The Cambridge Companion to Music in Digital Culture

doi:10.1017/9781316676639

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Berry, Mark and Vazsonyi, Nicholas 2020. The Cambridge Companion to Wagner's Der Ring des Nibelungen.

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Liang, Jing 2023. Harmonizing minds and machines: survey on transformative power of machine learning in music. Frontiers in Neurorobotics, Vol. 17, Issue. ,

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Burson, Harry Jay, Noah and Freitas, Joana 2024. Book Reviews. Music, Sound, and the Moving Image, Vol. 18, Issue. 1, p. 77.

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Edited by Nicholas Cook, University of Cambridge, Monique M. Ingalls, Baylor University, Texas, David Trippett, University of Cambridge

Publisher:: Cambridge University Press
Online publication date:: August 2019
Print publication year:: 2019
Online ISBN:: 9781316676639
DOI:: https://doi.org/10.1017/9781316676639

Subjects:: Music, Music: General Interest, Music Performance
Collection:: The Cambridge Companions to Music
Series:: Cambridge Companions to Music

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The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production.

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