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Index

Published online by Cambridge University Press:  24 November 2023

Edited by
Jessica Waldoff
Jessica Waldoff
Affiliation:
College of the Holy Cross, Massachusetts

Summary

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Type
Chapter
Information
The Cambridge Companion to The Magic Flute , pp. 354 - 360
Publisher: Cambridge University Press
Print publication year: 2023

Index

Abbate, Carolyn, 119, 148, 151, 155, 156, 219, 246, 247
Abert, Hermann, 88, 141, 143, 174, 179, 191, 195, 228, 296
Abraham, Gerald, 120, 121
Adorno, Theodor, 333, 340
Alberti, Ignaz, 71, 75
Albrecht, Ignaz, 53
Albrecht, Theodore, 153
Al-Taee, Nasser, 259
André, Johann, 310
Anton operas. See Schikaneder, Emanuel
Apuleius, Lucius
The Golden Ass, 208
Arabian Nights, The. See Galland, Antoine
Aravamudan, Srinivas, 203
Arnold, Ignaz, 292, 293
Artaria, 78
Aspelmayr, Franz
Die Kinder der Natur, 9
Auden, W. H. and Chester Kallman
The Magic Flute (a translation), 194, 322
Bach, Johann Sebastian, 142, 143, 189
Bahr, Ehrhard, 228
Barker-Benfield, G. J., 236, 239
Battmann, Jacques-Louis, 291
Bauernfeld, Anton von, 47
Bauernfeld, Antonia von, 47
Bauernfeld, Joseph von, 47
Bauman, Thomas, 112, 199
Beck, Heinrich, 63
Beck, Josepha, 63
Becker, Carl Ferdinand, 140
Beethoven, Ludwig van, 62, 145, 291, 298
Bergknappen, Die. See Umlauf, Ignaz
Bergman, Ingmar, 327, 334
The Magic Flute (film), 3, 4, 234, 322, 333–340
Berlin, Isaiah, 187, 192
Berlioz, Hector, 321
Bernhart, Walter, 159
Besch, Anthony, 152
Blümml, Emil, 227
Böhm, Johann, 33
Boiledieu, Louis, 291
Booth, George, 162
Born, Ignaz von
“Über die Mysterien der Ägypter,” 208, 209, 222, 306
Bovy-Lysberg, Charles Samuel, 291
Branagh, Kenneth
The Magic Flute (film), 323
Brandes, Georg Friedrich, 10
Branscombe, Peter, 1, 64, 75, 208, 222, 223
Braun, William, 111, 112
Brook, Peter, 323
Brophy, Brigid, 319
Brown, Jane K., 245, 283
Brown, John, 245
Brown-Montesano, Kristi, 230, 248
Buch, David J., 36, 37, 44, 54, 139, 150, 174, 176, 178, 200, 210, 224, 309
Burns, Robert, 281
Burton, John, 162
Busoni, Ferrucio, 291
Campagnoli, Bartolomeo, 291
Carey, Clive, 321
Carsen, Robert, 323
Carter, Tim, 120
Cavalieri, Caterina, 9, 11, 12, 13–14, 76, 98, 224, 320
censorship, 41, 50, 51, 54, 161, 164
Chagall, Marc, 291, 321
Chailley, Jacques, 223, 228
Chantavoine, Jean, 139, 141
Chapin, Keith, 134
Chédeville, Étienne Morel de, 293, 320
Claudius, Matthiaus, 209
Clément, Catherine, 247
Clementi, Muzio, 139
Cole, Malcolm, 253, 259
coloratura, 13, 51, 90, 105, 107, 140, 215, 246–247
Cooke, Dominic, 326
Cowie, Peter, 335, 336
Cox, John, 322
Czerny, Carl, 291
Da Ponte, Lorenzo, 85, 173, 305, 306
Davies, Sheila Boniface and J. Q. Davies, 262
Dean, Basil, 299
Dent, Edward J., 97, 159, 190, 223, 319, 321
Dickinson, G. Lowes, 299, 323
Diderot, Denis, 162, 188, 238
Dittersdorf, Carl Ditters von, 62, 63, 284
Der Apotheker und der Doktor, 11, 62, 64, 173
Die Liebe im Narrenhause, 173
