Although a product of his time – the literary traditions of Pope, Addison, and Swift; the Toryism and churchmanship of the eighteenth century – Samuel Johnson also transcended it through his own gifts and forceful character. After a difficult early life, marked by melancholy, a troubled relationship with his family, and an early departure from Oxford University, Johnson began to find his way in the 1730s. He married Elizabeth Porter, moved to London, and began to make his mark through work at the Gentleman’s Magazine and works such as the Life of Savage. He achieved renown as an essayist and fame as the compiler of the Dictionary but also suffered from bereavement and continuing financial insecurity. After the award of a government pension in 1762, Johnson’s works have a more relaxed style, and his final major work, the Lives of the Poets, helped to establish this era as the Age of Johnson.

This chapter goes beyond Surama Village and focuses on how Anglican missionaries from the Church Missionary Society (CMS) established missions in British Guiana during the mid nineteenth century that impacted the Makushi and other Indigenous groups. Based on archival sources, it closely describes how Thomas Youd formed three successive missions in the Makushi territory during the 1830s and 1840s. The chapter considers the relational modes, acquisitions of desiderata, and patterns of interaction evident among Makushi groups in this context. It considers the strategies and intentions involved in their seeking relations with Youd and other Anglican missionaries against the backdrop of ongoing threats of slaving expeditions directed against them from Brazil. The chapter also examines a later visit to the Makushi by an Anglican missionary during the 1850s and introduces early evidence of the aftermath of such missionisation. The chapter builds up to a discussion of the shamanic dimensions of these historical interactions.

This chapter examines the aftermath of early Anglican missionisation to Makushi groups. It begins with a story that was told to the author of a past Makushi leader described by a villager in Surama as a false prophet. The chapter then discusses various prophetic movements that arose among the Makushi and neighbouring Indigenous groups during the 1840s and afterwards which culminated in the alleluia religion. These movements used material and immaterial objects acquired and appropriated from the missionaries for new purposes. Many of these movements emphasised a central theme of transformation, which was often described in colonial sources in terms of Indigenous people becoming ‘white’ in one form or another. The movements combined resistance to colonialism with Christianity, shamanism, and sometimes also sorcery. In this context, shamanism became a means for contacting the Christian God. The chapter foregrounds a shamanic relational mode that structures interactions with outsiders among the Makushi.

This chapter addresses developments in Late Antiquity, which witnessed a partial shift to more land-based conceptions of both ownership and rulership. The prior literature has pointed to two explanatory factors: the decline of classical polis culture amidst the deurbanization of Late Antiquity, and the rise of Christianity. The chapter draws together the threads of this literature, in order to develop an account of late antique cultural change. Classical Roman property law, it argues, had its context in classical cities. The relative decay of urban dominance and the rise of Christianity tended to undermine the classical foundations of the law of both ownership and rulership. The Empire was reconceived in more territorial terms, while classical conceptions of elite power faltered. The resulting shifts did not result in any decisive and thoroughgoing transformation of the understanding of ownership and rulership, but they set the stage for later developments of great significance.

Elisabeth Jay focusses on the Crimea and asks how Christianity managed to re-embrace the soldier hero within an imaginary which, in the long years of European peace following 1815, had privileged martyrdom or domestic self-sacrifice as types of the heroic. The religious upheavals in the decades preceding 1850, leading to famous secessions from the established Church, simultaneously fostered a sense of persecution and a rancorously bellicose rhetoric. The Crimean War offered a new focus for an already widespread cultural debate about the nature of heroism, while the need to present the military life as compatible with a Christian calling afforded a fresh arena for the warring religious factions to argue their case. The religious dimension needs to be factored into the modern debate about masculinity and the forging pressures of war

This chapter considers the relationship between masculinity, work, and the body in Hopkins’s poetry, focussing in particular on the idealization of working-class bodies in ‘Felix Randal’, ‘Harry Ploughman’, and ‘Tom’s Garland’. It explores Hopkins’s engagement with the ‘Gospel of Work’ in the nineteenth century, situating his works alongside that of writers such as John Ruskin and Thomas Carlyle. It also examines the significance of broader social developments in the period: the rise of ‘muscular Christianity’, the socialist unrest of the late 1880s, and increasing medical concerns about overwork and leisure. The final section turns to Hopkins’s journals to consider his preoccupation with forms of productive labour, especially as this relates to self-regulation and sexual continence. In closing, the chapter considers Hopkins’s fraught engagement with the poetry of Walt Whitman and its eroticized representations of the male body.

This chapter explores Pentecostal conversion as both an affective and a political process. It considers the kind of subjects young urban Pentecostals are called upon to become: organised, enterpreneurial, armed not only with a transformed heart but with a ‘vision’ for their future and a ‘strategic plan’. This subject both converges with and diverges from the RPF’s attempts to create ‘ideal’ subjects who are able to participate in the country’s post-genocide development. While some young Pentecostals benefited from such self-making, others became disillusioned. Instead, they highlighted the limits of the Pentecostal project and its inability to deliver the bright future they felt they had been promised.

This chapter considers gender dynamics within the new Pentecostal churches and the role of young women within them. It explores Pentecostal gender constructions and how they conflict with the RPF’s more ‘progressive’ gender policies. The chapter foregrounds young women’s timework and how their actions are oriented towards leaving a Christian legacy for imagined heirs in the future. Here legacy is related to notions of urwibutso (memorial), with the concept taking on new meanings in Pentecostal churches. This chapter continues the discussion of Christian ubwenge, arguing that it becomes particularly important for young Pentecostal women.

