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Index

Published online by Cambridge University Press:  17 September 2022

Edited by
Nanette de Jong
Nanette de Jong
Affiliation:
University of Newcastle

Summary

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Type
Chapter
Information
The Cambridge Companion to Caribbean Music , pp. 240 - 248
Publisher: Cambridge University Press
Print publication year: 2022

Index

Acosta, Leonardo, 24
aesthetics
bachata, and, 70–71, 73
merengue, and, 52, 54, 55, 57
salsa, and, 40
son, and, 18–19, 23–24, 28, 31–32
African diaspora, 21, 58, 221
cultural return, 209, 219–220
influence on popular culture, and, 21, 56
Aguilar, Eldris Con, 5
aguinaldo, 196
Alcocer, Rudyard J, 2
Allaire, Louis, 4
Allard, Francisca Carol, 197
Alleyne, Mike, 199
Amerindian
Arawak, 4, 89
Carib, 4
Columbus’ landing, 4
Curaçao, and. See kokomakaku, Montamentu
Guadeloupe, and, 147
history of, 3–4
Taíno, 4
Amsterdam, Morey, 199–200
Anakesa Kululuka, Apollinaire, 159
Andrew Sisters, The, 199
Ang, Ien, 222, 235
angajé, 165
Anguilla, 4
Antigua, 4, 5, 223
Aparicio, Frances, 42
Aponte, Sara, 69
Appiah, Kwame Anthony, 229
appropriation
Bhabha, and, 150
calypso, and, 200
Montamentu, and, 90
salsa, and, 37, 47
world music, and, 159
Arawak. See Amerindian, Arawak
Aruba, 101
Austerlitz, Paul, 54
Aventura, 66, 70–71
Averill, Gage, 60, 167
bachata
bachata urbana, 71–73
bilingualism, 70–71, 72, 73, 74
Dominican migration to New York, impact on, 69
gender transformations, and, 67, 73
globalisation, and, 65–66, 76–79
history and development of, 66–69
racial identity, and, 71–73
Badia, Thomas-Diego, 126
Bahamas, 4
Bakhtin, Mikhail, 57
Baldacchino, Godfrey, 1
Barad, Karen, 228–229
Barbados, 5
Barbuda, 4
Barenboim, Daniel, 188, 190
Barlaeus, Casparus, 83, 84
Barnes, Lloyd ‘Bullwackie’, 182
Barnet, Miguel, 22
Baron, Cristoph, 101
Barrow, Steve, 174
Benítez-Rojo, Antonio, 19, 21
Berrian, Brenda F, 133
Berrìos-Miranda, Marisol, 38, 39
Betke, Stefan ‘Pole’, 183
Bhabha, Homi, 53–54, 103, 149–150, 151, 222, 234–235
Big Drum Nation Dance, 209–224
African ancestors, and, 210–211, 214–216, 221, 223
Concept of Nation (theory), 221–222
dance rhythms, 211–212
history of, 209
nine African nations in, 210–211
Stone Feast, 223–224
Big Drum on Little Carriacou (podcast), 218–219, 220, 223–224, See Sewell, Zakia
ethnomusicological significance of, 218–219
identity, and, 218
Blackman, Eldon, 191–192
Blades, Rubén, 41, 44
Blanco, Robert, 73
Boomert, Arie, 6
Blouet, Brian, 5
Blouet, Olwyn, 5
Blum, Joseph, 36–38
Bohlman, Philip, 159
Bonaire, 5, 101
Boogaarts, Simone, 102
Boulanger, Alain, 154
Boxer, Charles R, 83–84
Brah, Avtar, 107
Brenneker, Pater, 84–85
Brock, Colin, 9
Brodber, Erna, 233
Calixte, Germain ‘Chaben’, 126
calypso, 8, 164, 193–194, 198–200, 201–203
Camal, Jérôme, 132
Candelario, Ginetta, 53
Candomblé, 90