Dolan, Emily I., 149
Dschinnistan. See Wieland, Christoph Martin
Eberl, Anton, 78, 291
Edge, Dexter, 77
Einstein, Alfred, 3, 230
Engel, Johann Jakob
“On Painting in Music,” 14
Enlightenment
concept of, 187
contradictions in, 162, 188, 248, 249, 255
Enslen, Carl, 279
Everding, August, 328, 329
exoticism
and Egyptology, 207–210
and The Arabian Nights, 210
and The Magic Flute, 200, 212–214
defined, 200
the abduction plot, 203–204, 239
fairy-tale operas, 34–37, 139, 174, 176, 224
Farcus, Marilyn, 244
Ferdinand, Archduke, 56
Fischer, Petra, 229
Fordyce, John, 166
Forman, Miloš, 300
Franz II/I, Emperor, 51, 56, 275, 280
Freemasonry, 323
and Ignaz Alberti, 75
and Mozart, 30, 143
and Schikaneder, 30
and The Magic Flute, 87, 133, 152, 208–210, 222, 223, 226, 280, 282, 295, 310
female Masons, 169
Freyer, Achim, 324
Fried, Michael, 238
Friedel, Johann, 30, 48–49
Friedländer, Max, 141
Frye, Northrop, 225
Galland, Antoine
The Arabian Nights, 203, 204, 205, 210, 212
Galuppi, Baldassare, 141
Gebauer, Étienne Jean François, 291
Gebler, Tobias Philipp von
Thamos, 32–33, 222, 223
Gelinek, Joseph, 291
Gerl, Barbara, 67, 309
Gerl, Franz Xaver, 54, 55, 64, 67, 88, 104, 184
German opera
in Mozart’s letters, 32
in Vienna, 9, 34, 49, 173
Italian works in translation, 49, 63
outside Vienna, 10, 30, 63
German theater reform, 31–34
and The Magic Flute libretto, 41
Giesecke, Karl Ludwig, 21, 34, 75, 223, 307, 313. See also Magic Flute, The (libretto): Giesecke’s annotated copy
Gluck, Christoph Willibald, 85, 94, 148
Orfeo ed Euridice, 38
Godwin, Jocelyn, 227, 228, 231
Goethe, Johann Wolfgang von, 31, 283, 320
Der Zauberflöte zweiter Teil, 228, 283, 294, 297, 299, 322
Hermann und Dorothea, 282
on The Magic Flute, 3, 226, 300
The Sorrows of Young Werther, 108, 188
Wilhelm Meister, 224
Gotter, Friedrich Wilhelm, 63
Gottlieb, Anna, 67, 88, 300, 306
Gottsched, Johann Christoph, 31
Grant, Robert, 323, 327
Grasberger, Franz, 227, 228
Grétry, André, 141, 284
Zemire et Azor, 34
Grisi, Giulia, 321
Grobe, Charles, 291
Gruber, Gernot, 227, 229, 230
Guardasoni, Domenico, 281
Hall, Kim, 254, 258
Hamann, Johann Georg, 192, 194
Hammerstein, Reinhold, 143
Hanswurst, 11, 37, 49–50, 304
Hartl, Karl, 299
Hartmann, Johann Ernst
Balders Tod, 64
Haydn, Joseph
Il mondo della luna, 141
Symphony No. 103 in E-flat, 320
Heartz, Daniel, 86, 89
Heger, Hilde, 291
Henneberg, Johann Baptist, 49, 55, 64, 65, 139, 140
Hensler, Karl Friedrich, 40, 54, 56
Herder, Johann Gottfried, 194, 215
Heusinger, Johann Heinrich Gottlob, 292
Hiller, Johann Adam, 10
Hockney, David, 291, 321
Hofer, Josepha, 51, 67, 88, 105, 305
Hoffmann, E. T. A., 148, 252, 320
Hogarth, George, 294
Holland, Charles, 253
Holmes, Edward, 296
Hölty, Ludwig, 280
Hunter, Mary, 103, 243
Jackson, Zakiyyah Iman, 258
Jacobs, René, 159
Jahn, Otto, 135, 222, 223, 227, 296
Järvefelt, Göran, 322
Jehlen, Myra, 235
Joseph II, Emperor, 9, 10, 11, 20, 33, 45, 48, 50, 51, 177
Kallman, Chester. See Auden, W. H.
