Renaissance Quarterly

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

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Published on behalf of Renaissance Society of America

Volume 68 - Issue 4 - Winter 2015

Contents

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Lire Les Tragiques d’Agrippa d’Aubigné. Frank Lestringant. With Jean-Charles Monferran. Études et essais sur la Renaissance 102. Paris: Classiques Garnier, 2013. 142 pp. €15.
Samuel Junod
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20 November 2018, pp. 1514-1515
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Théâtre: Tome I. Pierre Corneille. Ed. Claire Carlin, Jean de Guardia, Marc Vuillermoz, and Liliane Picciola. Bibliothèque du Théâtre Français 20. Paris: Classiques Garnier, 2014. 974 pp. €49.
Helene E. Bilis
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20 November 2018, pp. 1515-1517
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Inventing the Spectator: Subjectivity and the Theatrical Experience in Early Modern France. Joseph Harris. Oxford: Oxford University Press, 2014. 282 pp. $85.
Michael Meere
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20 November 2018, pp. 1517-1518
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Barbarous Antiquity: Reorienting the Past in the Poetry of Early Modern England. Miriam Jacobson. Philadelphia: University of Pennsylvania Press, 2014. x + 286 pp. $59.95.
Jane Grogan
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20 November 2018, pp. 1518-1520
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Ovidian Bibliofictions and the Tudor Book: Metamorphosing Classical Heroines in Late Medieval and Renaissance England. Lindsay Ann Reid. Material Readings in Early Modern Culture. Farnham: Ashgate Publishing Limited, 2014. xii + 218 pp. $109.95.
Agnès Lafont
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20 November 2018, pp. 1520-1522
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Ovid in English, 1480–1625, Part 1: Metamorphoses. Sarah Annes Brown and Andrew Taylor, eds. MHRA Tudor and Stuart Translations 4 (I). London: Modern Humanities Research Association, 2013. xii + 238 pp. $44.99.
Maggie Kilgour
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20 November 2018, pp. 1522-1523
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The Ovidian Vogue: Literary Fashion and Imitative Practice in Late Elizabethan England. Daniel D. Moss. Toronto: University of Toronto Press, 2014. xii + 256 pp. $65.
Sarah Carter
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20 November 2018, pp. 1523-1525
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Losing Touch with Nature: Literature and the New Science in Sixteenth-Century England. Mary Thomas Crane. Baltimore: Johns Hopkins University Press, 2014. xiv + 228 pp. $49.95.
Claire Preston
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20 November 2018, pp. 1525-1526
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Early Modern Writing and the Privatization of Experience. Nick Davis. London: Bloomsbury Academic, 2013. viii + 236 pp. $110.
Wolfram R. Keller
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20 November 2018, pp. 1527-1528
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Fair Copies: Reproducing the English Lyric from Tottel to Shakespeare. Matthew Zarnowiecki. Toronto: University of Toronto Press, 2014. xiv + 234 pp. $65.
Michael Hetherington
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20 November 2018, pp. 1528-1530
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Magical Transformations on the Early Modern English Stage. Lisa Hopkins and Helen Ostovich, eds. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2014. xii + 266 pp. $109.95.
Ian McAdam
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20 November 2018, pp. 1530-1531
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Marriage and Land Law in Shakespeare and Middleton. Nancy Mohrlock Bunker. Madison: Fairleigh Dickinson University Press, 2014. viii + 268 pp. $80.
Sid Ray
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20 November 2018, pp. 1531-1533
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Renaissance Drama on the Edge. Lisa Hopkins. Farnham: Ashgate Publishing Limited, 2014. viii + 192 pp. $104.95.
John E. Curran, jr.
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20 November 2018, pp. 1533-1534
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Shakespeare and Renaissance Ethics. Patrick Gray and John D. Cox, eds. Cambridge: Cambridge University Press, 2014. x + 310 pp. $95.
Julia Reinhard Lupton
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20 November 2018, pp. 1534-1536
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Tales from Shakespeare: Creative Collisions. Graham Holderness. Cambridge: Cambridge University Press, 2014. xvi + 246 pp. $44.99.
Heather C. Easterling
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20 November 2018, pp. 1536-1537
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Poor Tom: Living King Lear. Simon Palfrey. Chicago: University of Chicago Press, 2014. x + 272 pp. $35.
Claire Elizabeth McEachern
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20 November 2018, pp. 1537-1539
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Shakespeare et l’invention de l’histoire: Guide commenté du théâtre historique. Dominique Goy-Blanquet. Études et essais sur la Renaissance 103. Paris: Classiques Garnier, 2014. 430 pp. €43.
Rachel E. Wifall
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20 November 2018, pp. 1539-1540
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Shakespeare’s Staged Spaces and Playgoers’ Perceptions. Darlene Farabee. Palgrave Shakespeare Studies. Basingstoke: Palgrave Macmillan, 2014. xii + 180 pp. $90.
Elizabeth Mazzola
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20 November 2018, pp. 1540-1541
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Shakespeare and the Imprints of Performance. J. Gavin Paul. History of Text Technologies. Basingstoke: Palgrave Macmillan, 2014. xxiv + 226 pp. $90.
W. B. Worthen
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20 November 2018, pp. 1541-1543
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Shakespeare and the Book Trade. Lukas Erne. Cambridge: Cambridge University Press, 2013. xvi + 302 pp. $44.99.
Jennifer Mylander
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20 November 2018, pp. 1543-1544
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Page 7 of 8