capoeira, 82
Caradee, JL, 139
Carib. See Amerindian, Carib
carnival
Cuba, and, 32
Dominica, and, 164
Dominican Republic, and, 57–58, 60
Guadeloupe, and, 127–128
Haiti, and, 119, 165, 167–168
Jean-Baptiste and Sicot rivalry, and, 128, 163
Martinique, and, 153, 164
musicking, and, 202–203
Tassa, and. See Trinidad
Trinidad, and, 197–198
Carpentier, Alejo, 21
Charanga Habanera, La, 31
Chasteen, John Charles, 20
Cheung, Lucy, 188
chutney, 193, 201
Clapton, Eric, 175–176
Clarke, Kamari Maxine, 218
Clash, The, 177
Clifford, James, 96, 103, 220, 231
cocolo, 53, 57
Cohen, Sara, 104
Cole, Winston ‘Stranger’, 182
Colón, Willie, 38, 40–43
Comback, 9
contradanza, 21
Cordero, Ramón, 68
coros de guaguancó, 26
Cortijo, Rafael, 36, 44
cosmopolitanism
bachata, and, 67–68
salsa, and, 45
Cotellon, Félix, 141
Cowley, John, 153–154
Creole language, 92, 125, 145–147, 149, 151, 155, 167–168, 169
as resistance, 149–150
origins of, 149
creolisation, 19–21, 23, 153
definition of, 6
Crisol, 136
Crul, Celia, 101
Cruz, Celia, 36, 39, 42, 48
Cuba, 61, 82, See rumba, son
Chinese-Cubans, 230–231
colonial history of, 21
Curaçao, influence from, 8, 234
Haiti, influence from, 161–162
konpa, influence from, 162
Montamentu, influence from, 91
salsa, and, 38, 40
Dalton, Peter, 174
Daniel, Yvonne P, 22, 82
danza, 21, 29
danzón, 9, 19, 21, 24, 29
danzón de nuevo ritmo, 30
De Jong, Nanette, 9, 85, 203, 234
De la Fuente, Alejandro, 61
Décimus, Georges, 164
Décimus, Pierre-Edouard, 164
dembow, 55, 62
diaspora.
Big Drum Nation Dance, and, 212–213
definition of, 96, 103–104
diasporic communities, 104
dub diaspora, 182, 183, 184, See dub
Dutch Tambú parties and multiplicity of, 96
interpretive diaspora. See Tambú parties, Fish, Stanely
musical relationships, and, 18–19
notions of home, and, 218, 220, See Big Drum Nation Dance
paradox of, 232
rediasporising, examples of, 236
reggae diaspora, 175, 178–179
dirèk konpa, 165
Dodd, Clement ‘Coxsone’, 174, 182
Dominguez, Luis Arturo, 84
Dominica, 161, 163–164, 167, 197
Dominican Republic. See bachata, merengue
Duany, Jorge, 38, 40
dub, 178
definition of, 180
development of, 173, 175
digital dub, 184
globalisation, and, 180–183, See diaspora, dub diaspora
Jamaica, early pioneers of, 180
London, migration of, 181
Ensemble aux Calebasses, 162
Eshu, Ellegba, Ellegua (trickster diety), 90, See Legba
Fania records, 38, 41–43
Ferrer, Ada, 61
Festival de Gwoka, 141
Fieldhouse, David Kenneth, 5
Fielding, Russell, 6
Fish, Stanley, 104
Fleming, Karen, 133
Fleurant, Gerdés, 165
Flying Africans, 214, 219–221, See Big Drum Nation Dance
compositional flight, 214–215, 220–221
dream-inspired flight, 215–216
flight as survival, 220, See Sewell, Zakia
rebellious, physical flight, 216–217
spiritual flight, 216
Forte, Jung Ran, 218
Fortuyn, Pim, 102
funk, 31, 71, 137, 139, 168, 176
gagá, 52, 53, 57–60
García Canclini, Néstor, 32
