The Cambridge Companion to the Clarinet

doi:10.1017/CCOL9780521470667

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Davidson, Jane W. and Salgado Correia, Jorge 2001. Meaningful musical performance: A bodily experience. Research Studies in Music Education, Vol. 17, Issue. 1, p. 70.

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2017. The Cambridge Companion to the Musical.

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Lacheze, Cyril and Weckerle, Marion 2018. Les gestes de la musique ancienne dans les textes et l’iconographie. Interfaces, p. 91.

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Pàmies-Vilà, Montserrat Hofmann, Alex and Chatziioannou, Vasileios 2018. Analysis of Tonguing and Blowing Actions During Clarinet Performance. Frontiers in Psychology, Vol. 9, Issue. ,

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Weckerle, Marion 2019. Facture instrumentale et gestes : éléments pour la restitution historiquement informée du jeu de la clarinette en musique ancienne. Cahiers François Viète, Vol. III-6, Issue. , p. 109.

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Berry, Mark and Vazsonyi, Nicholas 2020. The Cambridge Companion to Wagner's Der Ring des Nibelungen.

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Kılıç, Kaya 2022. Klasik batı müziğinde kullanılan si bemol klarnet ekipmanlarının incelenmesi ve kullanım alanlarındaki farklılıklar. Rast Müzikoloji Dergisi, Vol. 10, Issue. 3, p. 365.

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Kılıç, Kaya 2023. TÜRK MÜZİĞİ VE BATI MÜZİĞİNDE KULLANILAN ALBERT VE BOEHM SİSTEM KLARNET TÜRLERİNİN FARKLILIKLARININ DEĞERLENDİRİLMESİ. Sanat ve Tasarım Dergisi, Vol. 13, Issue. 2, p. 608.

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Edited by Colin Lawson, London College of Music, Thames Valley University

Publisher:: Cambridge University Press
Online publication date:: September 2011
Print publication year:: 1995
Online ISBN:: 9781139002059
DOI:: https://doi.org/10.1017/CCOL9780521470667

Subjects:: Music, Music: General Interest, Music Performance
Collection:: The Cambridge Companions to Music
Series:: Cambridge Companions to Music

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The Cambridge Companion to the Clarinet is a practical guide to the world of the clarinet. It offers students and performers a composite survey of the history and repertoire of the instrument from its origins to the present day, as well as practical guidance on teaching and performing. Special focus is made on the various members of the extensive clarinet family and specialist chapters provide advice on the mechanics of clarinet playing, the art of historical performance, contemporary techniques, and the clarinet in jazz. A chapter on the professional clarinettist introduces the world of the performing musician, while a survey of the clarinet on record provides the listener with a useful guide to the recording history of the instrument. Informed by the experience of distinguished performers and teachers, this book makes an essential and stimulating reference book for all clarinet enthusiasts.

‘... absolutely essential reading for players of all ages.’

Source: Clarinetwise

‘... manages to gather together an enormous amount of information and instruction about that most versatile member of the woodwind family.’

Source: Reference Reviews

‘A wealth of reading and information is presented in this Cambridge Companion to the Clarinet which should be on all our shelves before long ... a worthy addition to the technique improving repertoire.’

Source: Clarinet and Saxophone

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The Cambridge Companion to the Clarinet

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

Frontmatter
pp i-xvi

1 - Single reeds before 1750
pp 1-15

2 - The development of the clarinet
pp 16-32

3 - The clarinet family
pp 33-74

4 - The development of the clarinet repertoire
pp 75-91

5 - Players and composers
pp 92-106

6 - The mechanics of playing the clarinet
pp 107-122

7 - Teaching the clarinet
pp 123-133

8 - Playing historical clarinets
pp 134-149

9 - The professional clarinettist
pp 150-162

10 - The contemporary clarinet
pp 163-183

11 - The clarinet in jazz
pp 184-198

12 - The clarinet on record
pp 199-212

Notes
pp 213-218

Appendices
pp 219-221

Select bibliography
pp 222-229

Index
pp 230-240

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The Cambridge Companion to the Clarinet

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