Book contents
- The Cambridge Companion to Music in Digital Culture
- Cambridge Companions to Music
- The Cambridge Companion to Music in Digital Culture
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Introduction
- 1 Digital Technology and Cultural Practice
- Personal Take: Whatever Happened to Tape-Trading?
- 2 Toward a History of Digital Music: New Technologies, Business Practices and Intellectual Property Regimes
- Personal Take: On Serving as an Expert Witness in the ‘Blurred Lines’ Case
- 3 Shaping the Stream: Techniques and Troubles of Algorithmic Recommendation
- Personal Take: Being a Curator
- Personal Take: Can Machines Have Taste?
- 4 Technologies of the Musical Selfie
- Personal Take: Vaporwave is Dead, Long Live Vaporwave!
- 5 Witnessing Race in the New Digital Cinema
- Personal Take: Giving History a Voice
- 6 Digital Devotion: Musical Multimedia in Online Ritual and Religious Practice
- Personal Take: Technicians of Ecstasy
- Personal Take: Live Coded Mashup with the Humming Wires
- Personal Take: Algorave: Dancing to Algorithms
- 7 Rethinking Liveness in the Digital Age
- Personal Take: Augmenting Musical Performance
- Personal Take: Digital Demons, Real and Imagined
- Personal Take: Composing with Sounds as Images
- Personal Take: Compositional Approaches to Film, TV and Video Games
- 8 Virtual Worlds from Recording to Video Games
- 9 Digital Voices: Posthumanism and the Generation of Empathy
- Personal Take: In the Wake of the Virtual
- 10 Digital Inequalities and Global Sounds
- 11 The Political Economy of Streaming
- Bibliography
- Index
- References
Cambridge Companions to Music
Published online by Cambridge University Press: 30 August 2019
Book contents
- The Cambridge Companion to Music in Digital Culture
- Cambridge Companions to Music
- The Cambridge Companion to Music in Digital Culture
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Introduction
- 1 Digital Technology and Cultural Practice
- Personal Take: Whatever Happened to Tape-Trading?
- 2 Toward a History of Digital Music: New Technologies, Business Practices and Intellectual Property Regimes
- Personal Take: On Serving as an Expert Witness in the ‘Blurred Lines’ Case
- 3 Shaping the Stream: Techniques and Troubles of Algorithmic Recommendation
- Personal Take: Being a Curator
- Personal Take: Can Machines Have Taste?
- 4 Technologies of the Musical Selfie
- Personal Take: Vaporwave is Dead, Long Live Vaporwave!
- 5 Witnessing Race in the New Digital Cinema
- Personal Take: Giving History a Voice
- 6 Digital Devotion: Musical Multimedia in Online Ritual and Religious Practice
- Personal Take: Technicians of Ecstasy
- Personal Take: Live Coded Mashup with the Humming Wires
- Personal Take: Algorave: Dancing to Algorithms
- 7 Rethinking Liveness in the Digital Age
- Personal Take: Augmenting Musical Performance
- Personal Take: Digital Demons, Real and Imagined
- Personal Take: Composing with Sounds as Images
- Personal Take: Compositional Approaches to Film, TV and Video Games
- 8 Virtual Worlds from Recording to Video Games
- 9 Digital Voices: Posthumanism and the Generation of Empathy
- Personal Take: In the Wake of the Virtual
- 10 Digital Inequalities and Global Sounds
- 11 The Political Economy of Streaming
- Bibliography
- Index
- References
Summary
A summary is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button.
- Type
- Chapter
- Information
- The Cambridge Companion to Music in Digital Culture , pp. ii - ivPublisher: Cambridge University PressPrint publication year: 2019
References
Topics
The Cambridge Companion to Eighteenth-Century Music Edited by DelDonna, Anthony R. and Polzonetti, PierpaoloGoogle Scholar
The Cambridge Companion to Electronic Music Edited by Collins, Nick and D’Escriván, JulioGoogle Scholar
The Cambridge Companion to Music in Digital Culture Edited by Cook, Nicholas, Ingalls, Monique M. and Trippett, DavidGoogle Scholar
The Cambridge Companion to the Musical, third edition Edited by Everett, William and Laird, PaulGoogle Scholar
The Cambridge Companion to Pop and Rock Edited by Frith, Simon, Straw, Will and Street, JohnGoogle Scholar
The Cambridge Companion to Recorded Music Edited by Clarke, Eric, Cook, Nicholas, Leech-Wilkinson, Daniel and Rink, JohnGoogle Scholar
The Cambridge Companion to the Singer-Songwriter Edited by Williams, Katherine and Williams, Justin A.Google Scholar
Composers
The Cambridge Companion to Gilbert and Sullivan Edited by Eden, David and Saremba, MeinhardGoogle Scholar
The Cambridge Companion to Shostakovich Edited by Fairclough, Pauline and Fanning, DavidGoogle Scholar
The Cambridge Companion to Michael Tippett Edited by Gloag, Kenneth and Jones, NicholasGoogle Scholar
The Cambridge Companion to Vaughan Williams Edited by Frogley, Alain and Thomson, Aidan J.Google Scholar
Instruments
The Cambridge Companion to Brass Instruments Edited by Herbert, Trevor and Wallace, JohnGoogle Scholar
The Cambridge Companion to the Organ Edited by Thistlethwaite, Nicholas and Webber, GeoffreyGoogle Scholar