García, Cindy, 47
García-Peña, Lorgia, 53
Gaspard, Raymond, 160–162
Gauthier, Marie Antoinette, 120–122
Gerstin, Julian, 198
Gilroy, Paul, 10, 19, 55, 156, 170, 213, 220
González, Francisco, 28
Goslinga, Charles, 83, 91
Grace, Leslie, 74
graj, gwoka rhythm and dance, 124, 162
Green, Lucy, 189
Green, Thomas A, 82
Grenada, 209, 222
Grupo Niche, 45
Guadeloupe, 4
Guadeloupe hip-hop
as counter-narrative, 145, 149–150
as decolonial critique, 151–152
biguine, identity politics and, 153–154
Creole language, and, 145, 146–147, 149–151, 155
cultural identification, and, 152–156
in France, 231–232
guaracha, 9, 21, 39, 67
Guerra, Juan Luis, 68
Guilbault, Jocelyn, 129, 153
guira, 65, 68
Guitar, Lynne, 4
Gwada Nostra, 146, 149
Gwakasonné, 133
gwoka, 147
1960s, and, 126, 130, 132
1970s, and, 127, 130, 132
basic rhythms of, 124
biguine, and, 156
definition and development of, 124
G. Troupé133
hip-hop, and, 152, 155
ka, and, 125–126
Kafé, and, 133
Konkèt, and, 129–131
Nicolas and Jazz Ka, 134–136
performance practice, 125
S Troupé, and, 134, 138–140
Schwarz-Bart and gwoka jazz, 136–138
UNESCO, and, 127, 141
Vélo, and, 127–129
Gwoka Modèn, 132–136
Haak-Schulenburg, Marion, 188
Haiti, 162, 164, See carnival, Haiti, angajé, Rara, Vodou
Dominican identity, in opposition to, 52, 61–62, 72
Freedom Culture, and, 166–167
jazz, and, 165–166
konpa, and, 160
migration to Cuba, 8
Montamentu, influence from, 90–91
Trujillo and anti-Haitian sentiments, 161
Hall, Stuart, 150–151, 209, 213, 222, 233, 236
Halley, Michel, 128–129, 141
Haraway, Donna, 228
Harrington, Jon, 177, 180
heritage, 19
as understood by UNESCO, 127
Cuban son, and, 20
in Guadeloupe, 127–141
Herrera, Lázaro, 27
Hewett, Ivan, 188
Hill, Donald, 210
hip-hop, 74, See Guadeloupe hip-hop
bachata, and, 70–71
Canadian dub, and, 182
ka, and, 137
merengue, and, 52
Nouvèl Jénérasyon, and, 168
reggae, and, 179, 183–184
reggaeton, and, 179
salsa romántica, and, 43
Tambú parties, and, 105
Hirsch, Marianne, 223
Hispaniola, 3, 4, 161
Hosay [Hosein], 8, 201
Hosokawa, Shuhei, 46
Hunter, J, 137
Hutchinson, Sydney, 77
identity, 228, 230
as ‘third space’, 234, See Bhabha, Homi
Big Drum Nation Dance, and, 210, 213, 218, 222, 223
colonialism, and, 229, 237
cultural memory, and, 224, 227
Curaçao, and, 107, 234
diasporic, 218, 220, 221
divisions in, 231
Dominican Republic, and, 52–53, 55, See bachata, merengue, racial identity
Guadeloupe hip-hop, and, 146, 148, 155, See Guadeloupe hip-hop, biguine, identity politics and
gwoka, and, 129, 140, 155
konpa and zouk, and, 160, 167
orality, and, 204
place identity, 231
racial identity, 52, 58, 61, 71, 235
Stuart Hall’s theory of, 213, 233–234
Trinidad and Tobago, and, 8, 195, 198
imperialism, xix, 124, 140, 150, 228
cultural imperialism, 37
Infante, Isidro, 42
Ingram, Amelia K, 196
interpretive communities. See Fish, Stanley
