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Mapping Culture in the Habsburg Empire: Fashioning a Costume Book in the Court of Charles V

Published online by Cambridge University Press:  20 November 2018

Katherine Bond
Katherine Bond*
Affiliation:
Universität Basel
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Abstract

This article introduces two manuscript editions of a richly illustrated costume album dated ca. 1548–49. Commissioned by Christoph von Sternsee (d. 1560), the captain of Charles V’s German guard, and composed using visual material sourced from Dutch master Jan Cornelisz Vermeyen (ca. 1500–59), the costume album records the diversity of subjects, customs, and costumes that the guard witnessed across imperial Habsburg Europe. Shaped by Sternsee’s personal experiences of travel, war, and empire, his costume album paints a vivid picture of imperial propaganda and personal ambition, demonstrating the significant role that Habsburg networks and relationships had upon the period’s visual culture.

Type
Research Article
Information
Renaissance Quarterly , Volume 71 , Issue 2 , Summer 2018 , pp. 530 - 579
Copyright
Copyright © 2018 Renaissance Society of America

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References

Bibliography

Bayerische Staatsbibliothek (BSB), Munich, Cod. Icon 342. “Kostümbuch—Kopie nach dem Trachtenbuch des Christoph Weiditz,” ca. 1600.Google Scholar
Biblioteca Nacional de España, Madrid, MS RES/285. “Códice de Trajes,” ca. 1548–49.Google Scholar
British Library, London, MS Harley 1886. “Annals of the Province of Friesland,” ca. 1528.Google Scholar
Germanisches Nationalmuseum, Nuremberg, Hs. 22474. “Trachtenbuch/ Christoph Weiditz,” 1530–40.Google Scholar
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Österreichisches Staatsarchiv, Vienna, AVA Adel RAA 409.54. “Sternsee, Christoph von, im Krieg gegen das Herzogtum Mailand, Wappenbesserung” (Sternsee, Christoph von, in the war against the Duchy of Milan, coat of arms improvement), Speyer, 1544.Google Scholar
Staatsarchiv Nürnberg, Reichsstadt Nürnberg, Losungamt, 35 neue Laden, Urkunden, Lade 6. “Kaiserliche und königliche Anweisungen und Quittungen über die Stadtsteuer 1540–1580” (Imperial and royal instructions and receipts for the city tax 1540–1580), 1540–80. Cited as Staatsarchiv Nürnberg, RN, L, 35L: Urkunden, Lade 6.Google Scholar
Andreae, A. J. Nalezing op de nieuwe naamlijst van grietmannen van jhr. mr. H. Baerdt van Sminia. Leeuwarden, 1893.Google Scholar
Aytta van Zwichem, Viglius. Des Viglius van Zwichem Tagebuch des Schmalkaldischen Donaukriegs. Ed. August von Druffel. Munich, 1877.Google Scholar
Bernis, Carmen. Indumentaria española en tiempos de Carlos V. Madrid: Instituto Diego Velazquez, del Consejo Superior de Investigaciones Científicas, 1962.Google Scholar
Blockmans, Wim. Emperor Charles V, 1500–1558. London: Arnold, 2002.Google Scholar
Briquet, Charles-Moïse. Les filigranes: Dictionnaire historique des marques du papier dès leur apparition vers 1282 jusqu’en 1600 avec 39 figures dans le texte et 16 112 fac-similés de filigranes. 4 vols. Geneva: A. Jullien, 1907.Google Scholar
Buchanan, Iain. “Designers, Weavers and Entrepreneurs: Sixteenth-Century Flemish Tapestries in the Patrimonio Nacional.” Burlington Magazine 134.1071 (1992): 380–84.Google Scholar
Buchanan, Iain. “The Conquest of Tunis.” In Grand Design (2014), 320–30.Google Scholar
Burke, Peter. “Presenting and Re-presenting Charles V.” In Charles V, 1500–1558 (1999), 393–475.Google Scholar
