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  • Cited by 6
Publisher:
Cambridge University Press
Online publication date:
September 2011
Print publication year:
2003
Online ISBN:
9780511998904

Book description

This Companion offers a concise and authoritative survey of the string quartet by eleven chamber music specialists. Its fifteen carefully structured chapters provide coverage of a stimulating range of perspectives previously unavailable in one volume. It focuses on four main areas: the social and musical background to the quartet's development; the most celebrated ensembles; string quartet playing, including aspects of contemporary and historical performing practice; and the mainstream repertory, including significant 'mixed ensemble' compositions involving string quartet. Various musical and pictorial illustrations and informative appendixes, including a chronology of the most significant works, complete this indispensable guide. Written for all string quartet enthusiasts, this Companion will enrich readers' understanding of the history of the genre, the context and significance of quartets as cultural phenomena, and the musical, technical and interpretative problems of chamber music performance. It will also enhance their experience of listening to quartets in performance and on recordings.

Reviews

"Indeed the Companion's readability, together with its broad and timely coverage of topics and its fascinating selection of iconography (notably early photos of string quartets), entice the reader to further explore this music of friends." Notes

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Contents

  • Frontmatter
    pp i-xvi
  • Part I - Social changes and organological developments
  • 1 - The string quartet and society
    pp 1-18
  • 2 - Developments in instruments, bows and accessories
    pp 19-38
  • Part II - Celebrated ensembles
  • 3 - From chamber to concert hall
    pp 39-59
  • 4 - The concert explosion and the age of recording
    pp 60-94
  • Part III - Playing string quartets
  • 5 - Playing quartets: a view from the inside
    pp 95-126
  • 6 - Historical awareness in quartet performance
    pp 127-148
  • 7 - Extending the technical and expressive frontiers
    pp 149-174
  • Part IV - The string quartet repertory
  • 8 - The origins of the quartet
    pp 175-184
  • 9 - Haydn, Mozart and their contemporaries
    pp 185-209
  • 10 - Beethoven and the Viennese legacy
    pp 210-227
  • 11 - The Austro-Germanic quartet tradition in the nineteenth century
    pp 228-249
  • 13 - Nineteenth-century national traditions and the string quartet
    pp 266-287
  • 14 - The string quartet in the twentieth century
    pp 288-309
  • 15 - The string quartet as a foundation for larger ensembles
    pp 310-327
  • Notes
    pp 328-347
  • Select bibliography
    pp 348-354
  • Index
    pp 355-373

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