Book contents
- Frontmatter
- Contents
- List of illustrations
- Acknowledgments
- List of abbreviations and note on the texts
- Introduction
- 1 Imperial knowledge: George Eliot, G. H. Lewes, and the literature of empire
- 2 “Colleagues in failure”: emigration and the Lewes boys
- 3 Investing in empire
- 4 Daniel Deronda, Impressions of Theophrastus Such, and the emergence of imperialism
- Conclusion
- Notes
- Bibliography
- Index
- CAMBRIDGE STUDIES IN NINETEENTH-CENTURY LITERATURE AND CULTURE
Conclusion
Published online by Cambridge University Press: 22 September 2009
- Frontmatter
- Contents
- List of illustrations
- Acknowledgments
- List of abbreviations and note on the texts
- Introduction
- 1 Imperial knowledge: George Eliot, G. H. Lewes, and the literature of empire
- 2 “Colleagues in failure”: emigration and the Lewes boys
- 3 Investing in empire
- 4 Daniel Deronda, Impressions of Theophrastus Such, and the emergence of imperialism
- Conclusion
- Notes
- Bibliography
- Index
- CAMBRIDGE STUDIES IN NINETEENTH-CENTURY LITERATURE AND CULTURE
Summary
During these forty years we have, more and more, come to live and move and have our being by the New World.
John Walter CrossEliot's courtship with Cross revolved around two subjects: Dante and finance. In her diaries for 1879, she recorded that Mr. Cross came “to consult about investments” (Journals, p. 165); “to discuss investments” (Journals, p. 166); that he brought “account of sales and purchases of stock” (Journals, p. 167) and “came on business” (Journals, p. 168). Eliot signed one love letter to Cross, “Beatrice” (GEL, 7:211–12), and another, “Your obliged ex-shareholder of A and C Gaslight and Coke” (GEL, 7:234–5). Cross recreated this unusual marriage of literature and finance in writings. As if recalling Impressions of Theophrastus Such, his first book was titled, Impressions of Dante and the New World, with Some Thoughts on Bi Metallism. His second volume, A Rake's Progress in Finance (1905), once again joined literature and finance, dealing with a range of issues, including South African emigration. Recognizing that his yoking of literature and finance was unusual, he wrote that it was “not an every day combination as the person who studies the one does not often study the other.”
Money had always been important to Eliot, but she felt obliged to view it as “vulgar.” In 1859 she wrote to John Blackwood: “I don't want the world to give me anything for my books except money enough to save me from the temptation to write only for money” (GEL, 3:152).
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- George Eliot and the British Empire , pp. 141 - 149Publisher: Cambridge University PressPrint publication year: 2002