No. 3 (‘Scottish’), 305
Symphony No. 4 (‘Italian’), 305
Mendelssohn, Moses, 18, 279
Menzel, Adolph, 63–66
Mérimée, Prosper, 37
Carmen, 47–50
Mesmer, Anton, 115
Metternich, Klemens von, 95
Meyer, Leonard B., 347
Meyerbeer, Giacomo, 118–119, 223, 303, 335
Ein Feldlager in Schlesien, 103
Le Prophète, 121, 299–300, 306
Les Huguenots, 320
Robert le diable, 118–119, 139–140, 300, 302–303
Meysenbug, Malwida von, 201, 206, 207
Mickiewicz, Adam, 19
Mill, John Stuart
‘What Is Poetry’, 218
modernism, 345, 347
relation to late Romantic music, 333, 349–351
Momigny, Jérôme-Joseph de, 20
Monboddo, James Burnett, Lord, 76
Monteverdi, Claudio, 239
Mozart, Leopold, 214
Mozart, Wolfgang Amadeus, 10, 11, 18, 24, 29, 38, 80, 112, 138, 186, 203, 204, 214–215, 216, 245, 258, 328, 334, 336
Die Zauberflöte, 30, 110
Entführung aus dem Serail, 23
Le nozze di Figaro, 302
String Quartet in D minor, K. 421, 20
Müller, Adam, 94, 95, 97
Müller, Wilhelm, 22, 282
Musgrave, Thea, 70
Musset, Alfred de, 4, 37
Mussorgsky, Modest, 253, 282
Boris Godunov, 245, 246
Napoleon Bonaparte, 93, 97, 113, 133
nationalism, 74–75
and music, 76–85
Naturphilosophie, 116, 203, 282
Nazarenes, 149, 151
Neefe, Christian Gottlob, 277
New German School, 87, 192, 193, 330
Newcomb, Anthony, 249–252
Nicolai, Friedrich, 18
Nielsen, Carl, 62, 333, 350
Nietzsche, Friedrich, 157, 177
Nodier, Charles, 129, 137
Novalis (Friedrich von Hardenberg), 7, 12, 19, 21, 39, 94, 129, 132, 166, 171–175, 177, 200, 279
O’Carolan, Turlough, 83
Offenbach, Jacques
Les contes d’Hoffmann, 110
Ørsted, Hans Christian, 116
Ossian, 40, 75–76, 305
Overbeck, Friedrich, 151
Paganini, Niccolò, 114, 315–316, 318, 320, 327
Palestrina, Giovanni Pierluigi da, 11, 83, 103, 149, 151, 334
Pater, Walter, 20
Pederson, Sanna, 105, 330
Pergolesi, Giovanni Battista, 27
Pfeiffer, Carl, 191
Piccinni, Alexandre
La Citerne, 298
Pixérécourt, René-Charles Guilbert de, 297
La Citerne, 298
Plato, 130, 184–185, 186
Pogorelich, Ivo, 321
postmodernism, 6, 169
Prach, Ivan, 77
Priestley, Joseph, 115
Prudhomme, Sully, 282
Puccini, Giacomo, 333
Purcell, Henry, 314
race, and music, 252–253
Rachmaninov, Sergei, 333
Radcliffe, Ann, 133
Ramann, Lina, 155
Rameau, Jean-Philippe, 18
Raphael (Raffaello Sanzio da Urbino), 156
Sistine Madonna, 147
Reibel, Emmanuel, 99
Reichardt, Johann Friedrich, 18, 26, 77, 186, 277
Reinhold, Karl Leonhard, 166–167, 171, 175
Rellstab, Ludwig, 135
Respighi, Ottorino, 190
revolution, relation to Romanticism, 93–99
Rochlitz, Friedrich, 311
Romanticism
defining generally, 4–6
defining musically, 6–13
gendered constructions of, 337
Ronyak, Jennifer, 22
Rosen, Charles, 337
Rossini, Gioacchino, 18, 98–99, 232, 239
Guillaume Tell, 99, 316
Rousseau, Jean-Jacques, 21, 48, 75, 76, 183, 218, 277
Pygmalion, 297
Rubinstein, Anton
Symphony No. 2 (‘Océan’), 154–155
Rückert, Friedrich, 283
Ruge, Arnold, 330
Saint-Saëns, Camille, 190
Sala, Emilio, 303
Salieri, Antonio, 18
Prima la musica e poi le parole, 187
Samson, Jim, 338