Kant, Immanuel, 188, 197
Observations on the Feeling of the Beautiful and Sublime, 236
“What Is Enlightenment?,” 187, 249
Kaspar der Fagottist. See Müller, Wenzel
Kauer, Ferdinand
Das Donauweibchen, 54
Keefe, Simon P., 110
Kellogg, Kenneth, 254
Kentridge, William, 325
Kerman, Joseph, 97, 120, 194
Kermode, Frank, 226
King, A. Hyatt, 134–139
Kircher, Anthansius, 214
Kirnberger, Johann Philipp, 143, 144, 189, 213
Knittel, K. M., 62
Kokoschka, Oskar, 291, 321
Komorzynski, Egon, 32, 222, 223
Kosky, Barrie, 166, 235, 262, 325
Kringsteiner, Ferdinand, 262
Kunze, Stefan, 224, 226
Kunzen, Friederich, 141, 142
La Roche, Johann, 11
Lachnith, Ludwig Wenzel
Les Mystères d’Isis, 293, 320
Lange, Aloysia, 11
LaRue, Jan, 139
Lehne, Friedrich, 281
Lemminger, Bartholomäus, 279
Leopold II, Emperor, 33, 51, 65, 275
Lessing, Gotthold, 32, 214
Liebeskind, August Jacob, 36
“Lulu, oder Die Zauberflöte,” 11, 36, 222, 223
Locke, Ralph, 200, 204
Lorenz, Alfred, 119
Lorenz, Michael, 47
Louis XVI, King, 217, 281
Luther, Martin
“Ach Gott, vom Himmel sieh darein,” 122, 142, 144, 189
Magic Flute, The
abandonment plot in, 241–243
abduction plot in, 204, 216, 239–241
alterations and additions (early), 75, 76, 168, 311–312, 314, 320
alternative title, 61, 77, 315
and Egyptology, 207–210, 212–214
and material culture, 3, 275
aria forms, 100, 106
arrangements of, 78, 292, 294
autograph score, 75, 121, 127, 128, 129, 150, 154, 193, 306, 310–312
change of plan theory, 38, 223, 308
commission and composition, 64–65, 221, 304–305, 309–311
contemporary iconography, 68, 69, 75, 207, 214, 256, 258, 276, 278
costumes, 61, 67, 68, 70, 201, 217, 256, 278
early performances, 1, 75, 114, 154, 275, 281, 282, 312–313
enlightenment as metaphor in, 86, 177, 181, 191, 213, 229
finales, design, 35, 85, 174–176, 181–182
in early biography, 292–293, 295–296
in film, 299–300, 323, 340. See also Bergman, Ingmar
in literary works, 282, 297–299, 323
key choices and characteristics, 87–88, 90, 111, 133
magic bells, 38, 112, 114, 123, 150, 151, 154–155, 211
magic flute, 38, 92, 94, 123, 148, 149, 151, 153, 155, 190, 213, 230, 258
Masonic elements, 71, 87, 133, 208–210, 223, 295, 310
maxims and morals, 35, 41, 121, 160, 164, 167, 237, 249
misogyny in, 4, 92, 162, 163, 206, 234, 248, 249, 327, 328
Mozart’s compensation for, 77
Papageno’s panpipes, 155, 214
parodies and satires, 260–262, 284, 320
performance data, 1, 253
playbill, 2, 53, 65, 68
political readings, 216, 227, 280–282, 292
premiere, 1, 53, 61, 65–77, 305, 315
racism in, 4, 162, 163–165, 206–207, 253–260, 262, 328
scenery and set changes, 61, 67, 68–76, 181–182, 217, 278, 313–314
sketches for, 122, 143, 144, 310
“threefold chords” (“dreimalige Akkord”), 86, 88
Magic Flute, The (dramatis personae)
Chorus, 128–129, 209
Monostatos, 103–104, 133, 152, 161–165, 191–192, 205–207, 241, 253, 255–264
multivoiced characters, 85, 120, 121, 181
