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Following a brief historical overview of the birth of the organised movement, Chapter 1 introduces literary figures and texts promoted by antivivisection periodicals such as the Zoophilist, the Home Chronicler, and the Animals Guardian. Adopting a literary-critical approach offers a fresh perspective on the movement’s association pamphlets and periodicals which have, thus far, largely been examined as historical documents. Poems, stories, and ‘humane words’ from notable writers were sourced and deployed to shape a common antivivisectionist identity, articulate the movement’s ideology, and mobilise activists. Analysis of antivivisection poems by Christina Rossetti, Robert Browning, Alfred Tennyson, and Robert Buchanan is complemented by attention to the framing and reception of these works in antivivisection publications and the wider press.
The gospel of Mark quickly introduces both human and superhuman characters who engage each other in consequential words and actions as they move through time and space, with geographical movement from the wilderness to Galilee and through Judea towards Jerusalem, and back towards Galilee again.
Chapter 2 traces the emergence of humane literary genealogies and animal-centred literary criticism. These new kinds of writing reveal the movement’s creative efforts to simultaneously draw from and re-imagine the canon in order the present a longstanding accord between literature and animal protectionism. The chapter then argues that reformers such as Frances Power Cobbe, Henry Salt, and Stephen Coleridge tried to establish a connection between aesthetic experience, ethical awareness, and political action; by carefully choreographing the appearance of stories, poems, and literary-criticism, association periodicals played a vital role in managing textual encounters and responses. However, expressions of excessive sentiment often endangered the efficacy, public image, and political legitimacy of the cause. The movement’s efforts to promote literary writing and antivivisectionism as natural bedfellows raised problems as well as opportunities: ‘Dipping’ into literary works and traditions was rarely carefree.
Maternal depression is associated with difficulties in understanding and adequately responding to children’s emotional signals. Consequently, the interaction between mother and child is often disturbed. However, little is known about the neural correlates of these parenting difficulties. Motivated by increasing evidence of the amygdala’s important role in mediating maternal behavior, we investigated amygdala responses to child sad and happy faces in mothers with remitted major depression disorder (rMDD) relative to healthy controls.
Methods
We used the sensitivity subscale of the emotional availability scales and functional magnetic resonance imaging in 61 rMDD and 27 healthy mothers to examine the effect of maternal sensitivity on mothers’ amygdala responses to their children’s affective facial expressions.
Results
For mothers with rMDD relative to controls, we observed decreased maternal sensitivity when interacting with their child. They also showed reduced amygdala responses to child affective faces that were associated with lower maternal sensitivity. Connectivity analysis revealed that this blunted amygdala response in rMDD mothers was functionally correlated with reduced activation in higher-order medial prefrontal areas.
Conclusions
Our results contribute toward a better understanding of the detrimental effects of lifetime depression on maternal sensitivity and associated brain responses. By targeting region-specific neural activation patterns, these results are a first step toward improving the prediction, prevention, and treatment of depression-related negative effects on mother–child interaction.
The Cambridge Companion to Biblical Narrative offers an overview and a concise introduction to an exciting field within literary interpretation of the Hebrew Scriptures and New Testament. Analysis of biblical narrative has enjoyed a resurgence in recent decades, and this volume features essays that explore many of the artistic techniques that readers encounter in an array of texts. Specially commissioned for this volume, the chapters analyze various scenes in Genesis, Exodus and the wilderness wanderings, Israel's experience in the land and royal experiment in Kings and Chronicles, along with short stories like Ruth, Jonah, Esther, and Daniel. New Testament essays examine each of the four gospels, the book of Acts, stories from the letters of Paul, and reading for the plot in the book of Revelation. Designed for use in undergraduate and graduate courses, this Companion will serve as an excellent resource for instructors and students interested in understanding and interpreting biblical narrative.
Previous research suggests that emotion words elicit lower emotional reactivity in languages acquired later in life (LX), prompting bilinguals to make less emotional decisions when responding to emotionally charged moral dilemmas in the LX compared to their first language (L1). This study investigated the influence of word emotionality on bilinguals’ moral judgements by manipulating the degree of emotiveness of the moral questions (i.e., emotive versus neutral conditions) accompanying different types of moral dilemmas (i.e., personal/sacrificial versus impersonal/realistic). Mixed effects logistic regression models revealed that the use of the LX increased the number of utilitarian decisions in both the emotive and the neutral conditions but only in the sacrificial moral dilemmas. Moreover, the emotive questions led to more deontological moral judgements than the neutral questions but only in the L1. Taken together, these findings provide further insight into the impact of emotion on bilinguals’ moral decision-making.
Philosophers have struggled to explain the mismatch of emotions and their objects across time, as when we stop grieving or feeling angry despite the persistence of the underlying cause. I argue for a sceptical approach that says that these emotional changes often lack rational fit. The key observation is that our emotions must periodically reset for purely functional reasons that have nothing to do with fit. I compare this account to David Hume’s sceptical approach in matters of belief, and conclude that resistance to it rests on a confusion similar to one that he identifies.
