Renaissance Quarterly: Volume 69 -

Renaissance Quarterly

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

URL: /core/journals/renaissance-quarterly
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Volume 69 - Fall 2016

Reviews

“Umana cosa è aver compassione degli altri …”: Raccontare, consolare, curare nella narrativa europea da Boccaccio al Seicento. Mariarosa Masoero, ed. Levia Gravia: Quaderno annuale di letteratura italiana 15–16. Alessandria: Edizioni dell’Orso, 2015. xii + 706 pp. €54.

Die doppelte Pragmatik der Fiktionalität: Studie zur Poetik der Gerusalemme Liberata (Torquato Tasso, 1581). Katharina Kerl. Text und Kontext: Romanische Literaturen und Allgemeine Literaturwissenschaft 35. Stuttgart: Franz Steiner Verlag, 2014. 420 pp. €66.

Diglossia: The Early Modern Reinvention of Mythological Discourse. Sofie Kluge. Teatro del Siglo de Oro: Estudios de Literatura 122. Kassel: Edition Reichenberger, 2014. xii + 350 pp. €62.

Dicerie sacre. Giovan Battista Marino. Ed. Erminia Ardissino. Biblioteca Italiana Testi e Studi 2. Rome: Edizioni di Storia e Letteratura, 2014. 394 pp. €50.

Góngora o la invención de una lengua. Mercedes Blanco. Lectura y signo Anejo 3. Leon: Universidad de León, 2012. 518 pp. €28. - Love Poetry in the Spanish Golden Age: Eros, Eris and Empire. Isabel Torres. Monografías A. Woodbridge: Tamesis, 2013. xv + 228 pp. $115.

Diverting Authorities: Experimental Glossing Practices in Manuscript and Print. Jane Griffiths. Oxford: Oxford University Press, 2014. xii + 240 pp. $99.

The Moor and the Novel: Narrating Absence in Early Modern Spain. Mary B. Quinn. Basingstoke: Palgrave Macmillan, 2013. xii + 186 pp. $85.

Performance Reconstruction and Spanish Golden Age Drama: Reviving and Revising the Comedia. Laura L. Vidler. Palgrave Studies in Theatre and Performance History. Basingstoke: Palgrave Macmillan, 2014. xvi + 188 pp. $90.

A Poet for All Seasons: Eight Commentaries on Góngora. Oliver Noble Wood and Nigel Griffin, eds. Spanish Series 156. New York: Hispanic Seminary of Medieval Studies, 2013. viii + 320 pp. $50.

Sepúlveda e Lianor: Canto Primeiro. Jerónimo Corte-Real. Ed. Hélio J. S. Alves. Coimbra: Centro Interuniversitário de Estudos Camonianos, 2014. 202 pp. N.p.

Printers without Borders: Translation and Textuality in the Renaissance. A. E. B. Coldiron. Cambridge: Cambridge University Press, 2015. xv + 340 pp. $99.

Simple Forms: Essays on Medieval English Popular Literature. Douglas Gray. Oxford: Oxford University Press, 2015. x + 268 pp. $95.

La muse satyrique (1600–1622). Guillaume Peureux. Les seuils de la modernité 17. Geneva: Librairie Droz, 2015. 226 pp. $49.20.

Heroic Forms: Cervantes and the Literature of War. Stephen Rupp. Toronto: University of Toronto Press, 2014. xvi + 254 pp. $60.

Anxieties of Interiority and Dissection in Early Modern Spain. Enrique Fernández. Toronto Iberic 17. Toronto: University of Toronto Press, 2015. x + 274 pp. $70.

Jack of Newbury. Thomas Deloney. Ed. Peter C. Herman. Broadview Anthology of British Literature. Peterborough: Broadview Press, 2015. 174 pp. $14.95.

French Renaissance and Baroque Drama: Text, Performance, Theory. Michael Meere, ed. Newark: University of Delaware Press, 2015. xxxii + 336 pp. $90.

The Culture of Translation in Early Modern England and France, 1500–1660. Tania Demetriou and Rowan Cerys Tomlinson, eds. Early Modern Literature in History. Basingstoke: Palgrave Macmillan, 2015. xii + 232 pp. $90.

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Volume 69 - Fall 2016

Reviews