Pamina, 90, 92, 93, 111–112, 181, 195–196, 207, 212, 230, 237–243, 256
Papageno, 50, 68, 89, 103, 114, 142, 151, 155, 161, 180, 202, 206, 210–212, 214–216, 227
Queen of the Night, 55, 68, 88, 93, 105–108, 165–166, 168, 229, 230, 235, 243–248
role types, 224
Sarastro, 88, 104, 165, 169, 205, 210, 229, 322
Tamino, 67, 88, 90, 108, 121, 133, 134, 160, 161, 168, 192–195, 201, 204, 213, 225, 238–239, 339
Three Boys, 96, 120, 124, 127–128, 152, 210
Three Ladies, 70, 85, 120, 124, 133, 152
Three Slaves, 218, 240, 258, 268
Magic Flute, The (libretto), 224
alterations to, 128, 129, 168, 311, 312
and German theater reform, 41
authorship disputed, 199, 223, 307
frontispiece, 71, 213, 314
Giesecke’s annotated copy, 75, 313
image of Papageno, 68, 70, 214, 314
sources, 32–33, 34–38, 139, 208–209, 221–222, 309
text in first full-score edition, 307
Magic Flute, The (separate numbers)
overture, 65, 85–86, 134, 294, 310, 311
No. 1 Introduction, 87, 121, 133
No. 2 (“Der Vogelfänger bin ich ja”), 101–103, 215, 281, 313
No. 3 (“Dies Bildnis”), 108–111, 192–195, 238, 276
No. 4 (“O zittre nicht”), 89, 105–108, 133, 140, 244, 246
No. 5 (“Hm! Hm! Hm!”), 39, 65, 121, 122–124, 127, 140, 151, 152
No. 6 (“Du feines Täubchen”), 121, 240
No. 7 (“Bei Männern”), 75, 78, 121, 127, 311
No. 8 finale (“O ew’ge Nacht!”), 91, 229, 339
No. 8 finale (Orphic scene), 38, 92, 258
No. 8 finale (Tamino’s colloquy), 91, 177, 245, 310
No. 9 March of the Priests, 65, 128, 177, 311
No. 10 (”O Isis und Osiris”), 128–129, 208, 209, 311
No. 11 (“Bewahret euch vor Weibertücken”), 75, 92, 121, 125
No. 12 (“Wie? Wie? Wie?”), 124–126
No. 13 (“Alles fühlt der Liebe Freuden”), 103–104, 191–192, 205–206, 240, 259, 260, 261
No. 14 (“Der Hölle Rache”), 93, 105, 133, 215, 245–248
No. 15 (“In diesen heil’gen Hallen”), 78, 88, 104–105
No. 16 (“Seid uns zum zweiten Mal willkommen”), 78, 96, 127, 152, 280
No. 17 (“Ach ich fühl’s”), 90, 111–112, 133, 195, 241–242
No. 18 Chorus of the Priests, 128–129
No. 19 (“Soll ich dich, Teurer, nicht mehr sehn?”), 93, 127
No. 20 (“Ein Mädchen oder Weibchen”), 112–114, 140–142, 211, 216, 277, 280
No. 21 finale (chorale sung by the Armored Men), 121, 142–145, 180, 189, 213, 310
No. 21 finale (lovers’ reunion), 93
No. 21 finale (“Nur stille!”), 96, 181
No. 21 finale (Pamina’s suicide), 90, 182, 242–243
No. 21 finale (Papageno’s suicide), 94–96
No. 21 finale (“Pa-Pa-Pa” duet), 215
No. 21 finale (trials of fire and water), 94, 148, 190–191
magic operas (other), 20–24, 37, 50, 51, 55, 64, 139, 223, 226, 314. See also Müller, Wenzel: Kaspar der Fagottist; Wranitzky, Paul: Oberon, König der Elfen; Schikaneder, Emanuel: Der Stein der Weisen; Schikaneder, Emanuel: Der wohltätige Derwisch
magical instruments, 25, 38, 51, 230, 294
magical objects and sounds, 25, 36
Manne, Kate, 164
Maria Theresia, Empress, 50, 51, 275
Marie Therese (wife of Franz II/I), 276
Marinelli, Karl, 11, 24, 45, 50, 54, 223
Marshall, Robert L., 317