First
« Prev
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4
5
6
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Next »
Last

Renaissance Quarterly

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Volume 68 - Issue 4 - Winter 2015

Reviews

Lire Les Tragiques d’Agrippa d’Aubigné. Frank Lestringant. With Jean-Charles Monferran. Études et essais sur la Renaissance 102. Paris: Classiques Garnier, 2013. 142 pp. €15.

Théâtre: Tome I. Pierre Corneille. Ed. Claire Carlin, Jean de Guardia, Marc Vuillermoz, and Liliane Picciola. Bibliothèque du Théâtre Français 20. Paris: Classiques Garnier, 2014. 974 pp. €49.

Inventing the Spectator: Subjectivity and the Theatrical Experience in Early Modern France. Joseph Harris. Oxford: Oxford University Press, 2014. 282 pp. $85.

Barbarous Antiquity: Reorienting the Past in the Poetry of Early Modern England. Miriam Jacobson. Philadelphia: University of Pennsylvania Press, 2014. x + 286 pp. $59.95.

Ovidian Bibliofictions and the Tudor Book: Metamorphosing Classical Heroines in Late Medieval and Renaissance England. Lindsay Ann Reid. Material Readings in Early Modern Culture. Farnham: Ashgate Publishing Limited, 2014. xii + 218 pp. $109.95.

Ovid in English, 1480–1625, Part 1: Metamorphoses. Sarah Annes Brown and Andrew Taylor, eds. MHRA Tudor and Stuart Translations 4 (I). London: Modern Humanities Research Association, 2013. xii + 238 pp. $44.99.

The Ovidian Vogue: Literary Fashion and Imitative Practice in Late Elizabethan England. Daniel D. Moss. Toronto: University of Toronto Press, 2014. xii + 256 pp. $65.

Losing Touch with Nature: Literature and the New Science in Sixteenth-Century England. Mary Thomas Crane. Baltimore: Johns Hopkins University Press, 2014. xiv + 228 pp. $49.95.

Early Modern Writing and the Privatization of Experience. Nick Davis. London: Bloomsbury Academic, 2013. viii + 236 pp. $110.

Fair Copies: Reproducing the English Lyric from Tottel to Shakespeare. Matthew Zarnowiecki. Toronto: University of Toronto Press, 2014. xiv + 234 pp. $65.

Magical Transformations on the Early Modern English Stage. Lisa Hopkins and Helen Ostovich, eds. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2014. xii + 266 pp. $109.95.

Marriage and Land Law in Shakespeare and Middleton. Nancy Mohrlock Bunker. Madison: Fairleigh Dickinson University Press, 2014. viii + 268 pp. $80.

Renaissance Drama on the Edge. Lisa Hopkins. Farnham: Ashgate Publishing Limited, 2014. viii + 192 pp. $104.95.

Shakespeare and Renaissance Ethics. Patrick Gray and John D. Cox, eds. Cambridge: Cambridge University Press, 2014. x + 310 pp. $95.

Tales from Shakespeare: Creative Collisions. Graham Holderness. Cambridge: Cambridge University Press, 2014. xvi + 246 pp. $44.99.

Poor Tom: Living King Lear. Simon Palfrey. Chicago: University of Chicago Press, 2014. x + 272 pp. $35.

Shakespeare et l’invention de l’histoire: Guide commenté du théâtre historique. Dominique Goy-Blanquet. Études et essais sur la Renaissance 103. Paris: Classiques Garnier, 2014. 430 pp. €43.

Shakespeare’s Staged Spaces and Playgoers’ Perceptions. Darlene Farabee. Palgrave Shakespeare Studies. Basingstoke: Palgrave Macmillan, 2014. xii + 180 pp. $90.

Shakespeare and the Imprints of Performance. J. Gavin Paul. History of Text Technologies. Basingstoke: Palgrave Macmillan, 2014. xxiv + 226 pp. $90.

Shakespeare and the Book Trade. Lukas Erne. Cambridge: Cambridge University Press, 2013. xvi + 302 pp. $44.99.

Renaissance Quarterly

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Volume 68 - Issue 4 - Winter 2015

Reviews