Published online by Cambridge University Press: 05 July 2014
John Skylitzes’ Synopsis historion was written during the reign of Alexios Komnenos (1081–1118), almost certainly towards the end of the eleventh century. It purports to cover the years 811 to 1057: from the death of Nikephoros I to the abdication of Michael VI. From the mid-tenth century onwards it provides a source of major importance for some periods of Byzantine history, an outstanding example being the long reign of Basil II. It also constitutes an important element in the historiography of Byzantium. Its title reveals the nature of the work: Synopsis of histories, meaning a comprehensive digest of historical works already in existence. The author makes no claim to be dealing for the first time with hitherto neglected material, nor does he endeavour to rework in his own way the research which others have already conducted. His task is rather to rewrite the works of his predecessors, combining, harmonising and abridging them. The Synopsis is a second-hand work, the work of an author who views history as a literary genre, and of a historian who creates a text on the basis of other histories. The prooimion to the Synopsis contains valuable indications of how we are to understand the nature of this undertaking; these must be investigated wherever it is possible to check them by studying the ways in which Skylitzes handled his sources.
THE PROLOGUE (PROOIMION)
The prooimion of the Synopsis historion is a statement of capital importance in Byzantine historical literature; it has frequently been discussed because it contains the names of certain historians whose works have not survived. Its importance for us here lies in the fact that in this statement Skylitzes defines the project he is undertaking. First he defines it in a very positive fashion by placing it under the patronage of two authors whose sanctity and excellence he reveres: George the synkellos and Theophanes. Then he defines it in a somewhat negative way by identifying certain historical works of which he is critical. Hence the genre in which Skylitzes intends to operate is not history in the strict sense of the word, but historical digest (epitome historias), the genre of George and Theophanes (themselves following in the steps of some older writers of whom our author says nothing, but whom he must not pass over in silence).
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