The Cambridge Companion to Debussy

doi:10.1017/CCOL9780521652438

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Sheehy, August 2013. Review of Elliott Antokoletz and Marianne Wheeldon eds.,Rethinking Debussy(Oxford University Press, 2011). Music Theory Online, Vol. 19, Issue. 1,

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Trezise, Simon 2015. The Cambridge Companion to French Music.

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2016. The Cambridge Companion to Film Music. p. 413.

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Bergomi, Mattia G. Baratè, Adriano and Di Fabio, Barbara 2016. Computational Topology in Image Context. Vol. 9667, Issue. , p. 88.

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2017. The Cambridge Companion to the Musical.

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Laneve, Sabrina Schaerf, Ludovica Cecchetti, Gabriele Hentschel, Johannes and Rohrmeier, Martin 2023. The diachronic development of Debussy’s musical style: a corpus study with Discrete Fourier Transform. Humanities and Social Sciences Communications, Vol. 10, Issue. 1,

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Alonso Trillo, Roberto 2023. Gestural migration as a pedagogical tool in violin learning: a case study. Music Education Research, Vol. 25, Issue. 4, p. 381.

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Chang, Xuewei Salleh, Marzelan Bin and Sun, Jifang 2024. Resonating Reflections: A Critical Review of Ethnosymbolic Dynamics in Les Six’s Music Nationalism Movement. Arts, Vol. 13, Issue. 2, p. 75.

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Edited by Simon Trezise, Trinity College, Dublin

Publisher:: Cambridge University Press
Online publication date:: September 2011
Print publication year:: 2003
Online ISBN:: 9780511998768
DOI:: https://doi.org/10.1017/CCOL9780521652438

Subjects:: Twentieth-Century and Contemporary Music, Music, Music: General Interest
Collection:: The Cambridge Companions to Music
Series:: Cambridge Companions to Music

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Often considered the father of twentieth-century music, Debussy was a visionary whose influence is still felt. This book offers a wide-ranging series of essays on Debussy the man, the musician and composer. It contains insights into his character, his relationship to his Parisian environment and his musical works across all genres, with challenging views on the roles of nature and eroticism in his life and music. His music is considered through the characteristic themes of sonority, rhythm, tonality and form, with closing chapters considering the performance and reception of his music in the first years of the new century and our view of Debussy today as a major force in Western culture. This comprehensive view of Debussy is written by a team of specialists for students and informed music lovers.

'The volume contains some illuminating information on Debussy. The volume also brings forward the rich resource of Debussy's critical writings. … contains all the material for an alternative approach to Debussy research.'

Source: Nineteenth-Century Music Review

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The Cambridge Companion to Debussy

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

Frontmatter
pp i-xx

Introduction
pp 1-6

Part I - Man, musician and culture

1 - Debussy the man
pp 7-24

2 - Debussy's Parisian affiliations
pp 25-42

3 - Debussy as musician and critic
pp 43-58

Part II - Musical explorations

4 - Debussy on stage
pp 59-83

5 - The prosaic Debussy
pp 84-100

6 - Debussy and expression
pp 101-116

7 - Exploring the erotic in Debussy's music
pp 117-136

8 - Debussy and nature
pp 137-152

Part III - Musical techniques

9 - Debussy's tonality: a formal perspective
pp 153-178

10 - The Debussy sound: colour, texture, gesture
pp 179-196

11 - Music's inner dance: form, pacing and complexity in Debussy's music
pp 197-231

12 - Debussy's ‘rhythmicised time’
pp 232-256

Part IV - Performance and assessment

13 - Debussy in performance
pp 257-277

14 - Debussy now
pp 278-287

Notes
pp 288-314

Select bibliography
pp 315-317

Index
pp 318-326

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The Cambridge Companion to Debussy

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