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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

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Published on behalf of Renaissance Society of America

Volume 70 - Issue 2 - Summer 2017

Contents

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Archivi e archivisti in Italia tra medioevo ed età moderna. Filippo de Vivo, Andrea Guidi, and Alessandro Silvestri, eds. I libri di Viella 203. Rome: Viella, 2015. 396 pp. €36.
Maria Alessandra Panzanelli Fratoni
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20 November 2018, pp. 656-657
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Seats of Power in Europe during the Hundred Years War: An Architectural Study from 1330 to 1480. Anthony Emery. Oxford: Oxbow Books, 2016. xii + 386 pp. £49.95.
Damiano Iacobone
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20 November 2018, pp. 657-658
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Das Porträt als kulturelle Praxis. Eva-Bettina Krems and Sigrid Ruby, eds. Transformationen des Visuellen 4. Berlin: Deutscher Kunstverlag, 2015. 344 pp. €49.90.
Jeanette Kohl
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20 November 2018, pp. 659-660
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Il marchesato di Saluzzo tra Gotico e Rinascimento: Architettura, città, committenti. Silvia Beltramo. I libri di Viella Arte; Studi lombardi 8. Rome: Viella, 2015. xii + 576 pp. €60.
Diane Yvonne Francis Ghirardo
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20 November 2018, pp. 660-662
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Venetian Painting Matters (1450–1750). Jodi Cranston, ed. Turnhout: Brepols, 2015. 160 pp. €65.
Daniel Wallace Maze
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20 November 2018, pp. 662-663
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Ornament and Illusion: Carlo Crivelli of Venice. Stephen J. Campbell, ed. Exh. cat. Boston: Isabella Stewart Gardner Museum; London: Paul Holberton Publishing, 2015. 232 pp. £35.
Timothy McCall
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20 November 2018, pp. 663-665
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Histories of Ornament: From Global to Local. Gülru Necipoğlu and Alina Payne, eds. Princeton: Princeton University Press, 2016. 454 pp. $60.
Sébastien Bontemps
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20 November 2018, pp. 665-666
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Myth, Allegory, and Faith: The Kirk Edward Long Collection of Mannerist Prints. Bernard Barryte, ed. Milan: Silvana Editoriale, 2016. 704 pp. €75.
Francis Ames-Lewis
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20 November 2018, pp. 666-668
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The Flemish Merchant of Venice: Daniel Nijs and the Sale of the Gonzaga Art Collection. Christina M. Anderson. New Haven: Yale University Press, 2015. viii + 264 pp. $65.
Robert Tittler
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20 November 2018, pp. 668-669
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The Spanish Presence in Sixteenth-Century Italy: Images of Iberia. Piers Baker-Bates and Miles Pattenden, eds. Transculturalisms, 1400–1700. Farnham: Ashgate, 2015. xiv + 278 pp. $119.95.
Thomas Dandelet
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20 November 2018, pp. 669-670
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Visuelle Geschichte in den Zeichnungen und Holzschnitten zum “Weißkunig” Kaiser Maximilians I. Christine Bossmeyer. 2 vols. Ostfildern: Jan Thorbecke Verlag, 2015. 516 pp. €64.
Pia F. Cuneo
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20 November 2018, pp. 671-672
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Habsburg Tapestries. Iain Buchanan. Studies in Western Tapestries 4. Turnhout: Brepols, 2015. 374 pp. €150.
Lorraine Karafel
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20 November 2018, pp. 672-673
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Jan Gossart and the Invention of Netherlandish Antiquity. Marisa Bass. Princeton: Princeton University Press, 2016. ix + 212 pp. $49.95.
Ethan Matt Kavaler
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20 November 2018, pp. 674-675
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Pieter Bruegel’s Historical Imagination. Stephanie Porras. University Park: Pennsylvania State University Press, 2016. xiv + 200 pp. $79.95.
Nina E. Serebrennikov
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20 November 2018, pp. 675-676
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Genre Imagery in Early Modern Northern Europe: New Perspectives. Arthur J. DiFuria, ed. Visual Culture in Early Modernity. London: Routledge, 2016. xx + 216 pp. $149.95.
Larry Silver
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20 November 2018, pp. 676-678
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The Russian Passion for Dutch Painting of the Golden Age: The Collection of Pyotr Semenov and the Art-Market in St. Petersburg, 1860–1910. I. A. Sokolova. Oud Holland Book Series 1. Leiden: Brill, 2015. xxiii + 446 pp. €145.
Andrea Rusnock
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20 November 2018, pp. 678-679
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Birdman of Assisi: Art and the Apocalyptic in the Colonial Andes. Jaime Lara. Medieval and Renaissance Texts and Studies 476; Medieval and Renaissance Latin America 1. Tempe: Arizona Center for Medieval and Renaissance Studies, 2016. xiv + 354 pp. $79.95.
Kate E. Holohan
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20 November 2018, pp. 679-680
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From Art to Science: Experiencing Nature in the European Garden: 1500–1700. Juliette Ferdinand, ed. Festina Lente Miscellanea 4. Treviso: ZeL Edizioni, 2016. 128 pp. €20.
George L. Gorse
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20 November 2018, pp. 680-682
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Apocalyptic Cartography: Thematic Maps and the End of the World in a Fifteenth-Century Manuscript. Chet A. Van Duzer and Ilya Dines. Leiden: Brill, 2016. ix + 252 pp. $175.
Robert E. Lerner
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20 November 2018, pp. 682-683
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The Worldmakers: Global Imagining in Early Modern Europe. Ayesha Ramachandran. Chicago: University of Chicago Press, 2015. x + 288 pp. $45.
Ricardo Padrón
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20 November 2018, pp. 683-685
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Page 2 of 7

