Book contents
- Music and Liturgy in Medieval Britain and Ireland
- Music and Liturgy in Medieval Britain and Ireland
- Copyright page
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Acknowledgements
- Abbreviations
- Part I
- 1 Textual Witnesses to Insular Liturgies
- 2 Contexts for the Late Medieval Pontifical of Anian, Bishop of Bangor
- 3 Insular Uses Other Than That of Salisbury
- 4 Saints and Their SungTexts in Manuscripts of the Sarum Sanctorale
- Part II
- Part III
- List of Manuscripts
- Bibliography
- Index
2 - Contexts for the Late Medieval Pontifical of Anian, Bishop of Bangor
Issues of the ‘Local’ and the ‘More-Than-Local’
from Part I
Published online by Cambridge University Press: 23 December 2021
- Music and Liturgy in Medieval Britain and Ireland
- Music and Liturgy in Medieval Britain and Ireland
- Copyright page
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Acknowledgements
- Abbreviations
- Part I
- 1 Textual Witnesses to Insular Liturgies
- 2 Contexts for the Late Medieval Pontifical of Anian, Bishop of Bangor
- 3 Insular Uses Other Than That of Salisbury
- 4 Saints and Their SungTexts in Manuscripts of the Sarum Sanctorale
- Part II
- Part III
- List of Manuscripts
- Bibliography
- Index
Summary
The early fourteenth-century pontifical owned by Anian, bishop of Bangor, is an important source of late medieval chant and rituals. The activities of Welsh bishops as suffragans in English dioceses explain some of the unexpected contents and details, with two rites of the dead – one for a religious community using Romano-Franciscan chant, the other of the Use of Salisbury. Written c. 1315–20 as a coherent manuscript with one main scribe in the time of Anian II of Bangor, it was probably copied from a composite anthology compiled principally during the time of Anian I in the late thirteenth century. The ‘more-than-local’ pontifical is placed in the context of recently discovered fragments ‘local’ to the diocese of Salisbury, as well as certain Welsh and Irish adoptions and adaptations of Salisbury Use.
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- Information
- Music and Liturgy in Medieval Britain and Ireland , pp. 17 - 49Publisher: Cambridge University PressPrint publication year: 2022