Book contents
- Frontmatter
- Contents
- Foreword
- Acknowledgments
- Introduction
- 1 “Schwimme mit mir hinüber zu den Hütten unserer Nachbarn”: Colonial Islands in Sophie von La Roche's Erscheinungen am See Oneida (1798) and Jacques-Henri Bernardin de Saint-Pierre's Paul et Virginie (1788)
- 2 “Hier oder nirgends ist Amerika!”: America and the Idea of Autonomy in Sophie Mereau's “Elise” (1800)
- 3 A “Swiss Amazon” in the New World: Images of America in the Lebensbeschreibung of Regula Engel (1821)
- 4 Amalia Schoppe's Die Auswanderer nach Brasilien oder die Hütte am Gigitonhonha (1828)
- 5 Inscribed in the Body: Ida Pfeiffer's Reise in die neue Welt (1856)
- 6 Mathilde Franziska Anneke's Anti-Slavery Novella Uhland in Texas (1866)
- 7 “Ich bin ein Pioneer”: Sidonie Grünwald-Zerkowitz's Die Lieder der Mormonin (1887) and the Erotic Exploration of Exotic America
- 8 Seductive and Destructive: Argentina in Gabriele Reuter's Kolonistenvolk (1889)
- 9 Inventing America: German Racism and Colonial Dreams in Sophie Wörishöffer's Im Goldlande Kalifornien (1891)
- 10 Aus vergangenen Tagen: Eine Erzählung aus der Sklavenzeit (1906): Clara Berens's German American “Race Melodrama” in Its American Literary Contexts
- 11 “Der verfluchte Yankee!” Gabriele Reuter's Episode Hopkins (1889) and Der Amerikaner (1907)
- 12 Reframing the Poetics of the Aztec Empire: Gertrud Kolmar's “Die Aztekin” (1920)
- 13 Synthesis, Gender, and Race in Alice Salomon's Kultur im Werden (1924)
- 14 Land of Fantasy, Land of Fiction: Klara May's Mit Karl May durch Amerika (1931)
- 15 An Ideological Framing of Annemarie Schwarzenbach's Racialized Gaze: Writing and Shooting for the USA-Reportagen (1936–38)
- 16 “Fighting against Manitou”: German Identity and Ilse Schreiber' Canada Novels Die Schwestern aus Memel (1936) and Die Flucht in aradies (1939)
- 17 Mexico as a Model for How to Live in the Times of History: Anna Seghers's Crisanta (1951)
- 18 East Germany's Imaginary Indians: Liselotte Welskopf-Henrich's Harka Cycle (1951–63) and Its DEFA Adaptation Die Söhne der Großen Bärin (1966)
- 19 Finding Identity through Traveling the New World: Angela Krauß's Die Überfliegerin (1995) and Milliarden neuer Sterne (1999)
- 20 Discovery or Invention: Newfoundland in Gabrielle Alioth's Die Erfindung von Liebe und Tod (2003)
- 21 Tzveta Sofronieva's “Über das Glück nach der Lektüre von Schopenhauer, in Kalifornien” (2007)
- 22 “Amerika ist alles und das Gegenteil von allem. Amerika ist anders.” Milena Moser's Travel Guide to San Francisco (2008)
- Bibliography: The New World in German-Language Literature by Women
- Notes on the Contributors
- Index
8 - Seductive and Destructive: Argentina in Gabriele Reuter's Kolonistenvolk (1889)
Published online by Cambridge University Press: 05 August 2014
- Frontmatter
- Contents
- Foreword
- Acknowledgments
- Introduction
- 1 “Schwimme mit mir hinüber zu den Hütten unserer Nachbarn”: Colonial Islands in Sophie von La Roche's Erscheinungen am See Oneida (1798) and Jacques-Henri Bernardin de Saint-Pierre's Paul et Virginie (1788)
- 2 “Hier oder nirgends ist Amerika!”: America and the Idea of Autonomy in Sophie Mereau's “Elise” (1800)
- 3 A “Swiss Amazon” in the New World: Images of America in the Lebensbeschreibung of Regula Engel (1821)
- 4 Amalia Schoppe's Die Auswanderer nach Brasilien oder die Hütte am Gigitonhonha (1828)
- 5 Inscribed in the Body: Ida Pfeiffer's Reise in die neue Welt (1856)
- 6 Mathilde Franziska Anneke's Anti-Slavery Novella Uhland in Texas (1866)
- 7 “Ich bin ein Pioneer”: Sidonie Grünwald-Zerkowitz's Die Lieder der Mormonin (1887) and the Erotic Exploration of Exotic America