Campbell, Thomas P. Tapestry in the Renaissance: Art and Magnificence. New York: Metropolitan Museum of Art Press and Yale University Press, 2002.Google Scholar
Carrasco, Pedro. “Indian-Spanish Marriages in the First Century of the Colony.” In Indian Women of Early Mexico, ed. Susan Schroeder, Stephanie Wood, and Robert Stephen Haskett, 87–103. Norman, OK: University of Oklahoma Press, 1999.Google Scholar
Casado Soto, José Luis, and d’Hyver de las Deses, Carlos Soler. El Códice de los Trajes: Libro studio. Valencia: Ediciones Grial, 2001.Google Scholar
Charles V, 1500–1558, and His Time. Ed. Hugo Soly. Antwerp: Mercatorfonds, 1999.Google Scholar
Chen, Aric. “Enea Vico’s Costume Studies: A Source and a Sovereignty.” Art on Paper 5.2 (2000): 50–55.Google Scholar
Cleland, Elizabeth A. H. “Timeline: Pieter Coecke van Aelst in Contemporary Documents.” In Grand Design (2014), 18–21.Google Scholar
Cline, Howard F. “Hernando Cortés and the Aztec Indians in Spain.” Quarterly Journal of the Library of Congress 26.2 (1969): 70–90.Google Scholar
Colding Smith, Charlotte. Images of Islam, 1453–1600: Turks in Germany and Central Europe. London: Pickering and Chatto, 2014.Google Scholar
Colin, Susi. “The Wild Man and the Indian in Early 16th Century Book Illustration.” In Indians and Europe: An Interdisciplinary Collection of Essays, ed. Christian F. Feest, 5–36. Aachen: Herodot, 1987.Google Scholar
Crowley, Roger. Empires of the Sea: The Final Battle for the Mediterranean 1521–1580. London: Faber, 2008.Google Scholar
Defert, Daniel. “Un genre ethnographique profane au XVIe siècle: Les livres d’habits; un essai d’ethno-icongraphie.” In Histoires de l’anthropologie (XVIe–XIXe Siècles), ed. Britta Rupp-Eisenreich, 25–41. Paris: Klincksieck, 1981.Google Scholar
Desideri, Laura, and Marco, Simona Di. La libreria di Frederick Stibbert: Catalogo. Florence: Giunta Regionale Toscana, 1992.Google Scholar
De Valencia, Don Juan. Catálogo histórico-descriptivo de la Real Armería de Madrid. Madrid: Fototipias de Hauser y Menet, 1898.Google Scholar
Dimitz, August. “Culturhistorisches aus dem Sitticher Archive.” In Mittheilungen des historischen Vereines für das Herzogthum Krain, vol. 16, ed. August Dimitz and Historischer Verein Für Krain, 94–95. Laibach (Ljubljana), 1861.Google Scholar
Eisenbichler, Konrad. “Charles V in Bologna: The Self-Fashioning of a Man and a City.” Renaissance Studies 13.4 (1999): 430–39.CrossRefGoogle Scholar
Frieder, Braden K. Chivalry and the Perfect Prince: Tournaments, Art, and Armor at the Spanish Habsburg Court. Kirksville, MO: Truman State University Press, 2008.Google Scholar
Fuchs, Barbara. Passing for Spain: Cervantes and the Fictions of Identity. Chicago: University of Illinois Press, 2003.Google Scholar
Fuchs, Barbara. Exotic Nation: Maurophilia and the Construction of Early Modern Spain. Philadelphia: University of Pennsylvania Press, 2009.CrossRefGoogle Scholar
Gardiner, Stephen. The Letters of Stephen Gardiner. Ed. James Arthur Muller. Cambridge: Cambridge University Press, 1933.Google Scholar
Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry. Ed. Elizabeth A. H. Cleland. New York: Metropolitan Museum of Art, 2014.Google Scholar
Haggh, Barbara. “The Archives of the Order of the Golden Fleece and Music.” Journal of the Royal Musical Association 120.1 (1995): 1–43.CrossRefGoogle Scholar
Horn, Hendrik J. Jan Cornelisz Vermeyen: Painter of Charles V and His Conquest of Tunis: Paintings, Etchings, Drawings, Cartoons and Tapestries. Doornspijk: Davaco, 1989.Google Scholar
Jardine, Lisa, and Brotton, Jerry. Global Interests: Renaissance Art between East and West. London: Reaktion, 2000.Google Scholar
