En la Mesa Redonda de Palenque de 2004 Erik Velásquez propuso que los gobernantes mayas que portaban el glifo emblema de Kaanuˀl pudieron haber residido durante el Clásico Temprano en Dzibanché, pues no existen referencias que los vinculen con Calakmul antes de 631 d.C. Aquí revisamos los datos sobre su presencia en Dzibanché y otros asentamientos de la región. Argumentos de distinta naturaleza que apoyan este escenario se publicaron desde 2005 hasta 2016, incluyendo los hallazgos de Xunantunich (Helmke y Awe 2016a, 2016b), que permiten conjeturar que una facción disidente de la dinastía se separó de Dzibanché y fundó en 635 d.C. una sede alternativa en Calakmul. Ello produjo el panorama que proponemos en el Clásico Tardío, donde había mandatarios simultáneos de la dinastía Kaanuˀl en el sur de Campeche y en el sur de Quintana Roo, toda vez que en Dzibanché seguían residiendo gobernantes Kaanuˀl al menos hasta el siglo VII.

The story of the Classic Maya “Snake” kingdom is truly a tale of two cities, with a capital that evidently switched from Dzibanche to Calakmul in the seventh century a.d. This article explores the era of transition between them in search of an elusive sequence of kings, while asking why the transfer came about and who played principal roles in it. Although grounded in finds at Calakmul, any attempt to answer complex questions of this nature must draw on a wider body of materials, both epigraphic and archaeological, from across the southern Maya Lowlands. Whatever portrait of the serpent kingdom is now possible, it is one that can only arise from close collaboration and the fusion of many scattered sources and clues.

Sounds produced by humans and their environment are perceived and codified based on people's experiences as members of social groups, resulting in some sounds being used as means of communication. In this article, we present an archaeoacoustic study of diverse types of instruments excavated or collected from Comalcalco and Jonuta, two important pre-Hispanic Maya sites located in the modern state of Tabasco (Mexico). We propose a methodology to analyze organological and acoustic characteristics for each type of instrument, considering their relevant archaeological information, so as to provide some interpretations of how sounds could have been materialized, shared, and used in specific moments of Maya ritual and daily life.

Desde la antigüedad, los artefactos de pizarra fueron utilizados por sociedades asentadas en diversos puntos del continente americano; su uso abarcó diferentes temporalidades y múltiples formas.

En el caso particular de Teotihuacán, ubicado en el centro de México, los artefactos en cuestión se reportan dentro y fuera de esta ciudad, depositados como ofrenda y asociados directamente al fuego, al agua y al inframundo. Aunque la pizarra fue una materia prima con una presencia constante en Teotihuacán, sólo se reconoce cuando aparece asociada a los espejos, cuando presenta diseños iconográficos, o con evidencia de decoración. Al respecto, en este texto señalamos la importancia de la pizarra en Teotihuacán, su cronología y contexto. De acuerdo con los resultados de los análisis tipológicos, geológicos y de caracterización, proponemos el aprovechamiento de diversas materias primas dentro de un mismo yacimiento, así como la identificación de las áreas de extracción de la pizarra utilizada por los teotihuacanos a través del tiempo.

Estos datos nos permiten inferir las funciones rituales, simbólicas y jerárquicas de esta materia prima dentro de la metrópoli teotihuacana.

Smith and Kidder (1951:44) were among the first to highlight pyrite pre-Hispanic mirrors as “marvels of painstaking craftsmanship.” These mirrors present reflective surfaces consisting of 20–50 pyrite tesserae with beveled edges, perfectly cut, and average 2 mm in thickness. The first known examples of mirrors in Mesoamerica were the “Olmec” type—a concave mirror created from a single hematite piece developed during the Middle Preclassic period. Later, in the Classic period, pyrite mosaic mirrors replaced them. Unfortunately, we do not understand the changes from one type to the other. In this work, we present two pyrite mirrors found at the site of Chiapa de Corzo, Chiapas, Mexico, dating around 700–500 b.c., as possible forerunners of Classic pyrite mirrors. Also, we present traceological analysis of their manufacturing process using experimental archaeology and scanning electron microscopy. Based on these examinations, we identify likely materials and techniques employed in crafting them. We posit that production of these mirrors could have been the result of the development of specialized artisans at distinct workshops, increasing the complexity and labor investment in the lapidary objects as prestige goods.

Classic Teotihuacan's mural tradition evidences a Great Goddess and a Storm God in a cult of rain and fertility, yet their identity and relationship is problematic. This article reads the mural iconography as a myth of passage where the Great Goddess transited through portals uniting the planes of the cosmos at the boundary between the dry and rainy seasons to transform into the Storm God. Slate and pyrite mirrors and murals are analyzed as sacred artifacts with agency to invoke passage. The species of animals and plants symbolizing portals are identified to decode their symbolism of passage as symbolic transformations.