Martín y Soler, Vicente, 62, 284
Una cosa rara, 64
Mayer, Karl, 11
McBurney, Simon, 155, 325
McClelland, Clive, 90
McVicar, David, 328, 329
Meisl, Karl, 260, 261, 320
Michaelis, C. F., 150
Middleton, Richard, 279
Miller, Jonathan, 323
Mirka, Danuta, 132
Moore, Jonathan, 325
Mozart, Constanze, 1, 64, 76, 154, 224, 319
Mozart, Leopold, 32, 50, 67, 104, 210, 252
Mozart, Wolfgang Amadeus
as the “Shakespeare of music,” 252
Ascanio in Alba, 243
contributions to Der Stein der Weisen, 55, 64, 174, 308
Così fan tutte, 62, 120, 150, 179, 222, 306
“Das Traumbild,” K. 530, 89
Der Schauspieldirektor, 11, 62, 173
Die Entführung aus dem Serail, 9, 13, 33, 62, 85, 151, 173, 201, 203, 204, 239, 241, 255, 259, 305, 306
Don Giovanni, 50, 62, 86, 121, 177, 178, 179, 252, 293, 306
financial distress, 63
Idomeneo, 92, 244, 305, 306
in his thematic catalogue, 41, 65, 224, 311
L’oca del Cairo, 243
La clemenza di Tito, 62, 65, 85, 86, 89, 150, 244, 293, 305
Le nozze di Figaro, 62, 67, 88, 89, 119, 120, 190, 192, 243, 293, 306
music for Thamos, 32, 222
myths connecting The Magic Flute and illness, 295
on Die Entführung, 33
on German opera, 32
on The Magic Flute, 1, 3, 64, 76, 114, 154, 167, 224, 305, 319
on writing arias for singers, 88, 101
Requiem and its afterlife, 293, 295, 296, 297, 298, 300
String Quartet in G, K. 387, 86
String Quintet in G minor, K. 516, 195
Variations, K. 613, on “Ein Weib ist das herrlichste Ding,” 50, 118
Zaide, 201
Müller, Joseph, 279
Müller, Wenzel
Das Sonnenfest der Braminen, 37, 54, 56, 57
Die travestirte Zauberflöte, 260–262, 320
Kaspar der Fagottist, 11, 24–27, 38, 64, 78, 222, 223, 308
Müller, Wilhelm, 283
Mystères d’Isis, Les. See Lachnith, Ludwig Wenzel
Nedbal, Martin, 164, 168, 237
Netrebko, Anna, 254
Nettl, Paul, 223
Niemetschek, Franz Xaver, 1, 292
Nissen, Georg von, 295
Noble, Adrian, 324
Nohl, Ludwig, 296
Nouseul, Johann Joseph, 103, 255
Oberle, Carl Friedrich, 322
Oberon (poem). See Wieland, Christoph Martin
Oberon, König der Elfen. See Wranitzky, Paul
orchestra/orchestration, 293
in Die Bergknappen, 14
in The Magic Flute, 86, 93, 96, 104, 105, 110, 149–153, 196
National Singspiel, 10
Theater auf der Wieden, 67
Oulibicheff, Alexandre, 295
Outram, Dorinda, 202, 214, 236
Paisiello, Giovanni, 62, 141
Nina, 242
Parker, Roger, 119
Perinet, Joachim, 24, 54, 64, 223
Perry, Ruth, 244
Pezzl, Johann
Skizze von Wien, 9, 10, 62
Planché, James Robinson, 321
Plümicke, Karl Martin
Lanassa, 33, 34, 37
Ponnelle, Jean-Pierre, 322
Porter, Andrew, 321
Portobello, Isango
Magic Flute, Impempe Yomlingo, 262
Pountney, David, 324
Price, Leontyne, 253
Raff, Joachim, 291
Rameau, Jean Philippe
Les Indes galantes, 203
Rathey, Markus, 144, 317
Rau, Heribert, 298
Reiniger, Lotte, 299
Rice, John, 177, 276
Richardson, Samuel, 241
Pamela, 108
Rochlitz, Johann Friedrich, 142, 292, 294
Romanze (song type), 25
Rose, Jürgen, 328
Rosen, Charles, 120
Rosenberg, Alfons, 228
