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Contents

Published online by Cambridge University Press:  20 January 2017

Mervyn Cooke
Affiliation:
University of Nottingham

Summary

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2016

Contents

  1. List of Figures

  2. List of Music Examples

  3. List of Tables

  4. Notes on Contributors

  5. Acknowledgements

  6. Introduction

    Mervyn Cooke and Fiona Ford

  7. Part OneMaking Film Music

    1. 1Evolving Practices for Film Music and Sound, 1925–1935

      James Buhler and Hannah Lewis

    2. 2‘Pictures That Talk and Sing’: Sound History and Technology

      David Cooper

    3. 3The Composer and the Studio: Korngold and Warner Bros.

      Ben Winters

    4. 4Can’t Buy Me Love? Economic Imperatives and Artistic Achievements in the British Pop-Music Film

      Stephen Glynn

    5. 5‘A Film’s First Audience’: The Composer’s Role in Film and Television

      George Fenton in conversation with Mervyn Cooke

  8. Part TwoApproaching Film Music

    1. 6Film-Music Theory

      Guido Heldt

    2. 7Studying Film Scores: Working in Archives and with Living Composers

      Kate Daubney

    3. 8Returning to Casablanca

      Peter Franklin

    4. 9Parental Guidance Advised? Mash-Ups and Mating Penguins in Happy Feet

      Fiona Ford

    5. 10Materializing Film Music

      Miguel Mera

  9. Part ThreeGenre and Idiom

    1. 11Film Noir and Music

      David Butler

    2. 12Another Other History of Jazz in the Movies

      Krin Gabbard

    3. 13Horror and Science Fiction

      Stan Link

    4. 14The Western

      Robynn J. Stilwell

    5. 15The Music of Screen Musicals

      Caryl Flinn

    6. 16‘Britannia – The Musical’: Scores, Songs and Soundtracks in British Animation

      Paul Wells

  10. Part FourMusic in World Cinemas

    1. 17Leone, Morricone and the Italian Way to Revisionist Westerns

      Sergio Miceli

    2. 18Music, Noise and Silence in the Late Cinema of Jean-Luc Godard

      Danae Stefanou

    3. 19Hans Werner Henze and The Lost Honour of Katharina Blum

      Annette Davison

    4. 20Tōru Takemitsu’s Collaborations with Masahiro Shinoda: The Music for Pale Flower, Samurai Spy and Ballad of Orin

      Timothy Koozin

    5. 21Welcome to Kollywood: Tamil Film Music and Popular Culture in South India

      Mekala Padmanabhan

  11. Works Cited

  12. Reference Index of Films and Television Programmes

  13. General Index

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  • Contents
  • Edited by Mervyn Cooke, University of Nottingham, Fiona Ford
  • Book: The Cambridge Companion to Film Music
  • Online publication: 20 January 2017
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  • Contents
  • Edited by Mervyn Cooke, University of Nottingham, Fiona Ford
  • Book: The Cambridge Companion to Film Music
  • Online publication: 20 January 2017
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Contents
  • Edited by Mervyn Cooke, University of Nottingham, Fiona Ford
  • Book: The Cambridge Companion to Film Music
  • Online publication: 20 January 2017
Available formats
×