The Great Goddess transited from the underworld to the sea, entered mountain caves, and transformed her head-summit into a primordial cloud. The goddess created the axis mundi through her sacrifice, integrating the plants used for the manufacture of the Mesoamerican rubber olli. Mediated by the metamorphic powers of butterflies and olli, the goddess transformed greenstone into sacred water to become the Storm God. He commanded his helpers from his cave dwelling to produce rain and fertility clouds. Ruler-priests and warriors used mirrors to access the axis mundi and to transform into Storm God avatars with powers over rain and fertility.

We describe an analysis of the flaked stone tools recovered from households in the Postclassic central Mexican city of Calixtlahuaca (a.d. 1130–1530). Most artifacts are obsidian and represent the blade-core technology, but biface and bipolar artifacts are also represented. Even though household residents were involved in limited biface and bipolar reduction, it appears that the city did not have any resident blade producers. This finding is at odds with the views of many archaeologists, who tend to associate craft production with the emergence of complex Mesoamerican urban centers. We examine the technologies from temporally distinct Calixtlahuacan household assemblages. We discuss why the quantity and quality artifacts associated with blade production are not consistent with resident blade making in the city. Finally, we examine four models for blade provisioning: (1) whole-blade trade, (2) processed-blade trade, (3) long-distance itinerant craftsmen, and (4) local, hinterland-based craftsmen. Evaluating how the Calixtlahuacans got their flaked stone tools has important implications for the comparative understanding of the organization and scale of economic provisioning systems in Postclassic central Mexico. This analysis supports new inferences about the nature of commercial networks that supplied the Toluca Valley prior to the arrival of the Spanish in the sixteenth century.

This article utilizes the Maya Hieroglyphic Database (Looper and Macri 1991–2022) to study the spellings of three glyphic values based on T713 (Thompson 1962), namely, the logogram K′AB′ ‘hand, arm’ (n = 88), the logogram K′AL ‘to close, wrap, adorn’ (n = 484), and the syllabogram mi (n = 68), cataloged as MZ1, MR1, and MR2, respectively, by Looper et al. (2022). The main goal is to study the functions of certain graphemes typically placed atop T713 (T713's “holding site”) when it has the value K′AL, and to determine to what extent such signs can be described as lexical determinatives. The article concludes that MZ1 K′AB′ constitutes the unmarked value of T713, while MZ1 K′AL requires contextual or graphemic disambiguation, the latter facilitated by means of phonetic complements (e.g., k′a or la) or lexical determinatives (e.g., T617/1M3). Syntagmatic contextual associations resulting from frequent proximity to other signs was a common factor in the establishment of certain signs as lexical determinatives. The question of MR2 mi, which can be analyzed as either a digraph or a case of a “phonetic determinative” (distinct from “phonetic complement”) in the holding site of T713, is left open to future research.

Late Postclassic lowland Maya civic-ceremonial masonry architecture appears in two main configurations—temple assemblages and basic ceremonial groups—first identified at Mayapan. Around the Peten lakes, these two architectural complexes have been tied to northern immigrant Kowojs and Itzas, respectively, and their distributions map the varying control over the lakes by these two ethnopolities. Temple assemblages exhibit considerable variation in their structural components and arrangements throughout the lowlands, but they have not been studied comparatively. Here, we examine 14 temple assemblages at 12 lowland sites. We consider one of the two assemblages at Zacpeten (Sak Peten), Group A, to have been built by Kowojs, who asserted their identity and earlier (Late/Terminal Classic) ties to the site by reusing carved monuments. “Blended” assemblage Group C is more difficult to parse, but reflects cosmo-calendrical principles of statecraft and the builders’ and users’ broader ties to Mayapan and Topoxte.

The Kaan (“Snake”) kings, a powerful political entity in the Classic Maya Lowlands, were housed in the Early Classic period at Dzibanche, and they moved their capital to Calakmul by the year a.d. 642 (Helmke and Awe 2016; Martin 2020:138–139). Their network of alliance and intermarriage radiated southward, and Waka's early eighth-century queen, Lady K'abel, was from the Kaan bloodline and married in to the Wak lineage, exemplifying the close connection between the two political entities. The discovery of Stela 44 in tunneling efforts in M13-1, the city's important ritual center, allows us to trace political ties between the Kaan and Wak kings to significantly earlier than previously known, which seem to begin around the mid-sixth century. This monument provides insight into three converging lines of evidence supporting the profound alliance these elites had built: first, the accession of a Wak king, Wa'oom Uch'ab Ahk, under the supervision of the Kaan king K'ahk’ Ti’ Ch'ich’; second, the father of the new king, Chak Tok Ich'aak, seems to be connected to La Corona, another early Kaan ally; and third, the mother of Wa'oom Uch'ab Ahk, Ix Ikoom, is also connected to La Corona and the broader Kaan hegemony through her title ix sak wahyis.