Rosenberg-Orsini, Franz Xaver, Count, 177
Ross, Alex, 327
Rossbach, Christian, 45, 48
Rothschild, Thomas, 163
Rourke, Kelley, 263
Rousseau, Jean-Jacques, 188
Émile, 224, 236
Ruprecht, Martin, 12
Das wütende Heer, 34
Said, Edward, 207
Salieri, Antonio, 62, 76, 98, 224, 284, 320
Der Rauchfangkehrer, 9
Die Höhle des Trofonius/La grotto di Trofonio, 64
Sartory, Johann, 261
Sayet, Madeline, 263, 264
Schack, Benedikt, 49, 54, 55, 64, 67, 88, 110, 153
Schaffer, Joseph, 70, 75, 258, 278
Schikaneder, Eleonore, 30, 48, 49
Schikaneder, Emanuel. See also Magic Flute, The (libretto)
Anton sequels, 50, 173
as author, 32, 34, 41, 49, 54, 64, 181, 193–195, 209, 222–224, 309, 312–315
as director, 11, 30, 31, 34–37, 44, 47, 49, 56–57, 63, 67, 77, 173, 176, 279
as performer, 24, 30, 49, 67, 88, 102, 114, 252
Babylons Pyramiden, 47
Das Labyrinth, 229, 251, 310
Der dumme Gärtner im Gebürge, oder die zween Anton, 49, 55, 173
Der Spiegel von Arkadien, 306
Der Stein der Weisen, 36, 38, 39, 47, 51, 53, 55, 64, 85, 139, 174, 176, 182, 305, 308, 310, 314
Der Tiroler Wastel, 52, 53
Der wohltätige Derwisch, 36, 139, 310
Die schöne Isländerin, 139
disparaged, 222, 223, 292, 294, 295–296, 309, 321, 322
his troupe at the Theater auf der Wieden, 52–53, 64
Schikaneder, Urban, 52
Schinkel, Karl Friedrich, 207, 320, 321
Schulz, Johann Abraham Peter, 142, 215
Schuster, Ignaz
Othello, der Mohr in Wien, 262
Scott, Derek, 259
Seconda, Joseph, 276
Sellars, Peter, 323
Sendak, Maurice, 321
sensibility in opera
heroines in distress, 37, 111, 134, 239
influence of sentimental novels, 108, 241
Pamina as sentimental heroine, 237–243
sensibility, culture of
sentimental heroine, 239, 242
within the Enlightenment, 188
Sethos. See Terrason, Abbé Jean
Seyfried, Ignaz von, 276
Seyler, Friederike Sophie, 35, 223
Shakespeare, William
A Midsummer Night’s Dream, 254
Othello, 254, 256, 262, 263
The Merchant of Venice, 192, 252, 259
The Tempest, 254, 257, 258, 264
Titus Andronicus, 255
Twelfth Night, 257
Verdi’s adaptations, 254
Sharon, Yuval, 153, 164, 325
Shaw, George Bernard, 3
Shirley, George, 253
Slevogt, Max, 291
Smidt, Heinrich, 298
Smith, Erik, 122–126, 150, 152
Sor, Fernando, 291
Spektakelfreiheit, 11, 45
Spohr, Louis, 291
Starobinski, Jean, 148
Stein der Weisen, Der (collaborative composition). See Schikaneder, Emanuel
Stein, Peter, 327
Stephanie, Johann Gottlieb, 33, 305
Sterne, Laurence, 188
Sternfeld, Frederick W., 142
Stierle, Wilhelmine, 12
Stranitzky, Josef Anton, 11, 49. See also Hanswurst
Strasser, Johann Georg, 279
Stravinsky, Igor, 148
Stumpf, Johann Christian, 291
Subotnik, Rose Rosengard, 151
Sulzer, Johann Friedrich, 213
Süßmayr, Franz Xaver, 65, 293, 305
Taymor, Julie, 235, 262, 327
Terrasson, Abbé Jean
Sethos, 77, 208, 209, 222, 306
Tettlebaum, Marianne, 148, 156
Teyber, Franz
Die Dorfdeputierten, 11
Thalberg, Sigismond, 291
Thamos, König in Ägypten. See Gebler, Tobias Philipp von
Tieck, Ludwig, 279
Till, Nicholas, 319