Sand, George, 21, 110, 111, 137, 317
Satie, Erik, 345
Savart, Felix, 112
Sax, Adolphe, 112
Scheiermacher, Friedrich, 148
Schelling, F. W. J., 7, 19, 21, 132, 150, 166, 175, 177, 202, 282, 329
Schiller, Friedrich, 19, 21, 130, 189, 282
Schlegel (née Mendelssohn), Dorothea, 279
Schlegel, August Wilhelm, 7, 19, 21, 132, 152, 279
Schlegel, Caroline, 279
Schlegel, Friedrich, 4, 7, 9, 10, 12, 19, 21, 38, 39, 43, 47, 94, 95, 96, 97, 129, 130, 131, 132, 134, 137, 150, 166, 172, 174–175, 176, 177, 189, 236, 278, 279–280, 281, 283, 289, 353
Lucinde, 169
Schleiermacher, Friedrich, 7, 19, 94, 132, 148–149, 152, 177, 279, 329
Schmalfeldt, Janet, 235–236, 265
Schmidt, Julian, 148
Schoenberg, Arnold, 6, 65, 186, 252, 343–346, 348, 349, 350, 351
Five Pieces for Orchestra, Op. 16, 343
String Quartet No. 1, Op. 7, 343
Verklärte Nacht, 67
Schönberg, Claude-Michel
Les Misérables, 37
Schopenhauer, Arthur, 12, 156, 166, 175–176, 177, 186–187, 189, 201, 209–210
Schubert, Franz, 6, 18, 26, 63, 232, 233, 239, 246, 253, 277–278, 282, 329, 335, 338
‘Am See’, 283–286
‘Ihr Bild’ (Schwanengesang), 241–243
‘Im Frühling’, 278
’Der Erlkönig’, 128, 134
Die schöne Müllerin, 22, 282
Symphony No. 9 in C (‘Great’), 251
Winterreise, 67, 282
Schubring, Julius, 136
Schulze, Ernst, 278
Schumann (née Wieck), Clara, 63, 220, 259, 281
‘Die stille Lotosblume’, Op. 13 No. 6, 267–269
Schumann, Robert, 4, 60, 80, 110, 114, 120, 191, 220, 222, 232, 253, 258, 259, 281, 282, 327, 330, 332, 335
Carnaval, Op. 9, 190
‘Valse Allemande’, 240
Davidsbündlertänze, Op. 6, 60
Dichterliebe, Op. 48,
‘Aus meinen Thränen’, 271–272
‘Die Rose, die Lilie’, 271
‘Im wunderschönen Monat Mai’, 269–271
Études symphoniques, Op. 13, 220
Fantasie in C, Op. 17, 251
Fantasiestücke, Op. 12, 60, 190
Kinderszenen, Op. 15, 190
Kreisleriana, Op. 16, 190
Liederkreis, Op. 24, 282
Liederkreis, Op. 39, 289–293
’Auf einer Burg’, 290
‘Im Walde’, 290
’Mondnacht, 290–293
‘Waldesgespräch’, 290
‘Zwielicht’, 290
Papillons, Op. 2, 249
Scenes from Goethe’s Faust, 249
Symphony No. 2, 232, 249–252
Symphony No. 3 (‘Rhenish’), 249
Symphony No. 4, 272–273
Schwind, Moritz von, 63
Scott, Sir Walter, 312, 318
Waverley, 313–314
Seaton, Douglass, 252
sensibility, 9, 93
Sgricci, Tomassi, 314
Shakespeare, William, 95, 304, 318
A Midsummer Night’s Dream, 135
Shelley, Mary, 46
Shelley, Percy Bysshe, 5, 7, 46, 95
Sibelius, Jean, 62, 79, 190, 282, 333
Finlandia, 84
Symphony No. 5, 349, 350
Simmel, Georg, 147
Sloterdijk, Peter, 146
Smetana, Bedřich, 79, 190
Libuše, 85
Má vlast, 85–88
Smith, Adam, 185
Smith, Ali, 338
Smith, Marian, 301
Smithson, Harriet, 304
Smyth, Ethel, 222
Sowande, Fela, 79
Spaun, Joseph von, 278
Specht, Richard, 344
Spinoza, Baruch (Benedict de), 132, 171
Spohr, Louis, 327
Symphony No. 4 Die Weihe der Töne, 153–154, 191
Spontini, Gaspare, 334
La vestale, 320
Steinbeck, Wolfram, 155
Stendhal (Marie-Henri Beyle), 19, 47, 98, 99
Sterne, Laurence, 25
Stokes, Laura, 103
Stolberg, Friedrich Leopold, 283
Strauss, Richard, 186, 190, 333, 335, 343–345, 346, 348, 350, 351
