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Publisher:
Cambridge University Press
Online publication date:
September 2017
Print publication year:
2017
Online ISBN:
9781316335468

Book description

The expanded and updated third edition of this acclaimed Companion provides an accessible, broadly based survey of one of the liveliest and most popular forms of musical performance. It ranges from the American musical of the nineteenth century to the most recent productions on Broadway, in London's West End, and many other venues, and includes key information on singers, audiences, critical reception, and traditions. Contributors approach the subject from a wide variety of perspectives, including historical concerns, artistic aspects, important trends, attention to various genres, the importance of stars, the influence of race, the various disciplines of theatrical production, the musical in varied media, and changes in technology. Chapters related to the contemporary musical have been updated, and two new chapters cover the television musical and the British musical since 1970. Carefully organised and highly readable, it will be welcomed by enthusiasts, students, and scholars alike.

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Contents


Page 1 of 2


  • The Cambridge Companion to the Musical
  • The Cambridge Companion to the Musical - Title page
    pp i-iv
  • Copyright page
    pp i-iv
  • Contents
    pp i-iv
  • Illustrations
    pp v-vi
  • Contributors
    pp vii-viii
  • Preface to the Third Edition
    pp ix-xiv
  • 1 - How to Create a Musical: The Case of Wicked
    pp xv-xvi
  • Part I - Adaptations and Transformations: Before 1940
    pp 1-18
  • 2 - American Musical Theatre before the Twentieth Century
    pp 19-20
  • 3 - Non-English-Language Musical Theatre in the United States
    pp 21-50
  • 5 - American and British Operetta in the 1920s: Romance, Nostalgia and Adventure
    pp 79-98
  • Part II - Maturations and Formulations: 1940–1970
    pp 132-156
  • 8 - ‘We Said We Wouldn’t Look Back’: British Musical Theatre, 1935–1969
    pp 157-158
  • 9 - The Coming of the Musical Play: Rodgers and Hammerstein
    pp 159-184
  • Part III - Evolutions and Integrations: After 1970
    pp 230-244
  • 12 - Stephen Sondheim and the Musical of the Outsider
    pp 245-246
  • 13 - Choreographers, Directors and the Fully Integrated Musical
    pp 247-263
  • 17 - ‘Tonight I Will Bewitch the World’: The European Musical
    pp 323-338
  • 18 - New Horizons: The Musical at the Dawn of the Twenty-First Century
    pp 339-355
  • Part IV - Legacies and Transformations
    pp 356-380
  • 19 - Why Do They Start to Sing and Dance All of a Sudden? Examining the Film Musical
    pp 381-382

Page 1 of 2


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