Volume 69 - Issue 2 - Summer 2016
Reviews
Still Lives: Death, Desire, and the Portrait of the Old Master. Maria H. Loh. Princeton: Princeton University Press, 2015. xxii + 304 pp. $49.95.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 650-652
-
- Article
- Export citation
Piero della Francesca: Artist and Man. James R. Banker. Oxford: Oxford University Press, 2014. xxvi + 276 pp. $39.95.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 652-653
-
- Article
- Export citation
Piero di Cosimo: The Poetry of Painting in Renaissance Florence. Gretchen A. Hirschauer and Dennis Geronimus, eds. Washington, DC: National Gallery of Art, 2015. xii + 248 pp. $40.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 653-655
-
- Article
- Export citation
Carlo Dolci: Complete Catalogue of the Paintings. Francesca Baldassari. Florence: Centro Di, 2015. 392 pp. €150.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 655-656
-
- Article
- Export citation
A Feast for the Eyes: Art, Performance, and the Late Medieval Banquet. Christina Normore. Chicago: University of Chicago Press, 2015. viii + 262 pp. $55.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 656-657
-
- Article
- Export citation
Elisabetta Sirani “Virtuosa”: Women’s Cultural Production in Early Modern Bologna. Adelina Modesti. Late Medieval and Early Modern Studies 22. Turnhout: Brepols, 2014. xliv + 448 pp. €150.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 658-659
-
- Article
- Export citation
Women, Patronage, and Salvation in Renaissance Florence: Lucrezia Tornabuoni and the Chapel of the Medici Palace. Stefanie Solum. Visual Culture in Early Modernity. Farnham: Ashgate, 2015. xviii + 288 pp. $119.95.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 659-661
-
- Article
- Export citation
Art of Renaissance Venice, 1400–1600. Loren Partridge. Oakland: University of California Press, 2015. xxiv + 348 pp. $39.95.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 661-662
-
- Article
- Export citation
Art and Observance in Renaissance Venice: The Dominicans and Their Artists (1391–ca. 1545). Denise Zaru. Trans. Sarah Melker. I libri di Viella Arte. Rome: Viella, 2014. 372 pp. €65.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 662-664
-
- Article
- Export citation
Sculpture in the Age of Donatello: Renaissance Masterpieces from Florence Cathedral. Timothy Verdon and Daniel M. Zolli, eds. London: D. Giles, 2015. 200 pp. $49.95.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 664-665
-
- Article
- Export citation
Le delizie ritrovate: Poggioreale e la villa del rinascimento nella Napoli aragonese. Paola Modesti. Biblioteca dell’“Archivum Romanicum” Serie I: Storia, Letteratura, Paleografia 423. Florence: Leo S. Olschki, 2014. viii + 270 pp. €34.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 665-667
-
- Article
- Export citation
The Neptune Fountain in Bologna: Bronze, Marble, and Water in the Making of a Papal City. Richard J. Tuttle. Ed. Nadja Aksamija and Francesco Ceccarelli. Vistas: New Scholarship on Sculpture 1250–1780. London: Harvey Miller, 2015. 248 pp. €75.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 667-668
-
- Article
- Export citation
The Visual Culture of Catholic Enlightenment. Christopher M. S. Johns. University Park: Pennsylvania State University Press, 2015. xxii + 414 pp. $89.95.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 669-670
-
- Article
- Export citation
Visual Acuity and the Arts of Communication in Early Modern Germany. Jeffrey Chipps Smith, ed. Visual Culture in Early Modernity. Farnham: Ashgate, 2014. xvii + 226 pp. $104.95.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 670-671
-
- Article
- Export citation
Pious Memories: The Wall-Mounted Memorial in the Burgundian Netherlands. Douglas Brine. Studies in Netherlandish Art and Cultural History 13. Leiden: Brill, 2015. xx + 322 pp. $136.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 671-673
-
- Article
- Export citation
Moving Sculptures: Southern Netherlandish Alabasters from the 16th to 17th Centuries in Central and Northern Europe. Aleksandra Lipińska. Studies in Netherlandish Art and Cultural History 11. Leiden: Brill, 2015. xxii + 386 pp. $142.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 673-674
-
- Article
- Export citation
Cornelis Engebrechtsz: A Sixteenth-Century Leiden Artist and His Workshop. Jan Piet Filedt Kok, Walter Gibson, and Yvette Bruijnen. With Esther van Duijn and Peter Klein. Turnhout: Brepols, 2014. 316 pp. €135.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 674-676
-
- Article
- Export citation
Rembrandt’s Rivals: History Painting in Amsterdam 1630–1650. Eric Jan Sluijter. Oculi: Studies in the Art of the Low Countries 14. Amsterdam: John Benjamins, 2015. x + 486 pp. $210.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 676-677
-
- Article
- Export citation
Confronting the Golden Age: Imitation and Innovation in Dutch Genre Painting, 1680–1750. Junko Aono. Amsterdam Studies in the Dutch Golden Age. Amsterdam: Amsterdam University Press, 2015. 230 pp. €99.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 677-679
-
- Article
- Export citation
Fashionable Encounters: Perspectives and Trends in Textile and Dress in the Early Modern Nordic World. Tove Engelhardt Mathiassen, Marie-Louise Nosch, Maj Ringgaard, Kirsten Toftegaard, and Mikkel Venborg Pedersen, eds. Ancient Textiles 14. Oxford: Oxbow Books, 2014. xxiv + 256 pp. £38.
-
- Published online by Cambridge University Press:
- 20 November 2018, pp. 679-680
-
- Article
- Export citation