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Sound and movie examples – issue 21(2)

Published online by Cambridge University Press:  30 June 2016

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Abstract

Type
DVD Information
Copyright
© Cambridge University Press 2016 

Sound and Movie examples from this issue 21(2) can already be found online at the journal’s website: www.journals.cambridge.org/OSO. Organised Sound has discontinued its production of DVDs with volume 20.

John R. Ferguson and Andrew R. Brown

Fostering a Post-digital Avant-garde: Research-led teaching of music technology

3 Movie examples

Movie example 1: Generative Structures (2011) by Andrew R. Brown (excerpt) – 4′28″

Movie example 2: Portfolio of recent works (2013–15) by John R. Ferguson, featuring collaborations with Lauren Hayes, Christos Michalakos, Peter Bussigel, Louise Harris and Seth Thorn (excerpts) – 6′07″ (provided with kind permission by the artists)

Movie example 3: Music Technology Students of Queensland Conservatorium Griffith University Perform a Variety of Original Works (2015) by Toby Alexander, Nell Forster, Cave Mitchel, Greg Ollie, Tanna Peineckle and Sean Telford (excerpts) – 3′08″ (provided with kind permission by the artists)

Jordan Lacey

Sonic Placemaking: Three approaches and ten attributes for the creation of enduring urban sound art installations

9 Sound examples

Sound example 1: ‘Times Square’ field recording (2015) by Jordan Lacey – 1′25″

Sound example 2: ‘Paley Park’ field recording (2015) by Jordan Lacey – 1′24″

Sound example 3: ‘Sounding Sculpture’ field recording (2015) by Jordan Lacey – 1′20″

Sound example 4: ‘Harmonic Bridge’ field recording (2015) by Bruce Odland and Sam Auinger (O+A) – 1′25″ (provided with kind permission by the artist)

Sound example 5: ‘Singing Ringing Tree’ field recording (2008) by Dr Sally Rodgers (Leeds College of Music, UK) – 1′12″ (provided with kind permission by the artist)

Sound example 6: ‘Neville Street Refurbishment’ field recording (2015) by Jordan Lacey – 1′59″

Sound example 7: ‘Le Cylindre Sonore’ field recording (2015) by Jordan Lacey – 1′33″

Sound example 8: ‘Sea Organ’ field recording (2015) by Jordan Lacey – 1′56″

Sound example 9: ‘Sonic Space’ (2012) by Jordan Lacey – 1′00″