Capriccio, 187
Don Juan, 349
Eine Alpensinfonie, 67, 147, 352
Salome, 352
Stravinsky, Igor, 6, 137, 329, 345
Sturm und Drang, 25
sublime, 24
Sulzer, Johann Georg, 28, 173–174
Taddei, Rosa, 314
Taruskin, Richard, 80, 252, 345, 347
Taubert, Wilhelm, 103
Taylor, Benedict, 59, 289
Tchaikovsky, Pyotr Ilyich, 332
Manfred Symphony, 190
The Nutcracker, 110
Tennyson, Alfred, Lord, 51
Thalberg, Sigismund, 222–223
Thomson, George, 26
Tieck, Ludwig, 7, 19, 21, 146, 147, 148, 149–150, 152, 186, 187
Tomlinson, Gary, 253
Toreinx, F.-R. de
Histoire du romantisme, 99
Treitler, Leo, 347
Tresch, John, 303
Tristan, Flora, 111
Trutovsky, Vasily Fyodorovich, 77
Turchin, Barbara, 289
Tyndall, John, 117
Varnhagen, Rahel, 21
Vaughan Williams, Ralph, 69, 79
Verdi, Giuseppe, 74, 80, 83, 84, 329
Aida, 61, 111, 121–123
La traviata, 37
Verlaine, Paul, 282, 287, 289
Villa-Lobos, Heitor, 79
Villemarqué, Théodore Hersart de la, 77
Virgil, 20, 44, 306
Vitet, Louis, 98
Vivaldi, Antonio
Le quattro stagioni, 190
Voltaire, 21
Wackenroder, W. H., 7, 12, 19, 129, 146, 147, 149–150, 152, 176, 177, 199, 201–202, 204, 207, 209, 219, 222
Joseph Berglinger (fictional composer), 149–150, 176, 200, 206, 207
Wagner, Richard, 9, 40, 80, 81–82, 101, 111, 119, 122, 147, 148, 177, 186, 188–189, 192, 259, 330, 335, 338
Das Judenthum in der Musik, 119, 223–224
Der fliegende Holländer, 222, 259–263, 265
Der Ring des Nibelungen, 157, 300
Die Meistersinger von Nürnberg, 84, 85
Götterdämmerung, 300
Parsifal, 146, 156–157
Siegfried, 61
Walpole, Horace
The Castle of Otranto, 133
Walter, Bruno, 61
Watt, James, 115
Weber, Carl Maria von, 18, 99, 100
Der Freischütz, 30–31, 98, 101–102, 110, 138, 299
Weber, Ernst, 112
Weber, Max, 147
Weber, Wilhelm, 112
Webern, Anton von, 344, 345
Weidner, Daniel, 147
Wellek, René, 335
Weltanschauungsmusik, 350
Wheatstone, Charles, 116, 117
Whittall, Arnold, 331, 335
Wieck, Clara. See Schumann (née Wieck), Clara
Wolf, Hugo, 281, 282, 333
women, and Romanticism, 20–21, 336–337
Wordsworth, William, 7, 19, 46, 51, 95, 218
The Prelude, 38
Wörner, Karl, 289
Zelter, Carl Friedrich, 26, 277, 278
Zumsteeg, Johann Rudolf, 278

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Index
  • Edited by Benedict Taylor, University of Edinburgh
  • Book: The Cambridge Companion to Music and Romanticism
  • Online publication: 06 August 2021
  • Chapter DOI: https://doi.org/10.1017/9781108647342.024
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Index
  • Edited by Benedict Taylor, University of Edinburgh
  • Book: The Cambridge Companion to Music and Romanticism
  • Online publication: 06 August 2021
  • Chapter DOI: https://doi.org/10.1017/9781108647342.024
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Index
  • Edited by Benedict Taylor, University of Edinburgh
  • Book: The Cambridge Companion to Music and Romanticism
  • Online publication: 06 August 2021
  • Chapter DOI: https://doi.org/10.1017/9781108647342.024
Available formats
×