- 8 Seductive and Destructive: Argentina in Gabriele Reuter's Kolonistenvolk (1889)
- 9 Inventing America: German Racism and Colonial Dreams in Sophie Wörishöffer's Im Goldlande Kalifornien (1891)
- 10 Aus vergangenen Tagen: Eine Erzählung aus der Sklavenzeit (1906): Clara Berens's German American “Race Melodrama” in Its American Literary Contexts
- 11 “Der verfluchte Yankee!” Gabriele Reuter's Episode Hopkins (1889) and Der Amerikaner (1907)
- 12 Reframing the Poetics of the Aztec Empire: Gertrud Kolmar's “Die Aztekin” (1920)
- 13 Synthesis, Gender, and Race in Alice Salomon's Kultur im Werden (1924)
- 14 Land of Fantasy, Land of Fiction: Klara May's Mit Karl May durch Amerika (1931)
- 15 An Ideological Framing of Annemarie Schwarzenbach's Racialized Gaze: Writing and Shooting for the USA-Reportagen (1936–38)
- 16 “Fighting against Manitou”: German Identity and Ilse Schreiber' Canada Novels Die Schwestern aus Memel (1936) and Die Flucht in aradies (1939)
- 17 Mexico as a Model for How to Live in the Times of History: Anna Seghers's Crisanta (1951)
- 18 East Germany's Imaginary Indians: Liselotte Welskopf-Henrich's Harka Cycle (1951–63) and Its DEFA Adaptation Die Söhne der Großen Bärin (1966)
- 19 Finding Identity through Traveling the New World: Angela Krauß's Die Überfliegerin (1995) and Milliarden neuer Sterne (1999)
- 20 Discovery or Invention: Newfoundland in Gabrielle Alioth's Die Erfindung von Liebe und Tod (2003)
- 21 Tzveta Sofronieva's “Über das Glück nach der Lektüre von Schopenhauer, in Kalifornien” (2007)
- 22 “Amerika ist alles und das Gegenteil von allem. Amerika ist anders.” Milena Moser's Travel Guide to San Francisco (2008)
- Bibliography: The New World in German-Language Literature by Women
- Notes on the Contributors
- Index
Summary
Written just prior to her more well-known Aus guter Familie (From a Good Family, 1895), Gabriele Reuter's novel Kolonistenvolk (The Colonists, 1889) offers a complex representation of Argentina through direct description of the region's natural features and peoples, as well as indirectly through a close look at the successful and unsuccessful German immigrants. For the colonists, this New World is a place of excitement, adventure, opportunity, freedom, hard work, even a place of romance, but it is also a dangerous and wild realm of violence, grief, corruption, and superstition, an underworld inhabited by beautiful, faithless temptresses, swindling bureaucrats, and xenophobic rulers. In Kolonistenvolk, Reuter presents a vampiric Argentina that devours the weak and can be survived only by the fittest and the strongest-willed immigrants who hold true to their identity in the face of opposition. Following a brief look at Reuter's autobiography and her comments concerning the New World and her novel, this analysis will examine the portrayal of the protagonist Paul Röver as he struggles to reconcile his “Germanness” with his new homeland and thus to maintain his own identity in the face of parasitic and destructive influences.
In her autobiography Vom Kinde zum Menschen: Die Geschichte meiner Jugend (From a Child to a Human: The Story of My Youth, 1921), Reuter explains why she decided to make German colonists in Argentina the subject of her second novel and, most importantly she reveals events and attitudes that informed her imagination of the New World.
- Type
- Chapter
- Information
- Sophie Discovers AmerikaGerman-Speaking Women Write the New World, pp. 102 - 110Publisher: Boydell & BrewerPrint publication year: 2014