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5
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Last

Renaissance Quarterly

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Volume 70 - Issue 2 - Summer 2017

Reviews

Archivi e archivisti in Italia tra medioevo ed età moderna. Filippo de Vivo, Andrea Guidi, and Alessandro Silvestri, eds. I libri di Viella 203. Rome: Viella, 2015. 396 pp. €36.

Seats of Power in Europe during the Hundred Years War: An Architectural Study from 1330 to 1480. Anthony Emery. Oxford: Oxbow Books, 2016. xii + 386 pp. £49.95.

Das Porträt als kulturelle Praxis. Eva-Bettina Krems and Sigrid Ruby, eds. Transformationen des Visuellen 4. Berlin: Deutscher Kunstverlag, 2015. 344 pp. €49.90.

Il marchesato di Saluzzo tra Gotico e Rinascimento: Architettura, città, committenti. Silvia Beltramo. I libri di Viella Arte; Studi lombardi 8. Rome: Viella, 2015. xii + 576 pp. €60.

Venetian Painting Matters (1450–1750). Jodi Cranston, ed. Turnhout: Brepols, 2015. 160 pp. €65.

Ornament and Illusion: Carlo Crivelli of Venice. Stephen J. Campbell, ed. Exh. cat. Boston: Isabella Stewart Gardner Museum; London: Paul Holberton Publishing, 2015. 232 pp. £35.

Histories of Ornament: From Global to Local. Gülru Necipoğlu and Alina Payne, eds. Princeton: Princeton University Press, 2016. 454 pp. $60.

Myth, Allegory, and Faith: The Kirk Edward Long Collection of Mannerist Prints. Bernard Barryte, ed. Milan: Silvana Editoriale, 2016. 704 pp. €75.

The Flemish Merchant of Venice: Daniel Nijs and the Sale of the Gonzaga Art Collection. Christina M. Anderson. New Haven: Yale University Press, 2015. viii + 264 pp. $65.

The Spanish Presence in Sixteenth-Century Italy: Images of Iberia. Piers Baker-Bates and Miles Pattenden, eds. Transculturalisms, 1400–1700. Farnham: Ashgate, 2015. xiv + 278 pp. $119.95.

Visuelle Geschichte in den Zeichnungen und Holzschnitten zum “Weißkunig” Kaiser Maximilians I. Christine Bossmeyer. 2 vols. Ostfildern: Jan Thorbecke Verlag, 2015. 516 pp. €64.

Habsburg Tapestries. Iain Buchanan. Studies in Western Tapestries 4. Turnhout: Brepols, 2015. 374 pp. €150.

Jan Gossart and the Invention of Netherlandish Antiquity. Marisa Bass. Princeton: Princeton University Press, 2016. ix + 212 pp. $49.95.

Pieter Bruegel’s Historical Imagination. Stephanie Porras. University Park: Pennsylvania State University Press, 2016. xiv + 200 pp. $79.95.

Genre Imagery in Early Modern Northern Europe: New Perspectives. Arthur J. DiFuria, ed. Visual Culture in Early Modernity. London: Routledge, 2016. xx + 216 pp. $149.95.

The Russian Passion for Dutch Painting of the Golden Age: The Collection of Pyotr Semenov and the Art-Market in St. Petersburg, 1860–1910. I. A. Sokolova. Oud Holland Book Series 1. Leiden: Brill, 2015. xxiii + 446 pp. €145.

Birdman of Assisi: Art and the Apocalyptic in the Colonial Andes. Jaime Lara. Medieval and Renaissance Texts and Studies 476; Medieval and Renaissance Latin America 1. Tempe: Arizona Center for Medieval and Renaissance Studies, 2016. xiv + 354 pp. $79.95.

From Art to Science: Experiencing Nature in the European Garden: 1500–1700. Juliette Ferdinand, ed. Festina Lente Miscellanea 4. Treviso: ZeL Edizioni, 2016. 128 pp. €20.

Apocalyptic Cartography: Thematic Maps and the End of the World in a Fifteenth-Century Manuscript. Chet A. Van Duzer and Ilya Dines. Leiden: Brill, 2016. ix + 252 pp. $175.

The Worldmakers: Global Imagining in Early Modern Europe. Ayesha Ramachandran. Chicago: University of Chicago Press, 2015. x + 288 pp. $45.

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Volume 70 - Issue 2 - Summer 2017

Reviews