Middle Eight
Vox Pop conference in London
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- 11 November 2008, pp. 312-313
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IASPM UK Conference 1996: Popular Music: Aesthetics versus Sociology?
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- 11 November 2008, pp. 110-111
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Raphael Samuel, History Workshop and the value of democratic scholarship
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- 11 November 2008, pp. 217-220
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Reviews
Il suono in cui viviamo: Inventare, produrre e diffondere musica. By Franco Fabbri. Milano: Feltrinelli, 1996. 202 pp. - Analisi e canzoni. Edited by Rossana Dalmonte. Trento: Università degli Studi, 1996. 410 pp. - Potere alla parola: Antologia del rap italiano. Edited by Pierfrancesco Pacoda. Milano: Feltrinelli, 1996. 211 pp.
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- 11 November 2008, pp. 315-318
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Middle Eight
International Musicological Society
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- 11 November 2008, pp. 111-112
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‘The Sound of Silence’: Academic freedom and copyright
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- 11 November 2008, pp. 220-222
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Reviews
Nightsong: Performance, Power, and Practice in South Africa. By Veit Erlmann. Chicago and London: The University of Chicago Press, 1996. xxv + 446 pp.
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- 11 November 2008, pp. 319-322
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Essay review
Essay review
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- 11 November 2008, pp. 223-227
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Middle Eight
Call for Papers: Popular Music and Society
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- 11 November 2008, p. 112
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Reviews
Time Travel: Pop, Media and Sexuality, 1977–96. By Jon Savage. London: Chatto and Windus, 1996, 424 pp.
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- 11 November 2008, pp. 323-325
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Booklist
Booklist
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- 11 November 2008, pp. 327-351
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Middle Eight
Open University Conference
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- 11 November 2008, pp. 112-113
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Reviews
Sounds and Society: Themes in the Sociology of Music. By Peter Martin. Manchester and New York: Manchester University Press, 1995. xiii + 298 pp.
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- 11 November 2008, pp. 229-231
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Front matter
PMU volume 16 issue 3 Cover and Front matter
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- 11 November 2008, pp. f1-f4
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Reviews
Putting Popular Music in Its Place. By Charles Hamm. Cambridge: Cambridge University Press, 1995. 39 pp. - Irving Berlin's Early Songs. Edited by Charles Hamm. Recent Researches in American Music, Volume 20. Music of the United States of America, Volume 2. (Madison: A-R Editions, 1994. Volume I: 1907–1911. 247 + liii pp. Volume II: 1911–1913. 359 pp. Volume III: 1913–1914. 289 pp.)
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- 11 November 2008, pp. 115-119
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Loser: The Real Seattle Music Story. By Clark Humphrey. Portland: Feral House, 1995. - Screaming Life: A Chronicle of the Seattle Music Scene. By Charles Peterson. San Francisco: HarperCollins West, 1995.
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- 11 November 2008, pp. 231-234
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Rock von Rechts (Rock from the Right). By Dieter Baacke, Thier Michaela, Grüninger Christian and Frank Lindemann. Bielefeld: AJZ-Druck & Verlag, 1994. 199 pp. - Rassismus, Musik und Gewalt. Ursachen, Entwicklungen, Folgerungen (Racism, Music and Violence. Causes, Developments, Consequences). By Erika Funk-Hennigs and Johannes Jäger. Münster: LIT Verlag, 1995. 230 pp. - Tanz den Adolf Hitler. Faschismus in der populären Kultur (Dance the Adolf Hitler. Fascism in popular culture). By Georg Seeßlen. Berlin: Edition Tiamat, 1994, 189 pp.
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- 11 November 2008, pp. 119-122
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Front matter
PMU volume 16 issue 2 Cover and Front matter
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- Published online by Cambridge University Press:
- 11 November 2008, pp. f1-f4
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Back matter
PMU volume 16 issue 3 Back matter
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- 11 November 2008, pp. b1-b9
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Reviews
Adorno's Aesthetics of Music. By Max Paddison. Cambridge: Cambridge University Press, 1993. 378 + xii pp.
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- 11 November 2008, pp. 122-123
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