Johnson, Carina L. “Some Peculiarities of Empire in the Early Modern Era.” In Politics and Reformations: Communities, Polities, Nations and Empires: Essays in Honor of Thomas A. Brady, Jr., ed. Christopher Ocker, Michael Printy, Peter Starenko, and Peter Wallace, 491–511. Leiden: Brill, 2007.Google Scholar
Johnson, Carina L.. Cultural Hierarchy in Sixteenth-Century Europe: The Ottomans and Aztecs. Cambridge: Cambridge University Press, 2011.Google Scholar
Jones, Ann Rosalind. “Habits, Holdings, Heterologies: Populations in Print in a 1562 Costume Book.” Yale French Studies 110 (2006): 92–121.Google Scholar
Jones, Ann Rosalind. “‘Worn in Venice and throughout Italy’: The Impossible Present in Cesare Vecellio’s Costume Books.” Journal of Medieval and Early Modern European Studies 39.3 (2009): 511–44.CrossRefGoogle Scholar
Keen, Benjamin. The Aztec Image in Western Thought. New Brunswick: Rutgers University Press, 1990.Google Scholar
Leitch, Stephanie. Mapping Ethnography in Early Modern Germany: New Worlds in Print Culture. Basingstoke: Palgrave Macmillan, 2010.CrossRefGoogle Scholar
Massing, Jean Michel. “Early European Images of America: The Ethnographic Approach.” In Circa 1492: Art in the Age of Exploration, ed. Jay A. Levenson, 515–20. New Haven: Yale University Press, 1991.Google Scholar
Mentges, Gabriel. “Vestimentäre Mapping: Trachtenbücher und Trachtenhandschriften des 16. Jahrhunderts.” Waffen- und Kostümkunde 1 (2004): 19–36.Google Scholar
Mezquita Mesa, Teresa. “Códice de Trajes.” In La Orden del Toisón de Oro y sus soberanos, 1430–2011, ed. Fernando Checa Cremades and Joaquín Martín-Correcher y Gil, 192–96. Madrid: Fundación Carlos de Amberes, 2011.Google Scholar
Mezquita Mesa, Teresa. “El Códice de Trajes de la Biblioteca Nacional de España.” Goya 346 (2014): 16–41.Google Scholar
Morgan, Hiram. Ireland 1518: Archduke Ferdinand’s Visit to Kinsale and the Dürer Connection. Cork: Crawford Art Gallery, 2015.Google Scholar
Op De Beeck, Jan. Manières turques d’une dame artistique. Mechelen: Centrum voor oude kunst ‘t Vliegend Peert, 2005.Google Scholar
Parker, Geoffrey. “The Political World of Charles V.” In Charles V, 1500–1558 (1999), 113–225.Google Scholar
Paulicelli, Eugenia. “Mapping the World: The Political Geography of Dress in Cesare Vecellio’s Costume Books.” The Italianist 28.1 (2008): 24–53.CrossRefGoogle Scholar
Peltz, Lucy. “Engraved Portrait Heads and the Rise of Extra Illustration: The Eton Correspondence of the Revd James Granger and Richard Bull, 1769–1774.” Walpole Society 66 (2004): 1–161.Google Scholar
Plaschke, Herta. “Die Chronik Christophs von Sternsee 1525–1555. [Abschrift der Chronik Christophs von Sternsee 1525–1555 als Anhang].” 3 vols. PhD diss., University of Vienna, 1940.Google Scholar
Ross, Elizabeth. Picturing Experience in the Early Printed Book: Breydenbach’s Peregrinatio from Venice to Jerusalem. Pennsylvania: Pennsylvania State University Press, 2014.Google Scholar
Rublack, Ulinka. Dressing Up: Cultural Identity in Renaissance Europe. Oxford: Oxford University Press, 2010.Google Scholar
Rublack, Ulinka, and Hayward, Maria, eds. The First Book of Fashion: The Book of Clothes of Matthäus and Veit Konrad Schwarz of Augsburg. London: Bloomsbury, 2015.Google Scholar
Smith, Pamela H., and Findlen, Paula, eds. Merchants and Marvels: Commerce, Science, and Art in Early Modern Europe. New York: Routledge, 2002.Google Scholar
Soly, Hugo. “Charles V and His Time.” In Charles V, 1500–1558 (1999), 11–25.Google Scholar
