Book contents
- Frontmatter
- Contents
- List of illustrations
- Acknowledgments
- Introduction
- 1 Representing knowledge: reading the Encyclopédie
- 2 Enlightenment critique and Diderot's art of philosophizing
- 3 The matter of judgment and the art of phrasing sensation
- 4 Critical narratives: Diderot's Salons
- 5 Embodying knowledge
- 6 Portraying Diderot: the aftermath
- 7 Interpreting Diderot: critical values, critical violence
- Notes
- Index
- Cambridge Studies in French
3 - The matter of judgment and the art of phrasing sensation
Published online by Cambridge University Press: 23 November 2009
- Frontmatter
- Contents
- List of illustrations
- Acknowledgments
- Introduction
- 1 Representing knowledge: reading the Encyclopédie
- 2 Enlightenment critique and Diderot's art of philosophizing
- 3 The matter of judgment and the art of phrasing sensation
- 4 Critical narratives: Diderot's Salons
- 5 Embodying knowledge
- 6 Portraying Diderot: the aftermath
- 7 Interpreting Diderot: critical values, critical violence
- Notes
- Index
- Cambridge Studies in French
Summary
If the body had been easier to understand, nobody would have thought that we had a mind.
Richard Rorty, Philosophy and the Mirror of NatureThe body is to be compared, not to a physical object, but to a work of art.
Maurice Merleau-PontyThe humanist idealism Diderot and his contemporaries inherited attributed to the mind the regal privilege of making visible the rational order of things. Tirelessly constructing elaborate systems, Cartesian science and philosophy sought to comprehend nature by representing it as an object of vision. The work of reason and the act of revelation thus were not incompatible, since the Cartesian mind viewed matter as passive and inert, as bearing the unchanging imprint of an eternal, divinely created order that the mind could demonstrate and thus reflect. Enlightenment philosophy and science increasingly questioned such an ideal order, as well as the preeminent place accorded to the Cartesian notion of mind. Seeking to grasp an active, dynamic nature, the Enlightenment discourse of knowledge formulated other manners of presenting the relation between the human subject and the material world.
This experimentation occurs already in Diderot's earliest writings on nature. In the Encyclopédie article “Animal” for instance, he proposes that nature is essentially continuous, distinctions between animate and inanimate, animal and human, marking only a different degree of natural organization. The Lettre sur les aveugles also presents the human subject as part of one great whole and possessing no guarantee of a preestablished order to things grounded on some divine entity or transcendental principle.
- Type
- Chapter
- Information
- The Discourse of Enlightenment in Eighteenth-Century FranceDiderot and the Art of Philosophizing, pp. 92 - 131Publisher: Cambridge University PressPrint publication year: 1993