Popular Music: Volume 37 -

Popular Music

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Popular Music
ISSN: 0261-1430

EISSN: 1474-0095

URL: /core/journals/popular-music
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Volume 37 - October 2018

Reviews

Soul, Country, and the USA: Race and Identity in American Music Culture. By Stephanie Shonekan . Basingstoke: Palgrave Macmillan, 2015. 200 pp. ISBN: 978-1-137-37809-5

Folk Song in England. By Steve Roud with contributions by Julia Bishop. London: Faber and Faber, 2017. 764 pp. ISBN 0571309712

Radicalism and Music: An Introduction to the Music Cultures of al-Qa'ida, Racist Skinheads, Christian-affiliated Radicals, and Eco-animal Rights Militants. By Jonathan Pieslak . 352 pp. Middletown, CT: Wesleyan University Press, 2015.

On Becoming a Rock Musician. By H. Stith Bennett. New York: Columbia University Press, 2017, 2nd edn. 263 pp. ISBN 978-0-231-18285-0

Civil Rights Music: The Soundtracks of the Civil Rights Movement By Reiland Rabaka. Lanham, MD: Lexington Books, 2016. 272 pp. ISBN 978-1498531788

Music and the Myth of Wholeness: Toward a New Aesthetic Paradigm. By Tim Hodgkinson . Cambridge: MA: The MIT Press, 2016. 280 pp. ISBN 9780262034067

Good Vibrations: Brian Wilson and the Beach Boys in Critical Perspective. Edited by Philip Lambert. Ann Arbor, MI: University of Michigan Press, 2016. 302 pp. ISBN 978-0-472-11995-0

Gender and Rock. By Mary Celeste Kearney. New York: Oxford University Press, 2017. 363 pp. ISBN 9780190688660

Free Jazz, Harmolodics and Ornette Coleman. By Stephen Rush. London: Routledge. 2017. 302 pp. ISBN 9781138122949.

Popular Music and Retro Culture in the Digital Era. By Jean Hogarty . New York and London: Routledge, 2017. 147 pp. ISBN: 10-1138676705

The Beatles. By Ian Inglis . Sheffield: Equinox Publishing, 2017. 192 pp. ISBN 978-1-84553-865-1

Dolly Parton, Gender and Country Music. By Leigh H. Edwards. Bloomington, IN: Indiana University Press, 2018. 270 pp. ISBN 0253031559.

Sounds of the Underground: A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music. By Stephen Graham. Ann Arbor, MI: University of Michigan Press, 2016. 295 pp. ISBN 978-0472119752

Music and the Broadcast Experience: Performance, Production, and Audiences. Edited by Christina L. Baade and James Deaville. New York: Oxford University Press, 2016. xv + 347 pp. ISBN 978-0-19-931471-3.

The Musical Artistry of Rap. By Martin E. Connor. Jefferson, NC: McFarland, 2018. 219 pp. ISBN 978-0-7864-9898-7

The Beatles and the Historians: an Analysis of Writing about the Fab Four. By Erin Torlkelson Weber . Jefferson, NC: McFarland, 2016. 258 pp. ISBN: 978-1-4766-6266-4

Front Cover (OFC, IFC) and matter

PMU volume 37 issue 1 Cover and Front matter

Reviews

Schooling New Media: Music, Language, and Technology in Children's Culture. By Tyler Bickford. New York: Oxford University Press, 2017. 202 pp. 9780190654146

The Cambridge Companion to Film Music. Edited by Mervyn Cooke and Fiona Ford. Cambridge: Cambridge University Press, 2016. 438 pp. ISBN 9781107476493

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Volume 37 - October 2018

Reviews

Front Cover (OFC, IFC) and matter

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