Book contents
- Frontmatter
- PREFACE TO THE FIRST EDITION
- PREFACE TO THE SIXTEENTH EDITION
- NOTE
- Contents
- CHAPTER I INTRODUCTION
- CHAPTER II KEY, OR TONALITY
- CHAPTER III THE GENERAL LAWS OF PART-WRITING
- CHAPTER IV THE DIATONIC TRIADS OF THE MAJOR KEY
- CHAPTER V THE DIATONIC TRIADS OF THE MAJOR KEY (CONTINUED). SEQUENCES
- CHAPTER VI THE INVERSIONS OF THE TRIADS OF A MAJOR KEY
- CHAPTER VII THE MINOR KEY: ITS DIATONIC TRIADS AND THEIR INVERSIONS
- CHAPTER VIII THE CHORD OF THE DOMINANT SEVENTH
- CHAPTER IX KEY RELATIONSHIP—MODULATION TO NEARLY RELATED KEYS—FALSE RELATION
- CHAPTER X UNESSENTIAL DISCORDS (I)—AUXILIARY NOTES, PASSING NOTES, AND ANTICIPATIONS
- CHAPTER XI UNESSENTIAL DISCORDS (II)—SUSPENSIONS
- CHAPTER XII THE CHORD OF THE DOMINANT NINTH
- CHAPTER XIII THE CHORD OF THE DOMINANT ELEVENTH
- CHAPTER XIV THE CHORD OF THE DOMINANT THIRTEENTH
- CHAPTER XV CHROMATIC TRIADS—THE CHROMATIC SCALE
- CHAPTER XVI CHROMATIC CHORDS OF THE SEVENTH
- CHAPTER XVII CHROMATIC CHORDS OF THE NINTH—FALSE NOTATION—ENHARMONIC MODULATION
- CHAPTER XVIII CHROMATIC CHORDS OF THE ELEVENTH AND THIRTEENTH
- CHAPTER IX THE CHORD OF THE AUGMENTED SIXTH
- CHAPTER XX PEDALS
- CHAPTER XXI HARMONY IN FEWER AND MORE THAN FOUR PARTS
- APPENDIX A THE ECCLESIASTICAL MODES
- APPENDIX B THE HARMONIC SERIES
- ANALYTICAL INDEX
- MUSICAL ILLUSTRATIONS
- ANALYTICAL KEY TO THE EXERCISES IN THE SIXTEENTH AND SUBSEQUENT EDITIONS OF HARMONY: ITS THEORY AND PRACTICE
- PREFACE
- KEY to the EXERCISES IN HARMONY: ITS THEORY AND PRACTICE
CHAPTER VIII - THE CHORD OF THE DOMINANT SEVENTH
Published online by Cambridge University Press: 05 November 2012
Book contents
- Frontmatter
- PREFACE TO THE FIRST EDITION
- PREFACE TO THE SIXTEENTH EDITION
- NOTE
- Contents
- CHAPTER I INTRODUCTION
- CHAPTER II KEY, OR TONALITY
- CHAPTER III THE GENERAL LAWS OF PART-WRITING
- CHAPTER IV THE DIATONIC TRIADS OF THE MAJOR KEY
- CHAPTER V THE DIATONIC TRIADS OF THE MAJOR KEY (CONTINUED). SEQUENCES
- CHAPTER VI THE INVERSIONS OF THE TRIADS OF A MAJOR KEY
- CHAPTER VII THE MINOR KEY: ITS DIATONIC TRIADS AND THEIR INVERSIONS
- CHAPTER VIII THE CHORD OF THE DOMINANT SEVENTH
- CHAPTER IX KEY RELATIONSHIP—MODULATION TO NEARLY RELATED KEYS—FALSE RELATION
- CHAPTER X UNESSENTIAL DISCORDS (I)—AUXILIARY NOTES, PASSING NOTES, AND ANTICIPATIONS
- CHAPTER XI UNESSENTIAL DISCORDS (II)—SUSPENSIONS
- CHAPTER XII THE CHORD OF THE DOMINANT NINTH
- CHAPTER XIII THE CHORD OF THE DOMINANT ELEVENTH
- CHAPTER XIV THE CHORD OF THE DOMINANT THIRTEENTH
- CHAPTER XV CHROMATIC TRIADS—THE CHROMATIC SCALE
- CHAPTER XVI CHROMATIC CHORDS OF THE SEVENTH
- CHAPTER XVII CHROMATIC CHORDS OF THE NINTH—FALSE NOTATION—ENHARMONIC MODULATION
- CHAPTER XVIII CHROMATIC CHORDS OF THE ELEVENTH AND THIRTEENTH
- CHAPTER IX THE CHORD OF THE AUGMENTED SIXTH
- CHAPTER XX PEDALS
- CHAPTER XXI HARMONY IN FEWER AND MORE THAN FOUR PARTS
- APPENDIX A THE ECCLESIASTICAL MODES
- APPENDIX B THE HARMONIC SERIES
- ANALYTICAL INDEX
- MUSICAL ILLUSTRATIONS
- ANALYTICAL KEY TO THE EXERCISES IN THE SIXTEENTH AND SUBSEQUENT EDITIONS OF HARMONY: ITS THEORY AND PRACTICE
- PREFACE
- KEY to the EXERCISES IN HARMONY: ITS THEORY AND PRACTICE
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- HarmonyIts Theory and Practice, pp. 94 - 114Publisher: Cambridge University PressPrint publication year: 2011First published in: 1903