Music Examples
4.1Four stages of Pompilio Rodriguez’s merecumbé groove in Pacho Galán’s ‘Rico Merecumbé’
4.2Two stages of Nicolás Cervantes’s porro groove in Lucho Bermúdez’s ‘Arroz con Coco’
4.3Three stages of Cecil Cuao’s cumbia groove in Pedro Salcedo’s ‘La Pollera Colorá’
4.4Four stages of José Franco’s gaita groove in Pedro Laza’s ‘La Compatible’
4.6Four stages of José Franco’s fandango binario groove in Pedro Laza’s ‘El Arranque’
6.1The Steve Gadd paradiddle in Ringer, m. 145–46. Image made available by Nicole Lizée
6.2Unison feet and hands in Ringer, m. 1. Image made available by Nicole Lizée
6.3Independent feet and hands in Ringer, m. 202. Image made available by Nicole Lizée
7.1A punctuated 11/4 groove in Tool’s ‘Right in Two’ (2006): 5:20
7.2A split fifteen-beat cycle in the verse of Soundgarden’s ‘Spoonman’ (1994): 0:18
7.3A combination of punctuated and split structures in the instrumental in Frank Zappa’s ‘Catholic Girls’ (1979): 1:38
7.4Two drumbeats suggest different interpretations of the same guitar riff in TTNG’s ‘Baboon’ (2012): (a) 0:00, (b) 0:47
10.1Hybrid drum kit notation showing pad strike substitution for the hi-hat in bar 2
10.2Notation of a hybrid performance. The left hand is used to trigger the electronic elements of the performance
14.1Beat played by Bonham in ‘When the Levee Breaks’ (0:00)
14.3Fill at the end of the verses in ‘When the Levee Breaks’ as played by Bonham (1:03)