Tobin, Beth Fawkes, 245
Todd, Janet, 242
topics (topoi), 132–134
alla turca style, 103, 133, 205, 259
feierlich style, 133, 177, 180, 181
tempesta style, 87, 90, 133
Törnqvist, Egil, 4
Treitschke, Friedrich, 38
Troyes, Chrétien de
Yvain, 222
Tyson, Alan, 140
Umlauf, Ignaz, 9
Das Irrlicht, 9, 34
Die Apotheke, 9
Die Bergknappen, 12–20, 26
Die glückliche Jäger, 11
Die schöne Schüsterin, 9
Varesco, Giambattista, 305
Vienna
Burgtheater, 9, 10, 30, 32, 35, 45, 62, 173, 177, 262, 304
German National Theater (1776), 9, 11, 33
installation of Italian troupe (1783), 10, 173
Kärntnertortheater, 10, 30, 34, 35, 62, 173
National Singspiel, 9, 10, 12, 20, 27, 33, 34, 173
restoration of the German troupe (1785), 10, 34, 35, 173
Starhembergisches Freihaus, 45
Theater an der Wien, 11, 45, 260, 279
Theater auf der Wieden, 11, 20, 30, 34, 44, 45–48, 49, 51, 53, 54, 64, 65, 67, 75, 139, 140, 150, 173, 177, 252, 304, 305, 312, 313, 315
Theater in der Josephstadt, 11
Theater in der Leopoldstadt, 11, 24–27, 34, 37, 38, 40, 45, 50, 54, 56, 64, 260
Vogel, Jakob, 12
Vulpius, Christian August, 281, 320
Wackenroder, Wilhelm Heinrich, 216
Wahr, Karl, 32
Waldoff, Jessica, 110, 229
Webster, James, 109, 112, 120
Wedgewood, Josiah, 206
Weidmann, Paul, 12
Wellbery, David, 214
White, Hayden, 188, 197
Wieland, Christoph Martin, 252, 262
Dschinnistan, 36, 55, 222, 229, 252, 255, 306, 308, 310
Oberon, 35, 252, 294
Wigmore, Richard, 151
Winckler, Théodore-Frédéric, 294
Wintle, Christopher, 323
wohltätige Derwisch, Der (collaborative composition). See Schikaneder, Emanuel
Wolff, Christoph, 111, 127, 129
Wollstonecraft, Mary
A Vindication of the Rights of Woman, 162, 236
Wranitzky, Paul, 35, 251, 284
Oberon, König der Elfen, 12, 20–24, 34, 50, 67, 105, 139, 174, 177, 184, 223, 225, 310
Wyzewa, Théodore de, 134
Zach, Andreas, 47
Zauberflöte zweiter Teil, Der. See Goethe, Johann Wolfgang von
Zelter, Carl, 149
Zinzendorf, Johann Karl, Count, 77, 159, 320
Zöllner, Johann Friedrich, 187, 197

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  • Index
  • Edited by Jessica Waldoff, College of the Holy Cross, Massachusetts
  • Book: The Cambridge Companion to <i>The Magic Flute</i>
  • Online publication: 24 November 2023
  • Chapter DOI: https://doi.org/10.1017/9781108551328.024
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  • Index
  • Edited by Jessica Waldoff, College of the Holy Cross, Massachusetts
  • Book: The Cambridge Companion to <i>The Magic Flute</i>
  • Online publication: 24 November 2023
  • Chapter DOI: https://doi.org/10.1017/9781108551328.024
Available formats
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  • Index
  • Edited by Jessica Waldoff, College of the Holy Cross, Massachusetts
  • Book: The Cambridge Companion to <i>The Magic Flute</i>
  • Online publication: 24 November 2023
  • Chapter DOI: https://doi.org/10.1017/9781108551328.024
Available formats
×