The Cambridge Companion to Bruckner

doi:10.1017/CCOL9780521804042

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Moortele, Steven Vande 2006. Julian Horton, Bruckner's Symphonies. Analysis, Reception and Cultural Politics (Cambridge: Cambridge University Press, 2004). x + 280pp. £45. Nineteenth-Century Music Review, Vol. 3, Issue. 1, p. 127.

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Horton, Julian 2013. The Cambridge Companion to the Symphony.

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2016. The Cambridge Companion to Film Music. p. 413.

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2017. The Cambridge Companion to the Musical.

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Berry, Mark and Vazsonyi, Nicholas 2020. The Cambridge Companion to Wagner's Der Ring des Nibelungen.

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Edited by John Williamson, University of Liverpool

Publisher:: Cambridge University Press
Online publication date:: September 2011
Print publication year:: 2004
Online ISBN:: 9781139000970
DOI:: https://doi.org/10.1017/CCOL9780521804042

Subjects:: Music, Music: General Interest, Nineteenth-Century Music
Collection:: The Cambridge Companions to Music
Series:: Cambridge Companions to Music

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Contents

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This Companion provides an overview of the composer Anton Bruckner (1824–1896). Sixteen chapters by leading scholars investigate aspects of his life and works and consider the manner in which critical appreciation has changed in the twentieth century. The first section deals with Bruckner's Austrian background, investigating the historical circumstances in which he worked, his upbringing in Upper Austria, and his career in Vienna. A number of misunderstandings are dealt with in the light of recent research. The remainder of the book covers Bruckner's career as church musician and symphonist, with a chapter on the neglected secular vocal music. Religious, aesthetic, formal, harmonic, and instrumental aspects are considered, while one chapter confronts the problem of the editions of the symphonies. Two concluding chapters discuss the symphonies in performance, and the history of Bruckner-reception with particular reference to German Nationalism, the Third Reich and the appropriation of Bruckner by the Nazis.

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