Contents
5From the Island to Global Stages: Dominican Bachata on the Move
6Investigating the Caribbean’s African Past: Kokomakaku Stickdance from Curaçao
7Reframing Diasporic Belonging: Curaçao Tambú Parties in the Netherlands
10The Foundations of Rap Music and Post-colonial Emancipation: Guadeloupe Hip-Hop
11Konpa, Zouk, and the Politics of World Music: Haiti, Dominica, Guadeloupe, and Martinique
13Musical Orality and Literacy in the Transmission of Knowledge and Praxis: Trinidad and Tobago