Stollberg-Rilinger, Barbara. The Emperor’s Old Clothes: Constitutional History and the Symbolic Language of the Holy Roman Empire. Trans. Thomas Dunlap. New York: Berghahn, 2015.CrossRefGoogle Scholar
Sturtevant, William C. “First Visual Images of Native America.” In First Images of America: The Impact of the New World on the Old, ed. Fredi Chiappelli, Michael Allen, and Robert L. Benson, 417–54. Berkeley: University of California Press, 1976.Google Scholar
Tait, Hugh. “The ‘Sternsee Jewel’: Is Lady Schreiber’s ‘greatest Trouvaille’ a Fake?” Jewellery Studies 3 (1989): 41–48.Google Scholar
Tracy, James D. Emperor Charles V, Impresario of War: Campaign Strategy, International Finance, and Domestic Politics. Cambridge: Cambridge University Press, 2002.Google Scholar
Traub, Valerie. “Mapping the Global Body.” In Early Modern Visual Culture: Representation, Race, and Empire in Renaissance England, ed. Peter Erickson and Clark Hulse, 44–97. Philadelphia: University of Pennsylvania, 2000.Google Scholar
Valvasor, Johann W. Die Ehre dess Hertzogthums Crain: Das ist, wahre, gründliche, und recht Eigendliche Belegen- und Beschaffenheit dieses … Römisch-Keyserlichen herrlichen Erblandes. Laibach (Ljubljana), 1689.Google Scholar
Vecellio, Cesare. Habiti Antichi et Moderni: The Clothing of the Renaissance World. Ed. Ann Rosalind Jones and Margaret Rosenthal. London: Thames and Hudson, 2008.Google Scholar
Weiditz, Christoph. Authentic Everyday Dress of the Renaissance: All 154 Plates from the “Trachtenbuch.” Ed. Theodor Hampe. New York: Dover Publications, 1994.Google Scholar
Whaley, Joachim. Germany and the Holy Roman Empire. 2 vols. Oxford: Oxford University Press, 2012.Google Scholar
Wilson, Bronwen. The World in Venice: Print, the City, and Early Modern Identity. Toronto: University of Toronto Press, 2005.Google Scholar
Wunder, Amanda. “Western Travelers, Eastern Antiquities, and the Image of the Turk in Early Modern Europe.” Journal of Early Modern History 7.1 (2003): 89–119.CrossRefGoogle Scholar
Young, Sandra. The Early Modern Global South in Print: Textual Form and the Production of Human Difference as Knowledge. Farnham: Ashgate, 2015.Google Scholar
Bayerische Staatsbibliothek (BSB), Munich, Cod. Icon 342. “Kostümbuch—Kopie nach dem Trachtenbuch des Christoph Weiditz,” ca. 1600.Google Scholar
Biblioteca Nacional de España, Madrid, MS RES/285. “Códice de Trajes,” ca. 1548–49.Google Scholar
British Library, London, MS Harley 1886. “Annals of the Province of Friesland,” ca. 1528.Google Scholar
Germanisches Nationalmuseum, Nuremberg, Hs. 22474. “Trachtenbuch/ Christoph Weiditz,” 1530–40.Google Scholar
Landesarchiv Baden-Württemberg, Generallandesarchiv, Karlsruhe, 21 Nr. 1337–38. Ferdinand I and Christoph von Sternsee, 18–19 June 1548.Google Scholar
Museo Stibbert, Florence, MS Cat. 2025. “Costumes of the time of Charles V, Emperor of the Holy Roman Empire, and King of Spain, of costumes of all nations of the world, circa 1540,” ca. 1548–49.Google Scholar
Österreichische Nationalbibliothek, Vienna, Cod. 14001 Han. Sternsee, Christoph von, “Historia rerum in aula et ab exercitu Caroli V. Gestarum a. 1525–1555” (A history of exploits in the court and army of Charles V), 1525–55.Google Scholar
Österreichisches Staatsarchiv, Vienna, AVA Adel RAA 409.54. “Sternsee, Christoph von, im Krieg gegen das Herzogtum Mailand, Wappenbesserung” (Sternsee, Christoph von, in the war against the Duchy of Milan, coat of arms improvement), Speyer, 1544.Google Scholar