interpretive diaspora, 97
defined, 104
Dutch Tambú parties, and, 12
intersectionality, 229, 235, 236
Irakere, 31
Iznaga, Diana, 20
Jamaica. See dub, reggae
merengue and dancehall, 52
migration to Cuba, 8
migration to USA, 9
Nouvèl Jénérasyon, and, 169
Janovitz, Bill, 176
jazz, 37, 40, See Haiti, jazz, konpa mini djaz
Caribbean free jazz, 133
Cuban son, and, 31
Gwakasonné, and, 133
Gwoka Jazz Project. See gwoka, Schwarz-Bart and gwoka jazz
gwoka, and, 129–131, 141
jazz ka, 134–136
Latin jazz, 30, 46
Trinidad, and, 198
Jean-Baptiste, Nemours, 161, 162, 163
Jeffrey, Peter, 195
John, Yvonne J, 193
Josephs, Aleric, 4
Juliana, Elis, 84, 85
ka (drum), 125–126, See gwoka
as symbol of Guadeloupe history, 140
G. Troupé, and, 134
Kafé, and, 133
Konkèt, and, 130–131
Lockel, and, 132, 133
Nicolas, and, 134–135
Vélo, and, 128
kadans rampa, 163–164
kaladja, gwoka rhythm and dance, 124, 128, 130
kalenda, 82, 198, 200, See calypso, martial arts traditions
Kassav’, 56, 164, 167, 170
Khan, Aisha, 8
kokomakaku, 82–83
as chronicle of slave history, 83–84
binary form, 84–85, 90
censure of, 86–88
early development of, 84
Montamentu, and, 88
rhythm, 85
tambú drum, 85
variations of, 85–86
Kong, Leslie, 174
Konkèt, Guy, 126–131
konpa, 160–162, See Nouvèl Jénérasyon, dirèk konpa, konpa mini djaz, kadans rampa
decline in popularity, 167
globalisation, and, 165, 169, 170
merengue cibaeño, and, 161–162
migration to other French Caribbean islands, 163
konpa mini djaz, 164–166
Korom, Frank J, 202
Lafontaine, Marie-Céline, 128
Largey, Michael, 111–113, 116–117, 120
Laurence, Felicity, 186, 188–189
Lechenardière, Joce, 135
Legba, 91, 232, See Eshu, Ellegba, Ellegua (trickster diety)
LeGros, Julien, 138
léwòz, gwoka rhythm and dance, 124, 140
Linares Savio, María Teresa, 21
Lipsitz, George, 56
Little Roy
‘Christopher Columbus’. 233See Brodber, Erna
Liverpool, Hollis, 197, 202
Lockard, Gérard, 159
Locke, David, 28
Lockel, Gérard, 130–133, 135, 138, 141, See gwoka
Lorde, Audre, 105
Los Van Van, 31
MacArthur, Paul J, 131
Machito and his Afro-Cubans, 31, 40
Madrid, Alejandro, 21, 29
Maggnetick, 135
magic
Flying Africans, and, 220
Montamentu, and, 91
Vodou, and, 114
Magnum Band, 164, 165
Marley, Bob, 1, 139, 173, 175–179
Guy Konkèt as ‘Bob Marley of Guadeloupe’, 126
Marshall, Paule, 209, 223
martial arts traditions, 82, See kalenda, kokomakaku
Martinique, 82, 130–131, 135, 137, See biguine, carnival, Martinique
Martins, Pim, 159
Matamoros, Miguel, 26–27
Matisyahu, 183–184
Mavounzy, Marcel, 125–126
McAlister, Elizabeth, 112–113, 116
McAtackney, Laura, 8
McCormick, Lisa, 112
McDaniel, Lorna, 210, 219, 221–224
Mead, Matthew, 9
memory. See identity, cultural memory
Big Drum Nation Dance, and, 209–210
Guadeloupe hip-hop and colonial memory, 150
gwoka, and, 140
lacking precision, 229
salsa and collective memory, 40, 48
mendé, gwoka rhythm and dance, 124, 137
