Book contents
- Frontmatter
- Contents
- Foreword
- Acknowledgments
- Introduction
- 1 “Schwimme mit mir hinüber zu den Hütten unserer Nachbarn”: Colonial Islands in Sophie von La Roche's Erscheinungen am See Oneida (1798) and Jacques-Henri Bernardin de Saint-Pierre's Paul et Virginie (1788)
- 2 “Hier oder nirgends ist Amerika!”: America and the Idea of Autonomy in Sophie Mereau's “Elise” (1800)
- 3 A “Swiss Amazon” in the New World: Images of America in the Lebensbeschreibung of Regula Engel (1821)
- 4 Amalia Schoppe's Die Auswanderer nach Brasilien oder die Hütte am Gigitonhonha (1828)
- 5 Inscribed in the Body: Ida Pfeiffer's Reise in die neue Welt (1856)
- 6 Mathilde Franziska Anneke's Anti-Slavery Novella Uhland in Texas (1866)
- 7 “Ich bin ein Pioneer”: Sidonie Grünwald-Zerkowitz's Die Lieder der Mormonin (1887) and the Erotic Exploration of Exotic America
- 8 Seductive and Destructive: Argentina in Gabriele Reuter's Kolonistenvolk (1889)
- 9 Inventing America: German Racism and Colonial Dreams in Sophie Wörishöffer's Im Goldlande Kalifornien (1891)
- 10 Aus vergangenen Tagen: Eine Erzählung aus der Sklavenzeit (1906): Clara Berens's German American “Race Melodrama” in Its American Literary Contexts
- 11 “Der verfluchte Yankee!” Gabriele Reuter's Episode Hopkins (1889) and Der Amerikaner (1907)
- 12 Reframing the Poetics of the Aztec Empire: Gertrud Kolmar's “Die Aztekin” (1920)
- 13 Synthesis, Gender, and Race in Alice Salomon's Kultur im Werden (1924)
- 14 Land of Fantasy, Land of Fiction: Klara May's Mit Karl May durch Amerika (1931)
- 15 An Ideological Framing of Annemarie Schwarzenbach's Racialized Gaze: Writing and Shooting for the USA-Reportagen (1936–38)
- 16 “Fighting against Manitou”: German Identity and Ilse Schreiber' Canada Novels Die Schwestern aus Memel (1936) and Die Flucht in aradies (1939)
- 17 Mexico as a Model for How to Live in the Times of History: Anna Seghers's Crisanta (1951)
- 18 East Germany's Imaginary Indians: Liselotte Welskopf-Henrich's Harka Cycle (1951–63) and Its DEFA Adaptation Die Söhne der Großen Bärin (1966)
- 19 Finding Identity through Traveling the New World: Angela Krauß's Die Überfliegerin (1995) and Milliarden neuer Sterne (1999)
- 20 Discovery or Invention: Newfoundland in Gabrielle Alioth's Die Erfindung von Liebe und Tod (2003)
- 21 Tzveta Sofronieva's “Über das Glück nach der Lektüre von Schopenhauer, in Kalifornien” (2007)
- 22 “Amerika ist alles und das Gegenteil von allem. Amerika ist anders.” Milena Moser's Travel Guide to San Francisco (2008)
- Bibliography: The New World in German-Language Literature by Women
- Notes on the Contributors
- Index
Foreword
Published online by Cambridge University Press: 05 August 2014
- Frontmatter
- Contents
- Foreword
- Acknowledgments
- Introduction
- 1 “Schwimme mit mir hinüber zu den Hütten unserer Nachbarn”: Colonial Islands in Sophie von La Roche's Erscheinungen am See Oneida (1798) and Jacques-Henri Bernardin de Saint-Pierre's Paul et Virginie (1788)
- 2 “Hier oder nirgends ist Amerika!”: America and the Idea of Autonomy in Sophie Mereau's “Elise” (1800)
- 3 A “Swiss Amazon” in the New World: Images of America in the Lebensbeschreibung of Regula Engel (1821)
- 4 Amalia Schoppe's Die Auswanderer nach Brasilien oder die Hütte am Gigitonhonha (1828)
- 5 Inscribed in the Body: Ida Pfeiffer's Reise in die neue Welt (1856)
- 6 Mathilde Franziska Anneke's Anti-Slavery Novella Uhland in Texas (1866)
- 7 “Ich bin ein Pioneer”: Sidonie Grünwald-Zerkowitz's Die Lieder der Mormonin (1887) and the Erotic Exploration of Exotic America