Staatsarchiv Nürnberg, Reichsstadt Nürnberg, Losungamt, 35 neue Laden, Urkunden, Lade 6. “Kaiserliche und königliche Anweisungen und Quittungen über die Stadtsteuer 1540–1580” (Imperial and royal instructions and receipts for the city tax 1540–1580), 1540–80. Cited as Staatsarchiv Nürnberg, RN, L, 35L: Urkunden, Lade 6.Google Scholar
Andreae, A. J. Nalezing op de nieuwe naamlijst van grietmannen van jhr. mr. H. Baerdt van Sminia. Leeuwarden, 1893.Google Scholar
Aytta van Zwichem, Viglius. Des Viglius van Zwichem Tagebuch des Schmalkaldischen Donaukriegs. Ed. August von Druffel. Munich, 1877.Google Scholar
Bernis, Carmen. Indumentaria española en tiempos de Carlos V. Madrid: Instituto Diego Velazquez, del Consejo Superior de Investigaciones Científicas, 1962.Google Scholar
Blockmans, Wim. Emperor Charles V, 1500–1558. London: Arnold, 2002.Google Scholar
Briquet, Charles-Moïse. Les filigranes: Dictionnaire historique des marques du papier dès leur apparition vers 1282 jusqu’en 1600 avec 39 figures dans le texte et 16 112 fac-similés de filigranes. 4 vols. Geneva: A. Jullien, 1907.Google Scholar
Buchanan, Iain. “Designers, Weavers and Entrepreneurs: Sixteenth-Century Flemish Tapestries in the Patrimonio Nacional.” Burlington Magazine 134.1071 (1992): 380–84.Google Scholar
Buchanan, Iain. “The Conquest of Tunis.” In Grand Design (2014), 320–30.Google Scholar
Burke, Peter. “Presenting and Re-presenting Charles V.” In Charles V, 1500–1558 (1999), 393–475.Google Scholar
Campbell, Thomas P. Tapestry in the Renaissance: Art and Magnificence. New York: Metropolitan Museum of Art Press and Yale University Press, 2002.Google Scholar
Carrasco, Pedro. “Indian-Spanish Marriages in the First Century of the Colony.” In Indian Women of Early Mexico, ed. Susan Schroeder, Stephanie Wood, and Robert Stephen Haskett, 87–103. Norman, OK: University of Oklahoma Press, 1999.Google Scholar
Casado Soto, José Luis, and d’Hyver de las Deses, Carlos Soler. El Códice de los Trajes: Libro studio. Valencia: Ediciones Grial, 2001.Google Scholar
Charles V, 1500–1558, and His Time. Ed. Hugo Soly. Antwerp: Mercatorfonds, 1999.Google Scholar
Chen, Aric. “Enea Vico’s Costume Studies: A Source and a Sovereignty.” Art on Paper 5.2 (2000): 50–55.Google Scholar
Cleland, Elizabeth A. H. “Timeline: Pieter Coecke van Aelst in Contemporary Documents.” In Grand Design (2014), 18–21.Google Scholar
Cline, Howard F. “Hernando Cortés and the Aztec Indians in Spain.” Quarterly Journal of the Library of Congress 26.2 (1969): 70–90.Google Scholar
Colding Smith, Charlotte. Images of Islam, 1453–1600: Turks in Germany and Central Europe. London: Pickering and Chatto, 2014.Google Scholar
Colin, Susi. “The Wild Man and the Indian in Early 16th Century Book Illustration.” In Indians and Europe: An Interdisciplinary Collection of Essays, ed. Christian F. Feest, 5–36. Aachen: Herodot, 1987.Google Scholar
Crowley, Roger. Empires of the Sea: The Final Battle for the Mediterranean 1521–1580. London: Faber, 2008.Google Scholar
Defert, Daniel. “Un genre ethnographique profane au XVIe siècle: Les livres d’habits; un essai d’ethno-icongraphie.” In Histoires de l’anthropologie (XVIe–XIXe Siècles), ed. Britta Rupp-Eisenreich, 25–41. Paris: Klincksieck, 1981.Google Scholar
Desideri, Laura, and Marco, Simona Di. La libreria di Frederick Stibbert: Catalogo. Florence: Giunta Regionale Toscana, 1992.Google Scholar
De Valencia, Don Juan. Catálogo histórico-descriptivo de la Real Armería de Madrid. Madrid: Fototipias de Hauser y Menet, 1898.Google Scholar
Dimitz, August. “Culturhistorisches aus dem Sitticher Archive.” In Mittheilungen des historischen Vereines für das Herzogthum Krain, vol. 16, ed. August Dimitz and Historischer Verein Für Krain, 94–95. Laibach (Ljubljana), 1861.Google Scholar