Chapter 2 explores Pentecostal ethics, and how urban Pentecostal churches in Rwanda attempted to Pentecostalise ubwenge, a traditional concept often translated as ‘intelligence’, ‘wisdom’, or even ‘cunning’. It traces discursive attempts on the part of Pentecostal pastors to show that the ‘spirit of intelligence’ (umwuka w’ubwenge) had divine origins. Moving from discourse to practice, the chapter also considers how young Pentecostals employed ubwenge in their own lives, using it to navigate relationships both within the church and with the state.

Chapter 4 examines in detail a Christian crusade called Rwanda Shima Imana or Rwanda Thanksgiving Day. It explores the controversies that arose from it, in particular a conflict between a well-known Pentecostal pastor and the Catholic singer Kizito Mihigo. The conflict was in part about power: who has the right, ability, and authority to interpret the Bible and, by extension, Rwanda’s history and collective memory. This chapter also complicates the process of transformation, as some hearts were considered unable to transform, a situation which was often related to ethnic identity.

This chapter introduces the main arguments of the book by exploring the case of Kizito Mihigo, a well-known popular singer who was imprisoned, was released, and later died while in police custody. It discusses the idiom of the heart – or, more particularly, the need to transform the heart – as key to understanding post-genocide social life and urban young people’s attempts to navigate a difficult political terrain. Instead of reproducing theoretical binaries – resistance–domination, sound–silence, past–present – this chapter proposes looking to popular culture and Pentecostalism in order to understand the different ways young people in Kigali attempt to assert agency and make ‘noise’ despite a wider context of silence.

This chapter focuses on the new sound economy that Pentecostalism brought to Rwanda after the genocide. It considers a wide range of Pentecostal sound practices – from noise-making to praise and worship to Pentecostal radio – and shows how sound was understood to be key to inner and outer transformation. Pentecostals drew a distinction between ‘godly’ and ‘secular’ media, which allowed some young singers to become ‘gospel stars’. This chapter equally focuses on the materiality of Pentecostal sounds – the work that sound does outside of its discursive properties – and places this within the wider sonic context of post-genocide Rwanda. The RPF state has increasingly cracked down on noise – associated both with the new churches and nightclubs – and in 2018 closed thousands of chruches across the country. Perhaps ironically, despite their differences, the new Pentecostal churches and the RPF state share a conviction of sound’s transformative power.

The Conclusion returns to the case of Kizito Mihigo and his tragic death in February 2020. It considers how his music reveals a certain politics of humanity, and the ways in which the RPF state tries to define who is and is not to be considered human. Returning to the theme of sound, noise, and silence, it sugggests the importance of taking sound seriously in Rwanda. Thinking more closely about sound – not only its discursive properities but its material ones as well – opens up new avenues for scholarship.

Chapter 4 continues the theme of the European Mythology of the Indies (II), exploring the intellectual framework employed by Europeans (specifically Spanish, French, and British) to situate native peoples within a European worldview, taking the narrative from the sixteenth century, through the seventeenth century, and into the early eighteenth century. The chapter considers the use of the terms “civilization” and “barbarism” to characterize indigenous peoples, traditions of millennial thought and prophecy among the Franciscan friars, theories of demonology and witchcraft as applied to native inhabitants, and the myth of the so-called pre-Hispanic evangelization of the Americas and the identification of the Christian St. Thomas with the Mesoamerican god Quetzalcoatl, the myth of indigenous peoples as descendants of the Lost Tribes of Israel, and finally the myth of the noble savage.

This chapter probes the powerful presence of Greek epic in the world of late antique Christianity. The chapter begins by exploring the dynamic variety of uses to which hexameter verse was put by late antique Christians, including poems on surprisingly salacious themes. It then turns to consider hexameter poems on specifically Christian topics. First it examines the earliest examples of such texts, the Sibylline Oracles and the poems in the Codex of Visions. He then analyses the group of poems all composed in the fifth century CE: the Metaphrase of the Psalms of ps.-Apollinaris, the Homeric Centos and Martyrdom of St Cyprian of Eudocia and the Paraphrase of John’s Gospel by Nonnus. Each of these is, in a different way, a transcription into hexameter verse of a pre-existing Christian text — a striking development in the history of Greek poetry. Whitmarsh shows how this shift enacts, and indeed puts pressure on, the distinction between form and content. Yet for all that they have in common, each of the three fifth-century poets has a different agenda, and reflects a unique poetic vision and aesthetic.

This chapter explores the history of urbanization in Nigeria, focusing primarily on the colonial era and, to a lesser degree, precolonial Nigeria in areas that hosted large, Indigenous urban centers like Ibadan or Kano. This chapter will argue that the primary factor that pushed Nigeria toward urbanization was colonialism, driven primarily by economic interests. This development was informed by Nigeria’s unique geographic, social, and political conditions, the specifics of which will be showcased through the exploration of Nigeria’s most prominent cities. Finally, the chapter will detail the urban policies of colonial officials and the actual development of these cities, along with the challenges that arose from uneven, exploitative practices. These issues would mire Nigeria’s urban landscape with poor planning, crime, poverty, and numerous other challenges which continue to plague the nation today.