Speaking truth ought to be normative in churches, and yet when it does, the foundations and structures of power are often shaken to the core. This paper explores the issues of identity and integrity in ecclesiology and is concerned with the ethical paradigms and moral frameworks that need to be in place if churches are to be places where honesty and truthfulness can be normative. Churches often fail as institutions because they presume they can conduct their affairs as organizations might. Churches become anger-averse, resisting the voices and experiences of victims, in order that the flow of power and its structures are unimpeded. At that point, churches become inherently committed to re-abusing victims and are unable to hear their pain and protests, which only leads to the perpetration of further abuse.
Not supplied by the author. This Element surveys how a number of major disciplines − psychology, neuroscience, sociology, anthropology, philosophy, history, linguistics, and literary/cultural studies − have addressed the long-standing research question of whether human emotions should be thought of as meaningfully 'universal.' The Element presents both the universalist and anti-universalist positions, and concludes by considering attempts to move beyond this increasingly unhelpful binary.
Chapter 5 explores the logic of UN mediation as an ‘art’, which emphasises the fluid, contingent nature of mediation and prioritises relationships with negotiating parties. This chapter examines two core practices: emotional labour and discretion. The first section describes how UN mediators engage in emotional regulation to facilitate negotiations. The creation of emotional ties relies upon empathy and bonding in informal settings, which creates masculinised spaces that women have trouble accessing. In this case, the practice of empathy can be exclusionary. The second section examines how discretion – the choices mediators make about how to implement their mandates – is a key practice in UN mediation. How a mediator exercises their discretion is tied to their sense of political judgement. As such, using discretion unwisely can affect others' perceptions of a UN mediator's judgement. As WPS, especially the participation of local women, is often framed as showing partiality to one party over others, mediators are reluctant to use their discretion to advance the WPS Agenda. Instead, it is framed as a risk to the mediator's reputation for good political judgement and impartiality.
Weekly cycles in emotion were examined by combining item response modeling and spectral analysis approaches in an analysis of 179 college students' reports of daily emotions experienced over 7 weeks. We addressed the measurement of emotion using an item response model. Spectral analysis and multilevel sinusoidal models were used to identify interindividual differences in intraindividual cyclic change. Simulations and incomplete data designs were used to examine how well this combination of analysis techniques might work when applied to other practical data problems. Empirically, we found systematic individual differences in the extent to which individuals' emotions follow a weekly cycle, and in how such cycles are exhibited. Weekly cycles accounted for very little variance in day to day emotions at the individual level. Analytically, we illustrate how measurement, change, and interindividual difference models from different traditions may be combined in a practical manner to describe some of the complexities of human behavior.
We present an approach for evaluating coherence in multivariate systems that considers all the variables simultaneously. We operationalize the multivariate system as a network and define coherence as the efficiency with which a signal is transmitted throughout the network. We illustrate this approach with time series data from 15 psychophysiological signals representing individuals’ moment-by-moment emotional reactions to emotional films. First, we summarize the time series through nonparametric Receiver Operating Characteristic (ROC) curves. Second, we use Spearman rank correlations to calculate relationships between each pair of variables. Third, based on the obtained associations, we construct a network using the variables as nodes. Finally, we examine signal transmission through all the nodes in the network. Our results indicate that the network consisting of the 15 psychophysiological signals has a small-world structure, with three clusters of variables and strong within-cluster connections. This structure supports an effective signal transmission across the entire network. When compared across experimental conditions, our results indicate that coherence is relatively stronger for intense emotional stimuli than for neutral stimuli. These findings are discussed in relation to multivariate methods and emotion theories.
What is epistemically required of the rationally hopeful? In this paper, I propose that, as a subject becomes hopeful that p, she also adopts an inquiring attitude toward the question of whether p. Moreover, remaining rationally hopeful requires maintaining an inquiring attitude toward those possibilities we are hopeful about. On top of being led by a particular practical goal (that of attaining p), I suggest that the hopeful agent is also led by the epistemic goal of knowing whether p. Adding the “inquiry” criteria to rational hopefulness helps explain our intuition that there is something wrong with being hopeful that p and not disposed to inquire into whether p. It also helps us further distinguish hopefulness from other positive attitudes we adopt in the face of uncertainty, such as optimism, and faith.
Perceptualism is a prominent theory analyzing emotions as perceptual experiences of value. A long-standing challenge to perceptualism says that emotions cannot be perceptual because they are subject to normative assessments in terms of reasons and rationality, while perceptual experiences are not. I defend perceptualism from this charge. My argument begins by distinguishing two forms of normative assessment: fundamental and non-fundamental. Perceptualism is compatible with the latter (i.e., non-fundamental reasons and rationality); even sensory experiences are so assessable. I next argue that emotions are only non-fundamentally assessable. Following this argument, I outline a perceptualist-friendly theory of emotions as non-fundamentally normatively assessable.