Eisenbichler, Konrad. “Charles V in Bologna: The Self-Fashioning of a Man and a City.” Renaissance Studies 13.4 (1999): 430–39.CrossRefGoogle Scholar
Frieder, Braden K. Chivalry and the Perfect Prince: Tournaments, Art, and Armor at the Spanish Habsburg Court. Kirksville, MO: Truman State University Press, 2008.Google Scholar
Fuchs, Barbara. Passing for Spain: Cervantes and the Fictions of Identity. Chicago: University of Illinois Press, 2003.Google Scholar
Fuchs, Barbara. Exotic Nation: Maurophilia and the Construction of Early Modern Spain. Philadelphia: University of Pennsylvania Press, 2009.CrossRefGoogle Scholar
Gardiner, Stephen. The Letters of Stephen Gardiner. Ed. James Arthur Muller. Cambridge: Cambridge University Press, 1933.Google Scholar
Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry. Ed. Elizabeth A. H. Cleland. New York: Metropolitan Museum of Art, 2014.Google Scholar
Haggh, Barbara. “The Archives of the Order of the Golden Fleece and Music.” Journal of the Royal Musical Association 120.1 (1995): 1–43.CrossRefGoogle Scholar
Horn, Hendrik J. Jan Cornelisz Vermeyen: Painter of Charles V and His Conquest of Tunis: Paintings, Etchings, Drawings, Cartoons and Tapestries. Doornspijk: Davaco, 1989.Google Scholar
Jardine, Lisa, and Brotton, Jerry. Global Interests: Renaissance Art between East and West. London: Reaktion, 2000.Google Scholar
Johnson, Carina L. “Some Peculiarities of Empire in the Early Modern Era.” In Politics and Reformations: Communities, Polities, Nations and Empires: Essays in Honor of Thomas A. Brady, Jr., ed. Christopher Ocker, Michael Printy, Peter Starenko, and Peter Wallace, 491–511. Leiden: Brill, 2007.Google Scholar
Johnson, Carina L.. Cultural Hierarchy in Sixteenth-Century Europe: The Ottomans and Aztecs. Cambridge: Cambridge University Press, 2011.Google Scholar
Jones, Ann Rosalind. “Habits, Holdings, Heterologies: Populations in Print in a 1562 Costume Book.” Yale French Studies 110 (2006): 92–121.Google Scholar
Jones, Ann Rosalind. “‘Worn in Venice and throughout Italy’: The Impossible Present in Cesare Vecellio’s Costume Books.” Journal of Medieval and Early Modern European Studies 39.3 (2009): 511–44.CrossRefGoogle Scholar
Keen, Benjamin. The Aztec Image in Western Thought. New Brunswick: Rutgers University Press, 1990.Google Scholar
Leitch, Stephanie. Mapping Ethnography in Early Modern Germany: New Worlds in Print Culture. Basingstoke: Palgrave Macmillan, 2010.CrossRefGoogle Scholar
Massing, Jean Michel. “Early European Images of America: The Ethnographic Approach.” In Circa 1492: Art in the Age of Exploration, ed. Jay A. Levenson, 515–20. New Haven: Yale University Press, 1991.Google Scholar
Mentges, Gabriel. “Vestimentäre Mapping: Trachtenbücher und Trachtenhandschriften des 16. Jahrhunderts.” Waffen- und Kostümkunde 1 (2004): 19–36.Google Scholar
Mezquita Mesa, Teresa. “Códice de Trajes.” In La Orden del Toisón de Oro y sus soberanos, 1430–2011, ed. Fernando Checa Cremades and Joaquín Martín-Correcher y Gil, 192–96. Madrid: Fundación Carlos de Amberes, 2011.Google Scholar
Mezquita Mesa, Teresa. “El Códice de Trajes de la Biblioteca Nacional de España.” Goya 346 (2014): 16–41.Google Scholar
Morgan, Hiram. Ireland 1518: Archduke Ferdinand’s Visit to Kinsale and the Dürer Connection. Cork: Crawford Art Gallery, 2015.Google Scholar
Op De Beeck, Jan. Manières turques d’une dame artistique. Mechelen: Centrum voor oude kunst ‘t Vliegend Peert, 2005.Google Scholar
