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All the critical twiddle-twaddle about style and form, all this pseudo-scientific classifying and analysing of books in an imitation-botanical fashion, is mere impertinence and mostly dull jargon.’ The first thing to say is that Lawrence’s protest deserves honest respect. If one had to make an exclusive choice between that version of ’criticism’ which confines itself to the technical and the typical, and a kind that sees as its task assessment of particulars unfettered by reference, even, to types and to any sort of technical consideration: if one must choose, one must choose the latter. Comparative inarticulacy is preferable to a decreative sophistication. And the second thing to say is that we need not make such a choice. Our ability to confront literature fruitfully - to be creative - requires articulacy; and true articulacy requires the direction of the recreative mind. But must articulacy imply classification and analysis?
Jerome obliged all future historians of Christian literature by compiling the first chronological list of Christian writers and their works, beginning with St Peter and ending with himself. Much of Jerome's entry in the De Viris Illustribus is devoted to works of biblical scholarship published or undertaken after his move to Bethlehem in 386, broadly divisible into the three categories of translation, exegesis, and aids to study. Classical literary theory taught that writers should seek to out do their predecessors in particular genres. Jerome generalized the principle, conceiving an entire anti-literature based on Scripture. Jerome's biblicism is the other side of his classicism. For many years Jerome of Stridon and Rufinus, a native of nearby Concordia in northern Italy, led parallel lives. Rufinus was as keen to associate the figure of the martyr with the office of Christian writer as Jerome had been, but is content as a rule to leave the association implicit.
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