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The Domesday book, surviving now in the National Archives in London, was the great land survey of 1086 instigated by William the Conqueror to enable him to tax the land correctly. It summarises in a largely formulaic format in Latin the holdings of each of the royal tenants and the population and property across most of the country. The huge work contains amazing detail about named individuals. Here short excerpts are also included from Henry of Huntingdon’s History of the English and from the work called the Dialogue of the Exchequer which describes the DOmesday book and its inception.
Two short writs granting land to the Church show how in the early years of William the Conqueror’s reign the use of Latin was gradually adopted where Old English had been used in pre-Conquest times for royal writs, though Latin was used for charters.
In the section on the Battle of Hastings of 1066, the first event in the Norman Conquest of Britain, an excerpt is given of the Latin text accompanying the embroidered pictures on the Bayeux tapestry. Then excerpts are given from the early twelfth-century accounts by William of Malmesbury of the Battle itself, and by Orderic Vitalis of the aftermath of the battle, in the following years of violence against the population in the rest of the country, including Northumbria and Cumbria.
Edited by
Ben Kiernan, Yale University, Connecticut,T. M. Lemos, Huron University College, University of Western Ontario,Tristan S. Taylor, University of New England, Australia
General editor
Ben Kiernan, Yale University, Connecticut
William I’s ‘Harrying of the North’ was a military expedition against local rebels and a Danish invasion force in the winter of 1069–70. It has been regarded since the 1870s as a uniquely savage treatment of the English inhabitants of northern England, wantonly destructive of life and the means of sustenance, and tantamount to genocide. Such views derive from the two fullest medieval accounts, by the early twelfth-century historians Symeon of Durham and Orderic Vitalis. However, neither was an eye-witness, both were at work two generations later, and both had their own agenda in describing the destruction of the North and William I’s cruelty. The Harrying should instead be seen as a routine military operation which took place, unusually, in the depths of winter, and so had unusually severe consequences. More strictly contemporary accounts from Evesham and Beverley reveal a regional but probably localized famine and a refugee crisis. Further, the record in Domesday Book (1086) of many Yorkshire villages as ‘waste’ should be read as referring not to physical destruction but to the absence of surplus values accruing to landlords, and not caused by the Harrying alone. The Harrying of the North was no genocide.
This Cambridge Companion offers readers a comparative cultural history of north-western Europe in the crucial period of the eleventh century: the age of William the Conqueror. Besides England, Normandy, and northern France, the volume also explores Scandinavia, the North Sea world, the insular world beyond the English Channel, and various parts of Continental Europe. This Companion features essays designed specifically for those wishing to advance their knowledge and understanding of this important period of European history using a holistic and contextual perspective, deliberately shifting the focus away from William the man and onto the rich and fascinating culture of the world in which he lived and ruled. This was not the age created by William, but the age that created him. With contributions by leading international experts, this volume provides an inclusive and innovative study companion that is both authoritative and timely.
This epilogue concludes the volume with an investigation of the legacy of William the Conqueror and his age in public culture, international politics, media, and social memory.
In this book, Lisa Reilly establishes a new interpretive paradigm for the eleventh and twelfth-century art and architecture of the Norman world in France, England, and Sicily. Traditionally, scholars have considered iconic works like the Cappella Palatina and the Bayeux Embroidery in a geographically piecemeal fashion that prevents us from seeing their full significance. Here, Reilly examines these works individually and within the larger context of a connected Norman world. Just as Rollo founded the Normandy 'of different nationalities', the Normans created a visual culture that relied on an assemblage of forms. To the modern eye, these works are perceived as culturally diverse. As Reilly demonstrates, the multiple sources for Norman visual culture served to expand their meaning. Norman artworks represented the cultural mix of each locale, and the triumph of Norman rule, not just as a military victory but as a legitimate succession, and often as the return of true Christian rule.