Mendisco, Fanny, 4
Mercer, Kobena, 100
merengue. See aesthetics
‘performing race’, and, 53–55
as metaphor for identity, 53
historicizing Blackness, and, 55–57
in contrast to merengue de calle, 57
merengue de orquesta, 69
under Trujillo, 52, 53
merengue cibaeño
structure, 161, See konpa, merengue cibaeño
merengue de calle, 53
‘Mamboteo’, analysis, 60
carnival, and, 57–60
cocolo (Alí Babá), and, 57
gagá, and, 57–60
merengue de orquesta, 56
mestizaje, 54, 61
Mieves, Christian, 203
Milla-Marie-Luce, Monique, 9
Miller, Ivor, 20, 28–29
Miller, Nancy, 223
Mintz, Sidney, 6
Montamentu. See kokomkaku, Montamentu
appropriation of vevés, 91
appropriation of ancestors, 88
appropriation of deities, 89–91
Arawak, influence on, 89
binary structure, 89–90
Catholicism, and, 91
threat of excommunication, 92
Montserrat, 4–5, 8
Moodie, Sylvia Maria, 196
Moore, Robin, 20–21, 23–26, 28–31
Moré, Benny, 29
Moskowitz, David, 175
Muguercia, Alberto, 26, 30
Murray, David, 131
music education. See education
colonial underpinnings of, 187
primary school, and, 192–193
secondary school, and, 191–192
tertiary and professional training, and, 194–195
musicking, 194–195, 203–205
nationalism
anti-colonial nationalism, 154
cultural nationalism, 38, 47
Negrón, Marisol, 42
neo-rasin, 167
Neptune, Yves, 120
Netherlands, 5–6
‘ethnic parties’, evolution of, 102
‘party apartheid’, 102
Curaçaoan migration to, 95, 100
Dutch Tambú parties, and, 95–107
immigration into, 101–102
immigration policies, 102–103
Nevis, 4
New Holland, 83–84
New York City’s El Barrio, and, 38, 39
NG La Banda, 31, 32, 231
Nicolas, Franck. See gwoka, Nicolas and Jazz Ka
Nouvèl Jénérasyon, 168–169
Nurse, Rupert, 198
Ochan, 116
Omega, 60
On-U Sound Records, 182
orality, 43, 205
definition of, 187
music education, and, 190–193
musicking, and, 205
Trinidad and Tobago musical traditions, and, 195–196
Orozco, Danilo, 25–26
Orquesta de la Luz, 47
Ortiz, Fernando, 18, 19, 22, 24, 29, 32, See transculturation
Oumaou, Robert, 133, 138, See Gwakasonné
Pacheco, Johnny, 39
Pacini Hernandez, Deborah, 70
Padilla, Félix M, 41
Palmié, Stephan, 20
Palmieri, Charlie, 38, 48
Palmieri, Eddie, 37, 38, 40
Panorama, 202, See steel pan
Paraison, Reynolds, 117
parang, 193, 194, 196–197
Partridge, Phillip, 181
Patrice (Babatunde Bart-Williams, Patrice), 179
Peña, Andy, 75
Pérez Fernández, Rolando Antonio, 23
Perna, Vincenzo, 31
Perry, Lee ‘Scratch’, 174, 177, 180, 181, 182, 184
Philpott, Chris, 190
Pietrobruno, Shennagh, 47–48
Piñeiro, Ignacio, 27, 32
Pitura Freska, 179
plena, 18, 39
Policard, Reginald, 168
Pomer, Gérard, 126, 129
Postma, Johannes, 83
Price, Richard, 6
Privat, Grégory, 135, 139
Public Enemy, 146
Puente, Tito, 31, 36, 39, 40, 48
punk
reggae, and, 176–177, 179
Quintero Rivera, Ángel, 32
Radano, Ronald, 19
Ramírez, Louis, 42
Rank, Stamma, 182
Rara
battle for territory, and, 112–113