Existential happiness is happiness that one has a basic life at all. Having a basic life, as I understand it, involves being the subject of experiences and being an agent in some minimal sense. As I argue, existential happiness is a fitting response to having a basic life. To make this argument, I look at two possible accounts of the fittingness of existential happiness: the value of a basic life and attachment to the constitutive elements of one’s life. I also consider a few possible sources of existential happiness, including encounters with death, counterfactual thinking, and hedonically positive feelings of awe directed toward one’s own consciousness.
The idea that imagination is everywhere in our lives, and that reality is an illusion, may sound absurd to the concrete mind. This book will try to convince you that imagination manifests in different 'phases,' encompassing even the most fundamental ideas about what is real (ontology) and what is true (epistemology). It is present in the contents (e.g., images) and the acts (e.g., fantasy) of our minds. Imagination helps us remove barriers through conscious planning and finds ways to fulfill unconscious desires. The many words related to imagination in the English language are part of a unified web and share a “family resemblance.” The first section of this book deals with imagination in everyday life, the second focuses on aesthetic imagination, and the third discusses scholarly approaches that incorporate both imagination types. The fourth section proposes a unified model integrating the diverse ways that imagination is manifested in our culture.
The rise of UKIP began in the 1990s under the leadership of Nigel Farage, another admirer of Powell. From the 1990s on, prominent Conservative Party figures spoke against what they regarded as the foreignization of Britain, sometimes overtly sometimes by insinuation. The latter approach was continued in the malevolent poster slogans of the Conservative campaign during the 2005 general election. After the Conservatives gained power, this activity continued in the even more aggressive ‘hostile environment’ campaign. By the time of the 2016 referendum, anti-immigrant sentiment was mobilised in various ways that included hints and allusions, the citing of misleading statistics, emotive metaphor and barefaced reiteration of untruths. The most blatant example was the pro-Leavers’ assertions that Turkey was about to join the EU, contrary to the well-known fact that Turkey’s application was indefinitely stalled because of its human rights record. In Brexit propaganda, the danger of Turkish accession was tacitly racist, and represented in terms of an ‘invasion’ of the British Isles. The workings of these various types of truth-twisting are examined in depth in this chapter.
This chapter offers an exposition of Collingwood’s theory of imagination as presented in the commonly overlooked Book Two of The Principles of Art. I show how the standard objections to Collingwood’s view are relatively superficial, and also how the account in Book Two should be understood in the light of Collingwood’s remarks concerning the imagination in his earlier writings (especially Speculum Mentis and Outlines of a Philosophy of Art). For Collingwood, sense perception inseparably involves the imagination of possible objects of perception in any perceptual experience. Moreover, the imagination makes the sensory object thinkable – a position that blends Kantian and Humean motifs. Additionally, the crucial mark of the imaginary object is self-containment (“monadism”), a notion serving to clarify both Collingwood’s claim that the imagination is indifferent to reality or unreality and the conceptual connection, on his view, between imagination and art.
Threat perception provokes a range of behaviour, from cooperation to conflict. Correctly interpreting others’ behaviour, and responding optimally, is thought to be aided by ‘stepping into their shoes’ (i.e. mentalising) to understand the threats they have perceived. But IR scholarship on the effects of attempting this exercise has yielded mixed findings. One missing component in this research is a clear understanding of the link between effort and accuracy. I use a US-based survey experiment (study N = 839; pilot N = 297) and a novel analytic approach to study mentalising accuracy in the domain of threat perception. I find that accurately estimating why someone feels threatened by either climate change or illegal immigration is conditional on sharing a belief in the issue’s overall dangerousness. Similar beliefs about dangerousness are not proxies for shared political identities, and accuracy for those with dissimilar beliefs does not exceed chance. Focusing first on the emotional states of those who felt threatened did not significantly improve accuracy. These findings suggest that: (1) effort does not guarantee accuracy in estimating the threats others see; (2) emotion understanding may not be a solution to threat mis-estimation; and (3) misperception can arise from basic task difficulty, even without information constraints or deception.
This chapter focuses on emotions and affects in Greek epic. Leven demarcates the difference between emotion and affect in this context: emotions are defined as complex phenomena that involve embodied minds, gendered individuals and their societies, as well as instincts, cognition and values; and affects are understood as more ineffable feelings, which lie ‘beneath’ the surface: the innumerable microevents that bodies and selves undergo in their experience of the world around them, rarely indexed in conventional language. The chapter then starts by outlining the main questions that have divided scholarship on ancient emotions in general, and epic emotions in particular, with special focus on two cases, anger and fear. It then turns to episodes featuring what Leven calls ‘scenes of affect’ and argues, first, that epic is not in fact solely dominated by ‘big emotions’ but is rather shaped by a multitude of affects. Focusing on representative passages of the Odyssey, the Argonautica, and the Posthomerica, the chapter ultimately shows that epic provides its own tools to conceptualise these affects.