Parker, Geoffrey. “The Political World of Charles V.” In Charles V, 1500–1558 (1999), 113–225.Google Scholar
Paulicelli, Eugenia. “Mapping the World: The Political Geography of Dress in Cesare Vecellio’s Costume Books.” The Italianist 28.1 (2008): 24–53.CrossRefGoogle Scholar
Peltz, Lucy. “Engraved Portrait Heads and the Rise of Extra Illustration: The Eton Correspondence of the Revd James Granger and Richard Bull, 1769–1774.” Walpole Society 66 (2004): 1–161.Google Scholar
Plaschke, Herta. “Die Chronik Christophs von Sternsee 1525–1555. [Abschrift der Chronik Christophs von Sternsee 1525–1555 als Anhang].” 3 vols. PhD diss., University of Vienna, 1940.Google Scholar
Ross, Elizabeth. Picturing Experience in the Early Printed Book: Breydenbach’s Peregrinatio from Venice to Jerusalem. Pennsylvania: Pennsylvania State University Press, 2014.Google Scholar
Rublack, Ulinka. Dressing Up: Cultural Identity in Renaissance Europe. Oxford: Oxford University Press, 2010.Google Scholar
Rublack, Ulinka, and Hayward, Maria, eds. The First Book of Fashion: The Book of Clothes of Matthäus and Veit Konrad Schwarz of Augsburg. London: Bloomsbury, 2015.Google Scholar
Smith, Pamela H., and Findlen, Paula, eds. Merchants and Marvels: Commerce, Science, and Art in Early Modern Europe. New York: Routledge, 2002.Google Scholar
Soly, Hugo. “Charles V and His Time.” In Charles V, 1500–1558 (1999), 11–25.Google Scholar
Stollberg-Rilinger, Barbara. The Emperor’s Old Clothes: Constitutional History and the Symbolic Language of the Holy Roman Empire. Trans. Thomas Dunlap. New York: Berghahn, 2015.CrossRefGoogle Scholar
Sturtevant, William C. “First Visual Images of Native America.” In First Images of America: The Impact of the New World on the Old, ed. Fredi Chiappelli, Michael Allen, and Robert L. Benson, 417–54. Berkeley: University of California Press, 1976.Google Scholar
Tait, Hugh. “The ‘Sternsee Jewel’: Is Lady Schreiber’s ‘greatest Trouvaille’ a Fake?” Jewellery Studies 3 (1989): 41–48.Google Scholar
Tracy, James D. Emperor Charles V, Impresario of War: Campaign Strategy, International Finance, and Domestic Politics. Cambridge: Cambridge University Press, 2002.Google Scholar
Traub, Valerie. “Mapping the Global Body.” In Early Modern Visual Culture: Representation, Race, and Empire in Renaissance England, ed. Peter Erickson and Clark Hulse, 44–97. Philadelphia: University of Pennsylvania, 2000.Google Scholar
Valvasor, Johann W. Die Ehre dess Hertzogthums Crain: Das ist, wahre, gründliche, und recht Eigendliche Belegen- und Beschaffenheit dieses … Römisch-Keyserlichen herrlichen Erblandes. Laibach (Ljubljana), 1689.Google Scholar
Vecellio, Cesare. Habiti Antichi et Moderni: The Clothing of the Renaissance World. Ed. Ann Rosalind Jones and Margaret Rosenthal. London: Thames and Hudson, 2008.Google Scholar
Weiditz, Christoph. Authentic Everyday Dress of the Renaissance: All 154 Plates from the “Trachtenbuch.” Ed. Theodor Hampe. New York: Dover Publications, 1994.Google Scholar
Whaley, Joachim. Germany and the Holy Roman Empire. 2 vols. Oxford: Oxford University Press, 2012.Google Scholar
Wilson, Bronwen. The World in Venice: Print, the City, and Early Modern Identity. Toronto: University of Toronto Press, 2005.Google Scholar
Wunder, Amanda. “Western Travelers, Eastern Antiquities, and the Image of the Turk in Early Modern Europe.” Journal of Early Modern History 7.1 (2003): 89–119.CrossRefGoogle Scholar
Young, Sandra. The Early Modern Global South in Print: Textual Form and the Production of Human Difference as Knowledge. Farnham: Ashgate, 2015.Google Scholar