Catholic Church, and, 113–114
competition, and, 110–112
konbit (cooperative work teams), and, 114–115
Léogâne, Haiti, and, 110–114, 117–120
merengue, and, 57
political campaigns, and, 118–120
Vodou, and, 114
Rara Chen Mechan, 117
Rara Chenn Tomarin, 118
Rara Laflè di Wòz, 111
Rara Léogâne, 118
Rara Mande Granmoun, 121
Rara Modèl d’Haïti, 112, 118
Rara Sacre Coeur, 117
Rara Sainte Thèrese, 117, 120
Rara Ti Malis, 111–113, 116, 118, 120
Rara Ti Raye de Boursan, 118
Rara Wozoli, 117, 120
reggae. See Marley, Bob
development of, 173–175
globalisation, and, 179–180
reggaeton, 179–180, See dembow
masculinity, and, 74
salsa, and, 227
Reid, Basil A, 4
Reid, Duke, 174, 181–182
resistance, 2, 10, 38, See Creole language, as resistance
against colonialism and imperialism, 43
Arawaks, as symbol of, 89
Big Drum Nation Dance, and, 223
Caribbean music, and, 229, 236
Dutch Tambú parties, and, 102, 106
flight, and, 217
gwoka, and, 132
kokomakaku, and, 235
salsa, and, 48
rhythm and blues, 24, 43, 70–71, 73, 136, 173, 181
rock. See punk
konpa mini djaz, and, 164
reggae, and, 176, 178
salsa, and, 42
rock steady, 173–174
Rodríguez, Arsenio, 29, 32
Rodríguez, Tito, 31
Román-Velázquez, Patria, 46
Romeo, 66, 70–75, 77–78
Rondón, César Miguel, 39, 43, 45, 48
Rosalia, Rene, 84–85
Rouet, Jiselle, 199
Royce, Prince, 71, 73–74, 78
Ruddock, Osbourne ‘King Tubby’, 174, 180–181
rumba, 22–24
‘binarization’, and, 23
clave, 23
instrumentation of, 22–23
Saba, 5, 101
Salentin, Kurt, 101
Salin, Franck, 138
salsa. See resistance, salsa, Cruz, Celia, Puente, Tito, Rodríguez, Tito, Machito and his Afro-Cubans
‘cultural imperialism’, and, 37
academic study of, 37
anticolonial politics, and, 41–42
as Cuban music, 39
definition and development, 38–41
globalisation, and, 45
hyper-masculinity, and, 41–42
Latin America, and, 44–45
mainstreaming of, 37
New York City’s El Barrio, and, 41–43
salsa dura, 42–43, 47–48
salsa romántica, 42–43, 47
sonic elements of, 40
salsa dancing
gender roles, and, 47–48
global circulation of, 37, 47–48
Santería, 24, 90–91, 227
Saunders, Nicholas, 4
Schmeets, Hans, 101
Schneider, Britta, 48
Schwarz-Bart, Jacques, 135–138
Seeed, 179
Segura, Luis, 67
Sellers, Julie A, 54
Sewell, Zakia, 210, 217, 223–224
Sex Pistols, 176, 181
Shaka, Jah, 182, 184
Shango, 90, 227
Sherwood, Adrian, 182, 184
Sibbles, Leroy, 182
Sicot, Wébert, 162–163
slavery
African enslavement, 6–7
Amerindian enslavement, 6
Asiento trade, 89
endentured servitude, 7
Sly and Robbie, 177, 184
Small, Christopher, 187–190, 195, 203–204
Sofo, Guiseppe, 197
son. See rumba, transculturation
‘Nengón’, 25–26
‘Son de la loma’, 26–27
‘Viva el bongó‘, 27–28
as coded messaging system, 20, 29–30
creolisataion, example of, 20
creolisation, example of, 28–29
development of, 20
mambo, and, 29, 30
musical structure, 24
musical structure of, 24
transculturation, and, 24–30
