Sound and Movie examples from this issue 21(2) can already be found online at the journal’s website: www.journals.cambridge.org/OSO. Organised Sound has discontinued its production of DVDs with volume 20.
John R. Ferguson and Andrew R. Brown
Fostering a Post-digital Avant-garde: Research-led teaching of music technology
3 Movie examples
Movie example 1: Generative Structures (2011) by Andrew R. Brown (excerpt) – 4′28″
Movie example 2: Portfolio of recent works (2013–15) by John R. Ferguson, featuring collaborations with Lauren Hayes, Christos Michalakos, Peter Bussigel, Louise Harris and Seth Thorn (excerpts) – 6′07″ (provided with kind permission by the artists)
Movie example 3: Music Technology Students of Queensland Conservatorium Griffith University Perform a Variety of Original Works (2015) by Toby Alexander, Nell Forster, Cave Mitchel, Greg Ollie, Tanna Peineckle and Sean Telford (excerpts) – 3′08″ (provided with kind permission by the artists)
Jordan Lacey
Sonic Placemaking: Three approaches and ten attributes for the creation of enduring urban sound art installations
9 Sound examples
Sound example 1: ‘Times Square’ field recording (2015) by Jordan Lacey – 1′25″
Sound example 2: ‘Paley Park’ field recording (2015) by Jordan Lacey – 1′24″
Sound example 3: ‘Sounding Sculpture’ field recording (2015) by Jordan Lacey – 1′20″
Sound example 4: ‘Harmonic Bridge’ field recording (2015) by Bruce Odland and Sam Auinger (O+A) – 1′25″ (provided with kind permission by the artist)
Sound example 5: ‘Singing Ringing Tree’ field recording (2008) by Dr Sally Rodgers (Leeds College of Music, UK) – 1′12″ (provided with kind permission by the artist)
Sound example 6: ‘Neville Street Refurbishment’ field recording (2015) by Jordan Lacey – 1′59″
Sound example 7: ‘Le Cylindre Sonore’ field recording (2015) by Jordan Lacey – 1′33″
Sound example 8: ‘Sea Organ’ field recording (2015) by Jordan Lacey – 1′56″
Sound example 9: ‘Sonic Space’ (2012) by Jordan Lacey – 1′00″