Site E19 (19:N1W5), near Tlailotlacan, the “Zapotec Barrio” of Teotihuacan, contains evidence of both Tlailotlacan and Michoacan affiliation. To verify and better understand the Michoacan relationship, 22 enamel and 19 bone samples from five E19-affiliated burials were analyzed to determine their oxygen isotope compositions, which provide an indication of an individual's area of residence when that particular tissue was forming. Because prismatic blades and Thin Orange ceramics from Teotihuacan occur widely in the Lakes Region of north central Michoacan we obtained samples from several sites there for comparative purposes. The results show that most of the E19 people had passed their later years in the Patzcuaro Basin of the Lakes Region. Although in E19 the archaeological evidence of this relationship declined over time, the isotopic evidence indicates that Patzcuaro ties continued to the end of E19's occupation. It seems that the people of E19, originally Michoacanos, gradually adopted a core identity as Teotihuacanos while continuing to deploy their Michoacan ancestry during their stays in Michoacan.

A partir de los conceptos de modo y sistema cerámico, analizamos el rango de variación estilística en las cerámicas de El Tintal, Guatemala, como indicadores de conexiones sociales, económicas y políticas a nivel regional. Nuestro estudio muestra que la población de El Tintal participó en sistemas cerámicos con una distribución geográfica extensa durante los períodos preclásico medio y tardío, clásico temprano y clásico tardío. Durante los períodos preclásico terminal y clásico terminal, sin embargo, El Tintal participó en sistemas de afiliación con cobertura espacial limitada, aunque entre estos circulan conjuntos de cerámicas particulares a larga distancia. Con base en los resultados del estudio proponemos aquí algunas explicaciones a estos patrones en términos de dinámicas de interacción sociocultural y económicas.

People are often assumed to expand existing mechanisms—kinship in particular—to include others when they form communities. These models (con)fuse similarity with sameness, as we argue based on Husserl's concept of empathy. People recognize others without overlooking differences. They form community by negotiating belonging. We ask how individuals materialize community, how they create unity in a political process, and how they employ bordering and bonding social interactions. Our case study is Dos Ceibas, a Late Preclassic (350 b.c. to a.d. 250) Maya hamlet in the Petexbatun region. The North Plaza originated as a residential group—possibly of the hamlet's founder—and was transformed over multiple construction episodes into a public and ceremonial place. By a.d. 250, Dos Ceibas consisted of a small pyramid overlooking a plaza and two likely residential buildings. Its growth pattern sets the North Plaza apart from nearby Group MP16 and magnified internal differences. At the same time, Dos Ceibas's pyramid and plaza were likely communal constructions that project a shared community identity. The comparison with contemporary settlements nearby identifies distinct settlement layouts and suggests localized community identities.

This article discusses a category of conch-shell gorgets, mainly semielliptical in shape, which were produced during the Terminal Classic period in central Mexico and/or the Maya lowlands. We describe the iconography and style of these ornaments, seek precedents in other media for their themes, and use stylistic and epigraphic data to connect them to long-distance economic and political interactions between the Maya region and central Mexico. Although the portraits on most of the gorgets diverge from earlier Classic Maya conventions, neither do they conform to central Mexican canons. Further discoveries of such pendants in archaeological context may clarify their origins and social uses.

This article studies the duplication diacritic of Epigraphic Mayan (ISO 639-3 emy) during the Classic period (a.d. 200–900). Cataloged as grapheme 22A, it consists of two dots optionally and rarely affixed to another grapheme to command the reader, in the majority of cases, to read a syllabogram twice in sequence. This article reviews prior literature on the diacritic, elaborates a typology of four distinct but ultimately related functions, and employs a data set compiled by means of the Maya Hieroglyphic Database to determine via statistical tests whether scriptal, linguistic, media, geographic, and temporal factors were influential in its distribution, and more narrowly, its various functions. The results indicate that two lexemes, käkäw ‘cacao’ and k'ahk’ ‘fire,’ account for several of the scriptal and linguistic traits that show significant relationships with 22A, with the former, käkäw, likely serving as a major prototype in the evolution of 22A. It is also pointed out that 22A is absent from the Postclassic (a.d. 900–1521) codices, suggesting that one of the Classic regional subtraditions with lowest frequency of use of 22A may have been a direct ancestor of the subtraditions responsible for the codices.