- 8 Seductive and Destructive: Argentina in Gabriele Reuter's Kolonistenvolk (1889)
- 9 Inventing America: German Racism and Colonial Dreams in Sophie Wörishöffer's Im Goldlande Kalifornien (1891)
- 10 Aus vergangenen Tagen: Eine Erzählung aus der Sklavenzeit (1906): Clara Berens's German American “Race Melodrama” in Its American Literary Contexts
- 11 “Der verfluchte Yankee!” Gabriele Reuter's Episode Hopkins (1889) and Der Amerikaner (1907)
- 12 Reframing the Poetics of the Aztec Empire: Gertrud Kolmar's “Die Aztekin” (1920)
- 13 Synthesis, Gender, and Race in Alice Salomon's Kultur im Werden (1924)
- 14 Land of Fantasy, Land of Fiction: Klara May's Mit Karl May durch Amerika (1931)
- 15 An Ideological Framing of Annemarie Schwarzenbach's Racialized Gaze: Writing and Shooting for the USA-Reportagen (1936–38)
- 16 “Fighting against Manitou”: German Identity and Ilse Schreiber' Canada Novels Die Schwestern aus Memel (1936) and Die Flucht in aradies (1939)
- 17 Mexico as a Model for How to Live in the Times of History: Anna Seghers's Crisanta (1951)
- 18 East Germany's Imaginary Indians: Liselotte Welskopf-Henrich's Harka Cycle (1951–63) and Its DEFA Adaptation Die Söhne der Großen Bärin (1966)
- 19 Finding Identity through Traveling the New World: Angela Krauß's Die Überfliegerin (1995) and Milliarden neuer Sterne (1999)
- 20 Discovery or Invention: Newfoundland in Gabrielle Alioth's Die Erfindung von Liebe und Tod (2003)
- 21 Tzveta Sofronieva's “Über das Glück nach der Lektüre von Schopenhauer, in Kalifornien” (2007)
- 22 “Amerika ist alles und das Gegenteil von allem. Amerika ist anders.” Milena Moser's Travel Guide to San Francisco (2008)
- Bibliography: The New World in German-Language Literature by Women
- Notes on the Contributors
- Index
Summary
In many ways, the collection of essays Sophie Discovers Amerika: German-Speaking Women Write the New World is a groundbreaking contribution to the emergent field of German Transatlantic Literary Studies. It is a lively and engaging book that seeks to confirm the important role that women writers have played in the transatlantic experience. The volume brings together an impressive, wide range of essays on German women authors from the eighteenth century to the present and their various encounters with and depictions of the New World. It examines fiction, for example by Sophie La Roche, Mathilde Franziska Anneke, Gabriele Reuter, Anna Seghers, and Christa Wolf; life writing and travelogues by Ida Pfeiffer, Regula Engel, Klara May, and Milena Moser; journalism by Annemarie Schwarzenbach; and the film adaption of the popular novels on Native Americans by the GDR writer Liselotte Welskopf-Henrich. The collection also offers a most welcome bibliography on “The New World in German-Language Literature by Women” that should provoke further scholarly inquiry and important critical work in the context of transatlantic activity.
In their substantial introduction, the editors devote some thought to the well-debated issue of exclusiveness. Why prepare a collection merely of women's writing about the New World? Far from rejecting inclusiveness per se, that is, an anthology of both male and female writers and their transatlantic experience, they argue convincingly that at this early stage of the recovery of women's contributions to New World writing, a diversified collection may seriously curtail an understanding of the breadth and depth of women's experiences.
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- Sophie Discovers AmerikaGerman-Speaking Women Write the New World, pp. ix - xPublisher: Boydell & BrewerPrint publication year: 2014