Sonora Matancera, 31, 40
soul
gwoka, and, 136–137
reggae, and, 174
salsa, and, 43
Spruce, Gary, 190
St Croix, 5
St Jan, 5
St Kitts, 4, 5
St Maarten, 6, 101
St Martin, 6
St Patrick’s Day, as celebrated on Montserrat, 8
St Thomas, 5
Stanislas, Janluk, 151
Stax Records, 174
steel pan, 18, 200–202, 205
Stick Figure, 178
Stoler, Ann Laura, 234
Storey, Olivia Smith, 219–220
Sublette, Ned, 22–23, 26, 30
Sullivan, Denise, 177
Sullivan, Paul, 182, 184
Suriname, 2, 100–102
Sylvestre, Martine, 133–134
Tabou Combo, 164, 166
Taíno. See Amerindian
Takouta (band), 128
takouta (rhythm), 124, 137
Tambú. See Montamentu
binary structure and inclusivity, 100
commodification of, 98
emergence of, 97–98, See kokomakaku
musical structure of, 98
Tambú party
‘ethnic parties’, and, 102
dance, and, 105
hybridity, and, 96, 104, 106
interpretive diaspora, and, 104
perception of violence, and, 98
tambu-bambu, 200
Tassa drumming, 8
Taub, Adam, 77, 79
Taylor, Timothy, 159
Thétis, Alain, 134
Thomas, Deborah A, 218
Thorsson, Courtney, 223
Tiffe, Janine, 201
Ti-Manno, 166
Tobago, 5–6, 201–202, 204
Toots and the Maytals, 174, 179
Tosh, Peter, 173, 176
toumblak, gwoka rhythm and dance, 124, 128, 130, 133
transculturation, 18–20, 23, See Ortiz, Fernando, son
Trinidad, 3, 8, 198, See Shango, steel pan, carnival, education, calypso
Dominica, influence from, 164
Montamentu, influence from, 90, 227
Trouillot, Michael-Rolph, 6
Troupé, Georges. See gwoka
Troupé, Sonny. See gwoka
Trujillo, Rafael, 52–54, 56, 66–67, 69, 161
Tsuji, Teruyuki, 201
Tucker, Joan, 191
T-Vice, 169
U-Roy, 174, 181
Usher, 71–73
vaksin (fututo), 59, 114
Valliant, Max, 119–120
Vargas, Wilfrido, 56
Veal, Michael, 181
Vélo, 125, 127–129, 138, 141
Venezuela, 4
Curaçao, and, 83, 89, 91–92
salsa, and, 39, 43–45, 77
Trinidad, influence from, 196
Ventura, Johnny, 56
Videmann, Nicole, 139
Virgin Islands, 4–5
Vodou
on Curaçao, 90–91
on Haiti, 110, 114–116, 165–167
Wade, Peter, 54, 56, 61
Washburne, Christopher, 38–39, 41–43
Waxer, Lise, 44–45
Williams, Eric, 201
Wilmer, Valerie, 198
Winer, Lise, 200
world music
definition of, 159–60

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  • Index
  • Edited by Nanette de Jong
  • Book: The Cambridge Companion to Caribbean Music
  • Online publication: 17 September 2022
  • Chapter DOI: https://doi.org/10.1017/9781108379779.017
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  • Index
  • Edited by Nanette de Jong
  • Book: The Cambridge Companion to Caribbean Music
  • Online publication: 17 September 2022
  • Chapter DOI: https://doi.org/10.1017/9781108379779.017
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Index
  • Edited by Nanette de Jong
  • Book: The Cambridge Companion to Caribbean Music
  • Online publication: 17 September 2022
  • Chapter DOI: https://doi.org/10.1017/9781108379779.017
Available formats
×