The site of Guiengola is an example of one of the settlements built by the Zapotecs during their fourteenth- to fifteenth-century migration to the Southern Isthmus of Tehuantepec. Although Guiengola is well known in the ethnohistorical record as being the place where the Mexica armies were defeated by Zapotec forces during the late fifteenth century, the full extension of the site was previously unknown. Despite evidence of a dense population at the site, it has been mistakenly characterized as a fortress for housing soldiers and troops from the nearby town of Tehuantepec. Here, I present the research of the Guiengola Archeological Project, which conducted a lidar scan and archaeological surveys between 2018 and 2023. In this article, I share a comprehensive map of Guiengola, a Postclassic Mesoamerican city. My analysis identifies a large settlement that covered 360 ha and included a walled system of fortifications, an internal road network, and a hierarchically organized city. The findings of this project expand our understanding of the variations and social divisions in the city's internal urban organization, which in turn, allow us to deepen our comprehension of the transition to the Early Colonial barrio organization of Tehuantepec.

During the Late Classic (a.d. 600–900), Maya stone monuments from the Western Lowlands documented people with the sajal title. This position was associated with corporate group leaders who acted as governors of secondary sites, supervised warfare-related activities, and manufactured and distributed goods. The increase in records, along with the elaboration of monuments by sajals with differing narratives from those of the rulers, has been identified as a contributing factor to the regional political instability that led to the abandonment of Classic Maya capitals. This article aims to analyze monuments from the political spheres of Yaxchilan, Piedras Negras, and Palenque using a discourse analysis approach to identify the discursive strategies sajals used to showcase and strengthen their hierarchical positions. To accomplish this, I will analyze the discourse in relation to the intermediality of monuments to examine how sajals rivaled the rulers of these cities. Additionally, I will explore the correlation between these discourses and the sociopolitical transformations that preceded the regional collapse in the ninth century a.d.

Ancestral Maya engineered wetland fields and canals in floodplains for plant cultivation and water management. Canals and reservoirs, however, also provide aquatic resources to supplement agriculture. Maya created multi-trophic ecological aquaculture by modifying the waterscape to increase the amounts of foods and useful materials, such as fish, turtles, waterfowl, and reeds. While archaeological and ethnographic investigations across the Maya area explore aquatic constructions, technology, and foodstuffs, they have not focused on aquaculture. In the western Maya lowlands, including the site of Mensabak, Chiapas, Mexico, ancestral Maya modified floodplains around lakes and rivers for farming fish and aquatic resources near their settlements and fields. These extensive modifications for ecological aquaculture enhanced the productivity and resiliency of natural ecosystems. The domesticated waterscapes near the ritually important Mirador Mountain at Mensabak also followed pan-Mesoamerican beliefs in origin mountains that generated water, plants, and fish for humans. Importantly, Maya integrated subsistence is illuminated by research on domesticated landscapes and ecological aquaculture that examines a range of resources rather than just plants. Certainly across Mesoamerica, ecological aquaculture allowed people to intensify production of “farms” of aquatic species, particularly fish.

Stylistic shifts in ceramics are often linked with sociopolitical changes, yet adopting new ceramic designs may indicate anything from shared aesthetic appeal to emulation. Focusing on multiple ceramic technologies is critical for understanding ceramic changes as they relate to wider social fluctuations. The relationships between clay and ceramic recipes, and communities of practice, have not been studied at the urban landscape of Angamuco, Michoacán in western Mexico. Petrographic and geochemical analyses of tempers and fabrics indicate that ceramics, including imperial Purépecha (a.d. 1350–1530) vessels, were created from local and regional materials, and that these materials remained relatively stable for over 1,000 years. Ceramic archaeometry in western Mexico has been relatively limited compared to other parts of Mesoamerica, and this study may be compared to future studies in the region.

Relative to the centuries preceding and following it, the tenth century a.d. in Mesoamerica is poorly understood by scholars. Although there is some regional variation in the timing of these events, archaeologists commonly ascribe a pattern of political decline, dynastic collapse, or social reorganization to this period. Paradoxically, increasing interregional interactions and emergent market exchange networks are also characteristics of macroregional patterns during the tenth century. These contradictory phenomena contribute to confusion surrounding interpretations of this transitional time. This article contributes a comparative dataset from systematic archaeological investigations of El Coyote, a monumental center in the lower Cacaulapa valley, Department of Santa Barbara, Honduras. The late occupational phase contains evidence for Early Postclassic chronological markers, including Tohil Plumbate pottery; obsidian from Pachuca, Hidalgo; and copper metallurgy. Calibrated radiocarbon assays with a 2σ error place these contexts between a.d. 710 and 1040, with a clustering of intercepts circa a.d. 900. These results are consistent with a pattern described throughout Mesoamerica and demonstrate that despite variation in the use of cultural terminology—Epiclassic, Terminal Classic, or Early Postclassic—there is uniformity in the timing of this macroregional interaction.